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Jack Chuter is a musician, journalist, podcaster, author, and label owner from Bournemouth, England. They run ATTN:Magazine, which is an exploration of new experimental music and sound art, founded on a love for the failures and contradictions in articulating the experience of listening. It's also home to the Crucial Listening podcast and the Hard Return label.
Jack's other creative music projects
https://gguueesssswwoorrkk.bandcamp.com/
https://gguueesssswwoorrkk.bandcamp.com/album/inclination
https://swallowing.bandcamp.com/
https://multiplying.bandcamp.com/
https://cruelnaturerecordings.bandcamp.com/album/beams
Jack’s podcast Crucial Listening
https://www.attnmagazine.co.uk/tag/crucial-listening/
Jack’s Reviews
https://www.attnmagazine.co.uk/tag/record/
Jack’s label Hard Return
https://hardreturn.bandcamp.com/
Jack’s book about post rock music
https://www.amazon.co.uk/Storm-Static-Sleep-Pathway-Post-Rock/dp/0957249225
Jack’s Mastering work
https://www.attnmagazine.co.uk/mastering/
Michael D Brown
https://fleshlicker.bandcamp.com/music
https://foulprey.bandcamp.com/music
Lucia H Chung
https://encreuxmusic.bandcamp.com/
https://shows.acast.com/into-the-noise/episodes/ep14-lucia-h-chung
Jack's equipment
Maximal Drone Synth
Audible Disease Rupture
https://www.audibledisease.com/product/rupture_rp-2
Cafe Oto Falling Cat Problem
https://www.cafeoto.co.uk/artists/falling-cat-problem/
Adrian Newton
https://evergreenmusic1.bandcamp.com/
https://nocontext1.bandcamp.com/
https://shows.acast.com/sound-mosaics-for-a-broken-world
Felicia Atkinson
https://www.attnmagazine.co.uk/crucial-listening-171-felicia-atkinson/
Taito Station
Teamlabs
https://www.teamlab.art/e/planets/
[Ahmed]
https://ahmedquartet.bandcamp.com/music
Oren Ambarchi
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Lauren Sarah Hayes is a Scottish improviser, sound artist, and scholar who is recognised for her embodied approach to computer music. Her music is a mix of experimental pop/live electronics/techno/noise/free improvisation and has been described as "voracious" and "exhilarating". Her performances stretch, transform, and sculpt sound by manipulating, remixing, and bending voice, drum machines, analogue synths and self-built software live and physically. Her shows are highly gestural, exploring the ephemeral and fragile relationships between sounds, spaces, and audiences. Over nearly two decades, she has developed and honed her live electronics improvisation system, an instrument that allows her to playfully navigate between the realms of responsiveness and unpredictability in both her solo performances and numerous collaborations.
Jacob Heart PhD analysis of Lauren’s code
Greg Lewis/Greg Jackson – Kill The Cop in Your Head
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Lucia H Chung is a Taiwanese artist based in London, United Kingdom. She performs and releases music under the alias ‘en creux’ where the sound creation springs from her fascinations in noise generated through no-input feedback mixing board. The volatile nature of the system and the unpredictable glitch from the excessive energy pouring into the equipment becomes her improvisational and compositional strategy.
Black Fountain from Studies of Impassable Landscapes
I Am Sitting In A Room by Alvin Lucier
OTO BAM Space Generator reverb unit
Other NIMB Musicians:
This episode was researched, hosted, produced, and edited by Jim Reeve-Baker.
The photograph used for this episode's artwork was taken by Taotzu Chang
Thanks for listening.
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Nicholas Kirk-Canny is an improviser, composer and creative coder with experience in instrumental and digital music. He recently completed a Ph.D. in Creative Music Practice at the University of Edinburgh, which involved the humanisation of electronic music. Currently, he is working as a postdoc at the Computer Music Laboratory at the Open University in Milton Keynes, on the Polifonia Access Pilot, which aims to develop new ways to enhance participation and engagement in music.
The Open University Music Lab website
This episode was researched, hosted, produced, and edited by Jim Reeve-Baker.
Thanks for listening.
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ollie turbitt is a scottish-italian musician, sound artist, and audio engineer based in trento, italy. as well as providing guitar and bass duties for a handful of bands, he has pursued a fluctuating solo career in avant-garde exploration. under the pseudonyms oxhead, sforza gramsci, oj turbitt, hermetic gaze and others, his self-released cassettes, usbs and digital albums have aimed to express ideas of cultural memory, psychogeography, false consciousness and mysticism/esotericism through improvisation, sound collage, ambient textures, laptop experimentation and field recordings. ollie also runs dead hound records (which serves as a platform for both his own material and an increasing list of international experimental acts) & works in freelance mixing/mastering.
Brigid we Built on Rock from Skein
VCV Rack modular synthesis software
Castel Sant’Angelo Rome website
Kevin Drumm’s Imperial Distortion
Memoirs of Hadrian by Marguerite Yourcenar
This episode was researched, hosted, produced, and edited by Jim Reeve-Baker.
Thanks for listening.
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Music and sound art listened to and discussed in this episode:
Wasp Cavernous Deep Sound of Southside
Eliane Radique ARP 2500 Trilogy of Death
Celer’s website Celer’s Bandcamp
Catarina Barbieri’s website Catarina Barbieri’s Bandcamp
Wasp synthesizer Goldsmiths Electronic Music Studio Prophet 12 SoundHack
O Magnum Mysterium by Morten Lauridsen
Art 27 Scotland Festival of Migration Southside Community Centre
Article 27 of The Declaration of Human Rights
Kalimba Pipa Initiative Refugee Week Autism Take 5
Ros Fraser's website - artist who has worked at Govanhill Baths in Glasgow
Culture Collective by Creative Scotland
Culture Collective 2022/23 ARTISTS IN RESIDENCE ARE: Elaine Cheng, Ghazi Hussain, Laleh Sherkat, Marta Adamowicz, Robert Motyka, Robert Rae, Shatha Altowai
This episode was researched, hosted, produced, and edited by Jim Reeve-Baker.
Thanks for listening.
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Mathias Arrignon is an artist from Val-de-Marne (France), currently residing in Glasgow and working across Europe. His works merges field recording practices, audio technology, interactive installations and participatory performances to instil forms of interconnectedness with worlds that are often more-than-human.
A Cubic Kilometre of the Entlebuch from To the Hum of the Forest
UAL London College of Communication Sound Art Master’s programme
Radio France show concerned with the environment
Francois J Bonnet’s book The Infra-World
Astrida Neimanis’ book Bodies of Water Posthuman Feminist Phenomenology
Arts of Living on a Damaged Planet: Ghosts and Monsters of the Anthropocene
Annea Lockwood’s A Sound Map of the Danube
Rumors from the Sea by Felix Blume
Anthropos Ex artists’ collective
Theodore Cale Schafer’s bandcamp page
Disasterpeace aka Rich Vreeland’s website
Expeditions to the Arctic Circle
This episode was researched, hosted, produced, and edited by Jim Reeve-Baker.
Thanks for listening.
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Lisa Conway-Bühler is a Swiss-Canadian composer, sound artist, songwriter, researcher, recordist, and mixer. Her recordings have been described as "ethereal, minimalist, experimental, unnerving…and downright elegant" (AUX): in her sound worlds, analog synthesizers, drum machines, and electronics often live alongside string arrangements and woodwinds. An artist who continually tries to push herself into the unfamiliar, her multifaceted CV includes original scores and songs for documentaries, short films, and theatre productions, site-specific multi-channel sound and light installations, collaborations with contemporary dancers and performance artists, and an array of renowned creative residencies.
Limestone I from SOUNDMILL Improvisations
Signal Erosion Performance with Helena Hamilton at Sonorities Festival Belfast
Alphorn Tape Loop I from The Isolator
International Institute for Critical Studies in Improvisation
Cathy van Eck Beyond Air and Electricity
Belfast Sonic Arts Master’s Programme
This episode was researched, hosted, produced, and edited by Jim Reeve-Baker.
The photograph used for the artwork was taken by Alix Forgeot
Thanks for listening.
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Multidisciplinary artist Özcan Saraç merges the boundaries between art, philosophy and science in his installation and discography work. Through an examination of the fundamental aspects and dynamics of contemporary matters, the artist infuses his artworks with conceptual and complex structures dedicated to existential perspective shiftings.
Saraç crafts his research framework with a focus on both the tangible elements of the natural and built environment and abstract constructs like political and financial systems or decision-making processes. His exploration delves into the intricate relationships individuals maintain with their encompassing universe, pinpointing information processing and transformation systems as the core of his inquiry. Saraç is committed to incorporating research methodologies from various disciplines alongside creative techniques of expression and innovative publishing tools.
His works have been exhibited in London, Paris, New York, Istanbul, Zurich, Geneva, Basel and Milan. Released six albums internationally under his name on the record labels Evel (Spain), Superpang (Italy), Tokinogake (Japan) and Kaer'Uiks (Germany). Performed internationally at several organizations.
Music listened to and discussed in this episode:
Back to the unstable proposition,
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Sara Constant is a musician and artist working in various forms of contemporary/experimental music and sound. Trained as a flute player and active as a soloist, improviser, sound artist, and ensemble musician, Sara’s work involves interpretations of composed music, improvisations with instruments and electronics, and sound installation, to explore ideas around listening, resonance, and place. Sara has released music on People Places Records and Age of Leisure, has performed on releases from Centrediscs and Sawyer Editions, and has presented sound installations and solo projects across Canada, Europe, and the United States. Sara is currently based in Tkarón:to/Toronto, working as a flutist, artist, writer (Musicworks), and curator (Music Gallery).
Links:
Music and sound art listened to and discussed in this episode:
Mutable Bodies Number 1: Soft Speaking: https://saraconstant.ca/jellos https://saraconstant.ca/jellos-full-length
Five Times Recycled: https://sawyereditions.bandcamp.com/album/no-grief-without-joy
Surface Tensions: https://saraconstant.ca/surface-tensions
Sara’s website: https://saraconstant.ca
The Music Gallery in Toronto: https://musicgallery.org/
Alvin Lucier’s I am Sitting in a Room: https://www.youtube.com/watch?v=bhtO4DsSazc
Women From Space Festival 2022 edition review: https://www.musicworks.ca/reviews/women-space-festival
Women From Space Website: https://www.womenfromspace.com
This episode was researched, hosted, produced, and edited by Jim Reeve-Baker.
Thanks for listening.
https://www.instagram.com/into_the_noise/
Hosted on Acast. See acast.com/privacy for more information.
Links:
Music listened to and discussed in this episode:
https://flufrecs.bandcamp.com/album/aa0006
https://guybirkin.bandcamp.com/album/disorganised-and-unwanted-night
https://guybirkin.bandcamp.com/album/rushed-snares
Additional music
https://guybirkin.bandcamp.com/album/liminal-kicks
https://evel.bandcamp.com/album/animation-image-analysis
Broadway One: https://digitalartarchive.siggraph.org/artwork/ernest-edmonds-mark-fell-broadway-one/
Errorsmith Razor Synth: https://www.native-instruments.com/en/products/komplete/synths/razor/errorsmith-on-razor/?srsltid=AfmBOoqXZS6t3WqZhQjnpQOQo-FhMvSmqSCum6QDEtZ0k3V4cgWZVGbd
Ancient Woodlands: https://www.woodlandtrust.org.uk/trees-woods-and-wildlife/habitats/ancient-woodland/
Marie Thompson's Beyond Unwanted Sound: https://www.bloomsbury.com/uk/beyond-unwanted-sound-9781501313301/
The On-Line Encyclopaedia of Integer Sequences: https://oeis.org/
Stephen Wolfram's A New Kind of Science: https://www.wolframscience.com/nks/
Mentioned labels
https://farmersmanual.bandcamp.com/
https://generalmagic.bandcamp.com/
The photograph used in this episode's artwork was taken by Mike Ford.
This episode was researched, hosted, produced, and edited by Jim Reeve-Baker
Thanks for listening
Hosted on Acast. See acast.com/privacy for more information.
This episode of Into the Noise I talk to Tom Painter about the relationships between maths and music, the different cities Tom has lived in, using music to evoke abstract spaces, whether the expectations of audiences really matter, and Tom’s use of the sonic fragments left behind after the death of a loved one to explore memory and personal history.
Links to Tom's music heard in the episode:
https://afterseasonrecording.bandcamp.com/album/possibility-foam
https://afterseasonrecording.bandcamp.com/album/twenty-gramme-bird
https://afterseasonrecording.bandcamp.com/album/everywhere-curving
Tom's radio shows on Noods radio can be heard here:
https://noodsradio.com/residents/after-season-radio
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This episode of Into the Noise I'm talking to Jack Walker. We talk about Jack’s preferences for AI, structure, and improvisation; his background in Sheffield; how he balances work, life, and music making; and the good and bad aspects of being embedded within a university music department amongst other things.
Jack's PhD thesis:
https://era.ed.ac.uk/bitstream/handle/1842/39693/Walker2022.pdf?sequence=3&isAllowed=y
More of Jack's music:
https://plusminusensemble.com/education/edinburgh-2020/
More of Jack's writing:
https://aimc2021.iem.at/wp-content/uploads/2021/07/AIMC_2021_Walker.pdf
https://2022.aimusiccreativity.org/assets/program/aimc2022_m1.pdf
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In this episode of Into the Noise Jim talks to the multimedia artist Ioannis Panagiotou about war, family and memory; the role piano strings have played in the Greek civil war; Ioannis’ relationship with Greece and his emigration to other countries; and his interest in borders and coastlines.
You can find the works Ioannis has contributed to this episode via the links below
https://www.ioannispanagiotou.com/umwelt
https://www.ioannispanagiotou.com/works
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In this episode of Into the Noise Jim talks to the composer Tom Mudd about agency in regards to information and the internet, exploring digital music making processes, musical forms and structures, evoking and failing to evoke sounds and cultures using synthesis, and the musical benefits of performing with amateur youth ensembles.
You can find the music Tom has contributed to this episode via the links below
https://tommudd.bandcamp.com/album/gutter-synthesis
https://tommudd.bandcamp.com/album/brass-cultures
https://tommudd.bandcamp.com/album/guitar-cultures
Additionally, here is a link to Tom’s website, and his ever-changing biography…
Artwork designed by Jim Reeve-Baker
Photograph by Šimon Lupták
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In this episode of Into the Noise Jim speaks to composer Jules Rawlinson about the myriad influences on his music, collaborations both across decades and in the moment of performance, multimedia installations, preferences for finding the unstable qualities of new performance technologies, and many other things.
You can find the music Jules has contributed to this episode via the links below
https://pixelmechanics.bandcamp.com/album/pulsar-retcon
https://pixelmechanics.bandcamp.com/album/interval-and-instance
https://pixelmechanics.bandcamp.com/album/yield-point
and the music of the group he performs in Raw Green Rust
https://rawgreenrust.bandcamp.com/
Produced by Jim Reeve-Baker
Artwork designed by Jim Reeve-Baker
Photograph by Laurence Winram http://www.lwinram.com/
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