Random Observations on Art, Photography, and the Creative Process. These short 2-4 minute talks focus on the creative process in fine art photography. LensWork editor Brooks Jensen side-steps techno-talk and artspeak to offer a stimulating mix of ideas, experience, and observations from his 35 years as a fine art photographer, writer, and publisher. Topics include a wide range of subjects from finding subject matter to presenting your work and building an audience. Brooks Jensen is the publisher of LensWork, one of the world's most respected and award-winning photography publications, known for its museum-book quality printing and luxurious design. LensWork has subscribers in over 73 countries. His latest books are "The Creative Life in Photography" (2013) and "Looking at Images (2014).
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Random Observations on Art, Photography, and the Creative Process. These short 2-4 minute talks focus on the creative process in fine art photography. LensWork editor Brooks Jensen side-steps techno-talk and artspeak to offer a stimulating mix of ideas, experience, and observations from his 35 years as a fine art photographer, writer, and publisher. Topics include a wide range of subjects from finding subject matter to presenting your work and building an audience. Brooks Jensen is the publisher of LensWork, one of the world's most respected and award-winning photography publications, known for its museum-book quality printing and luxurious design. LensWork has subscribers in over 73 countries. His latest books are "The Creative Life in Photography" (2013) and "Looking at Images (2014).
When I was out photographing the other day, it dawned on me that we are all minimalists, but perhaps to different degrees. The fundamental act of composition is the elimination of distractions. Even that is a form of minimalism.
When you make art, is it an assertion of your fundamental beliefs and philosophies about life? Or, are you a third party observer who simply shares what you've seen with others through your art? In other words, does your art say, "This is who I am" or does it say "This is what I've seen."
When it comes to photography, what does it mean to have accurate color? Doesn't the very concept of accurate color deny the fact that we humans see color differently, that color is a subjective sensation. Accurate color is not the same as emotional color. This way of thinking implies a new approach to color balance and color mixing.
The waterfalls were impressive, but from what I could see, most of the people were even more impressed by, well, themselves. I saw very few people taking pictures of this nature's wonder, but almost everyone was taking selfies. Is this a cultural phenomenon? A psychological phenomenon? Or, a technological one?
I said on this trip I was going to attempt an experiment to see in sixes as often as I could. My first opportunity was at Niagara Falls. I started with a simple question: What is the essence of this experience? Surprisingly, it wasn't the rushing waters that plunge off the cliff. Instead, the overriding experience was the mist that rose from the chaos.
Here on the first day of my 2-month travel adventure, I had a chance to stop at the Fenimore Museum in Cooperstown, New York for a second look at the Peter Federman show, The Power of Photography. I couldn't put my finger on what made some of these images so special, but they definitely are. The thought I kept circling back to was James Bond in a tuxedo.
Road trips always require a lot of planning. There are routes to be determined, gear to sort out, and reservations that need to be made. Notice anything missing? No, it's not a determination of subjects to be photographed, but rather a plan on how to photograph. Are we on the search for those fantastic shots? Simply gathering assets? Perhaps there's another experimental strategy that's worth considering.
Because of my early training and the generation into which I was born, I'm still a print guy and think of my prints as the most desirable format for my work. That said, every time I look at my boxes of finished prints, sitting on the shelf, gathering dust, I come face to face with the reality of the advantages of the digital world in which we live.
Random Observations on Art, Photography, and the Creative Process. These short 2-4 minute talks focus on the creative process in fine art photography. LensWork editor Brooks Jensen side-steps techno-talk and artspeak to offer a stimulating mix of ideas, experience, and observations from his 35 years as a fine art photographer, writer, and publisher. Topics include a wide range of subjects from finding subject matter to presenting your work and building an audience. Brooks Jensen is the publisher of LensWork, one of the world's most respected and award-winning photography publications, known for its museum-book quality printing and luxurious design. LensWork has subscribers in over 73 countries. His latest books are "The Creative Life in Photography" (2013) and "Looking at Images (2014).
