City Lights presents award-winning investigative journalist Will Potter discussing his new book Little Red Barns: Hiding the Truth, from Farm to Fable, published by City Lights Books. You can purchase copies of Little Red Barns directly from City Lights here: https://citylights.com/little-red-barns/ Originally held onsite at City Lights and broadcast via Zoom on Monday, October 27, 2025. 2024. Hosted by Peter Maravelis. Made possible by support from the City Lights Foundation: citylights.com/foundation

City Lights celebrates the publication of Indigenous Poetics, edited by Inés Hernández-Ávila and Molly McGlennen, published by Michigan State University Press. You can purchase copies of Indigenous Poetics directly from City Lights here: https://citylights.com/poetry-criticism-biographies/indigenous-poetics/ Originally broadcast via Zoom on Monday, August 18, 2025. Hosted by Peter Maravelis. Made possible by support from the City Lights Foundation: citylights.com/foundation

Mosab Abu Toha reading from “Forest of Noise: Poems” by Mosab Abu Toha, published by Knopf Publishing Group You can purchase copies of “Forest of Noise: Poems” directly from City Lights here: https://citylights.com/forest-of-noise-poems/ Originally broadcast via Zoom on Monday, November 4, 2024. Hosted by Peter Maravelis. This event was made possible by support from the City Lights Foundation: citylights.com/foundation Find more recent events at our YouTube channel: CityLightsBooks

Daniel Borzutzky in conversation with Ricardo Alberto Maldonado, celebrating the publication of "The Murmuring Grief of the Americas" by Daniel Borzutzky, published by Coffee House Press You can purchase copies of "The Murmuring Grief of the Americas" directly from City Lights here: https://citylights.com/murmuring-grief-of-the-americas/ Originally broadcast via Zoom on Wednesday, July 31, 2024. Hosted by Peter Maravelis. This event was made possible by support from the City Lights Foundation: citylights.com/foundation

Bushra Rehman in conversation with May-lee Chai, celebrating the publication of "Roses, in the Mouth of a Lion" by Bushra Rehman, published by Flatiron Books. You can purchase copies of "Roses, in the Mouth of a Lion" directly from City Lights here: https://citylights.com/general-fiction/roses-in-the-mouth-of-a-lion-2/ Originally broadcast via Zoom on Tuesday, July 30, 2024. Hosted by Peter Maravelis. This event was made possible by support from the City Lights Foundation: citylights.com/foundation

City Lights celebrates the publication of "Blessings," a novel by Chukwuebuka Ibeh, published by Doubleday. Purchase here: https://citylights.com/blessings/ Obiefuna has always been the black sheep of his family—sensitive where his father, Anozie, is pragmatic, a dancer where his brother, Ekene, is a natural athlete. But when Obiefuna’s father witnesses an intimate moment between his teenage son and another boy, his deepest fears are confirmed, and Obiefuna is banished to boarding school. As he navigates his new school’s strict hierarchy and unpredictable violence, Obiefuna both finds and hides who he truly is. Back home, his mother, Uzoamaka, must contend with the absence of her beloved son, her husband’s cryptic reasons for sending him away, and the hard truths that they’ve all been hiding from. As Nigeria teeters on the brink of criminalizing same-sex relationships, Obiefuna’s identity becomes more dangerous than ever before, and the life he wants drifts further out of reach. Set in post-military Nigeria and culminating in the Same Sex Marriage Prohibition Act of 2013, "Blessings" is an elegant and exquisitely moving story that asks how to live freely in a country that forbids one’s truest self, and what it takes for love to flourish despite it all. Chukwuebuka Ibeh is a writer from Port Harcourt, Nigeria, born in 2000. His writing has appeared in McSweeney's, New England Review of Books and Lolwe, amongst others, and he is a staff writer at Brittle Paper. He was the runner-up for the 2021 J.F. Powers Prize for Fiction, was a finalist for the Gerald Kraak Award, and was profiled as one of the “Most Promising New Voices of Nigerian Fiction” by Electric Literature. He has studied creative writing under Chimamanda Ngozi Adichie, Dave Eggers, and Tash Aw, and is currently a an MFA student at Washington University in St. Louis, Missouri. francesca ekwuyasi is a learner, artist, and storyteller born in Lagos, Nigeria. She was awarded the Writers Trust Dayne Ogilvie Prize for LGBTQ2S+ Emerging Writers in 2022 for her debut novel, "Butter Honey Pig Bread" (Arsenal Pulp Press, 2020). "Butter Honey Pig Bread" was also shortlisted for a Lambda Literary Award, the Governor General’s Literary Award for Fiction, the Amazon Canada First Novel Award, and longlisted for the Scotiabank Giller Prize and the Dublin Literary Award. "Butter Honey Pig Bread" placed second on CBC’s "Canada Reads: Canada’s Annual Battle of the Books," where it was selected as one of five contenders in 2021 for “the one book that all of Canada should read.” francesca’s writing has appeared in the Malahat Review, Transition Magazine, Room Magazine, Brittle Paper, the Ex-Puritan, C-Magazine, Vol. 1 Brooklyn, Canadian Art, Chatelain and elsewhere. Her short story, "Ọrun is Heaven" was longlisted for the 2019 Journey Prize. She co-authored, "Curious Sounds: A Dialogue in Three Movements" (Arsenal Pulp Press, 2023), a multi-genre collaborative book with Roger Mooking. Originally broadcast via Zoom on Thursday, July 11, 2024. Hosted by Peter Maravelis. Made possible by support from the City Lights Foundation. citylights.com/foundation/

Tarek El-Ariss in conversation with Peter Maravelis, celebrating the publication of "Water on Fire: A Memoir of War" by Tarek El-Ariss, published by Other Press. Purchase here: https://citylights.com/middle-east/water-on-fire-memoir-of-war/ "Water on Fire" tells a story of immigration that starts in a Beirut devastated by the Lebanese Civil War (1975–90), continues with experiences of displacement in Europe and Africa, moves to northeastern American towns battered by lake-effect snow and economic woes, and ends in New York City on 9/11. A story of loss, but also of evolution, it models a kind of resilience inflected with humor, daring, and irreverence. Alternating between his perspective as a child and an adult, Tarek El-Ariss explores how we live with trauma, poignantly illustrating the profound impact of war on our perception of the world, our fears and longings. His memoir is at once historical and universal, intellectual and introspective, the outcome of a long and painful process of excavation that reveals internal turmoil and the predicament of conflict and separation. A contemporary “interpretation of dreams” dealing with monsters, invisible creatures, skin outbreaks, and the sea, it is a book about objects and elements, like water and fire, and about how encountering these elements triggers associations, connecting present and past, time and space. Tarek El-Ariss is the James Wright Professor and Chair of Middle Eastern Studies at Dartmouth College and was a Guggenheim Fellow (2021–22). Trained in philosophy, comparative literature, and visual and cultural studies at the American University of Beirut, the University of Rochester, and Cornell University, he is the author of "Trials of Arab Modernity: Literary Affects and the New Political" and "Leaks, Hacks, and Scandals: Arab Culture in the Digital Age," and editor of the MLA anthology "The Arab Renaissance: A Bilingual Anthology of the Nahda." Originally broadcast via Zoom on Friday, May 17, 2024. Special thanks to Judith Gurewich. Made possible by support from the City Lights Foundation. citylights.com/foundation/

City Lights and Melville House present Yanis Varoufakis in conversation with Peter Maravelis, discussing "Technofeudalism: What Killed Capitalism" by Yanis Varoufakis, published by Melville House. Purchase here: https://citylights.com/topographies/technofeudalism/ Perhaps we were too distracted by the pandemic, or the endless financial crises, or the rise of TikTok. But under cover of them all, a new and more exploitative system has been taking hold. Insane sums of money that were supposed to re-float our economies after the crash of 2008 went to big tech instead. With it they funded the construction of their private cloud fiefdoms and privatized the internet. Technofeudalism says Yanis Varoufakis, is the new power that is reshaping our lives and the world, and is the greatest current threat to the liberal individual, to our efforts to avert climate catastrophe—and to democracy itself. It also lies behind the new geopolitical tensions, especially the New Cold War between the United States and China. Drawing on stories from Greek myth and pop culture, from Homer to Mad Men, Varoufakis explains this revolutionary transformation: how it enslaves our minds, how it rewrites the rules of global power, and, ultimately, what it will take overthrow it. Yanis Varoufakis is an economist and academic, a bestselling author, and the former finance minister of Greece. He is a co-founder of the Democracy in Europe Movement 2025. His books include "And the Weak Suffer What They Must?," "Talking to My Daughter About the Economy," "Adults in the Room," and "Foundations of Economics." Praise for "Technofeudalism:" “Blending intellectual memoir, history, and economic and technological history, Varoufakis creates an intimate atmosphere that is a genuine pleasure to read … It’s hard to read this book and deny its power … illuminating.” — The Washington Post “An outstanding economist and political analyst.” — Noam Chomsky "Arresting … an ambitious thinker and a lively writer … Varoufakis is right that we are in thrall to digital platforms, who hold our data hostage and prevent us from switching to 'a competing cloud fief'" ― The Times (London) Originally broadcast via Zoom on Tuesday, July 16, 2024. Made possible by support from the City Lights Foundation. https://citylights.com/foundation/

City Lights and Akashic Books celebrate the publication of "Joyce Carol Oates: Letters to a Biographer," edited by Greg Johnson, published by Akashic Books. Purchase here: https://citylights.com/new-nonfiction-in-hardcover/joyce-carol-oates-letters-to-a-biograp/ This rich compilation of Joyce Carol Oates’s letters across four decades displays her warmth and generosity, her droll and sometimes wicked sense of humor, her phenomenal energy, and most of all, her mastery of the lost art of letter writing. In this generous selection of Joyce Carol Oates’s letters to her biographer and friend Greg Johnson, readers will discover a never-before-seen dimension of her phenomenal talent. Whereas her academic essays and book reviews are eloquent in a formal way, in these letters she is wholly relaxed, even when she is serious in her concerns. Like Johnson, she was always engaged in work, whether a long novel or a brief essay, and the letters give a fascinating glimpse into Oates’s writing practice. Joyce Carol Oates is the celebrated author of a number of works of fiction, poetry, and nonfiction. She is the editor of "New Jersey Noir," "Prison Noir," and "Cutting Edge: New Stories of Mystery and Crime by Women Writers;" and a recipient of the National Book Award, the PEN America Lifetime Achievement Award, the National Humanities Medal, and a World Fantasy Award for Short Fiction. She lives in Princeton, New Jersey. "A Darker Shade of Noir: New Stories of Body Horror by Women Writers" is her latest work. Steve Wasserman is the publisher of Heyday Books. He is a former editor-at-large for Yale University Press and editorial director of Times Books/Random House and publisher of Hill & Wang and The Noonday Press at Farrar, Straus and Giroux. A founder of the Los Angeles Institute for the Humanities at the University of Southern California, Wasserman was a principal architect of the Los Angeles Times Festival of Books during the nine years he served as editor of the Los Angeles Times Book Review (1996–2005). He has written for many publications, including "The Village Voice," "Threepenny Review," "The Nation," "The New Republic," "The American Conservative," "The Progressive," "Columbia Journalism Review," "Los Angeles Times," and the "(London) Times Literary Supplement." Originally broadcast via Zoom on Thursday, March 18, 2024. Hosted by Peter Maravelis. Made possible by support from the City Lights Foundation. citylights.com/foundation

City Lights, Fern Books, Center for the Art of Translation, & Villa Albertine San Francisco celebrate the publication of "Like a Sky Inside" by Jakuta Alikavazovic – translated from the French by Daniel Levin Becker, published by Fern Books. Purchase here: https://citylights.com/european-literature/like-a-sky-inside/ In March 2020, a young woman spends the night in the Louvre. At home: her nine-month-old son. In her overnight bag: a notebook, a toiletry kit, a duvet, a cube of nougat, & something that shouldn’t be there. In her head: memories of the Venus de Milo, of land art & the American road, of romance & travel & immigration & war — & of her father, who after each of their many visits to the Louvre would ask just how she’d go about stealing the Mona Lisa. Jakuta Alikavazovic is a French writer of Bosnian & Montenegrin origins. She has received the Prix Goncourt for a first novel & the Prix Médicis for non-fiction, among other European awards & nominations. She is a columnist for the newspaper Libération & the translator into French of authors including David Foster Wallace & Toni Morrison. JiaJing Liu is a translator (English-Chinese-French), writer, & editor who lives in San Francisco. She studied translation at Université Aix-Marseille, & was a researcher at the Beijing bureau of Libération. Her writings have appeared in Popula, Civil, The Awl, LEAP, The Art Newspaper, & other publications. She recently served as assistant curator for the exhibition, Shifting Fields: Contemporary Chinese Painting, at the Stanford Art Gallery. She is the development manager at Heyday, an independent, nonprofit publisher in Berkeley, California. Originally broadcast from City Lights' Poetry Room on Thursday, May 2, 2024. Hosted by Peter Maravelis. Made possible by support from the City Lights Foundation. citylights.com/foundation

Ana Raquel Minian in conversation with Irma Herrera discussing Minian's, "In the Shadow of Liberty: The Invisible History of Immigrant Detention in the United States," published by Viking. Purchase here: https://citylights.com/new-nonfiction-in-hardcover/in-the-shadow-of-liberty-immigrant-det/ In 2018, many Americans watched in horror as children were torn from their parents at the US-Mexico border under Trump’s “family separation” policy. But as historian Ana Raquel Minian reveals in "In the Shadow of Liberty," this was only the latest chapter in a saga tracing back to the 1800s—one in which immigrants to the United States have been held without recourse to their constitutional rights. Braiding together the vivid stories of four migrants seeking to escape the turmoil of their homelands for the promise of America, "In the Shadow of Liberty" gives this history a human face, telling the dramatic story of a Central American asylum seeker, a Cuban exile, a European war bride, & a Chinese refugee. As we travel alongside these indelible characters, "In the Shadow of Liberty" explores how sites of rightlessness have evolved, & what their existence has meant for our body politic. Though these “black sites” exist out of view for the average American, their reach extends into all of our lives: the explosive growth of the for-profit prison industry traces its origins to the immigrant detention system, as does the emergence of Guantanamo & the gradual unraveling of the right to bail & the presumption of innocence. Through these narratives, we see how the changing political climate surrounding immigration has played out in individual lives, & at what cost. But as these stories demonstrate, it doesn’t have to be like this, & a better way might be possible. Ana Raquel Minian is a professor of history at Stanford University & the author of the award-winning book "Undocumented Lives," published by Harvard University Press in 2018. A recipient of the Andrew Carnegie fellowship, their writing has appeared in The New York Times, The Atlantic, & Foreign Affairs, among other outlets. Originally from Mexico City, they now live with their partner in the Bay Area. Irma Herrera is a writer, solo performer, & former lawyer based in the Bay Area. Her play "Why Would I Mispronounce My Own Name?" explores what it means to be American by weaving personal stories, humor, & historical events. Originally broadcast from City Lights' Poetry Room on Thursday, April 18, 2024. Hosted by Peter Maravelis. Made possible by support from the City Lights Foundation. citylights.com/foundation

City Lights, ALTA Journal, & Heyday Books celebrate the publication of "The Forgetters: Stories" by Greg Sarris (Heyday Books). Purchase books by Greg Sarris here: https://citylights.com/?search_type=author&s=Greg+Sarris Celebrated storyteller & tribal leader Greg Sarris offers a contemplative & enchanting story cycle in "The Forgetters," a collection that blends into an unsuspected harmony shimmering with waking life, human & animal forms, & eras bygone & still-to-come. Borrowing from the cadence of Native American creation stories & the enchantment of magical realism, these tales combine to reveal the foibles & folly that beset us & the lessons that recall us to ourselves & the world. "The Forgetters" excavates multilayered tales of California’s Indigenous exiles, camp workers, shapeshifters, & medicine people as they interweave with the paths of settlers, migrants, & other wayfarers across the arc of recent centuries & beyond. Narrated by the enigmatic crow sisters, Question Woman & Answer Woman, this collection returns to Sonoma Mountain & traverses the homelands of the Coast Miwok & Southern Pomo. Rooted in today’s Marin & Sonoma counties, these transporting tales glimmer with an intimate connection to place & past—from ancient mythic time when all the animals were people to a speculative future when the people return as environmental refugees to the mountain from which they came. Greg Sarris is serving his sixteenth term as Chairman of the Federated Indians of Graton Rancheria & his first term as board chair for the Smithsonian’s National Museum of the American Indian. His publications include "Keeping Slug Woman Alive" (1993), "Grand Avenue" (1994, reissued 2015), "Watermelon Nights" (1998, reissued 2021), "How a Mountain Was Made" (2017, published by Heyday), and "Becoming Story" (2022, published by Heyday). Greg lives & works in Sonoma County. Visit his website at: greg-sarris.com Blaise Zerega is Alta Journal’s editorial director. His journalism has appeared in Conde Nast Portfolio (deputy editor & part of founding team), WIRED (managing editor), the New Yorker, Forbes, & other publications. Additionally, he was the editor of Red Herring magazine, once the bible of Silicon Valley. Originally broadcast from City Lights' Poetry Room on Wednesday, April 24, 2024. Hosted by Peter Maravelis. Made possible by support from the City Lights Foundation. citylights.com/foundation

City Lights & Semiotext(e) celebrate the publication of "Stubble Archipelago" by Wayne Koestenbaum with a conversation between the author & Tausif Noor. Purchase here: https://citylights.com/stubble-archipelago/ Wild new adventures in word-infatuated flânerie from a celebrated literary provocateur. This book of thirty-six poetic bulletins by the humiliation-advice-giver Wayne Koestenbaum will teach you how to cruise, dream, decode a crowded consciousness, find nuggets of satisfaction in unaccustomed corners, & sew a language glove roomy enough to contain materials gathered while meandering. Koestenbaum wrote many of these poems while walking around New York City. He’d jot down phrases in a notebook or dictate them into his phone. At home, he’d incorporate these fragmented gleanings into overflowing quasi sonnets. Thus each poem functions as a coded diary entry, including specific references to sidewalk events & peripatetic perceptions. Flirting, remembering, eavesdropping, gazing, squeezing, sequestering: Koestenbaum invents a novel way to cram dirty liberty into the tight yet commodious space of the sonnet, a fourteen-lined cruise ship that contains ample suites for behavior modification, libidinal experiment, aura-filled memory orgies, psychedelic Bildungsromane, lap dissolves, archival plunges, & other mental saunterings that conjure the unlikely marriage of Kenneth Anger & Marianne Moore. Carnal pudding, anyone? These engorged lyrics don’t rhyme; & though each builds on a carapace of fourteen lines, many of the lines spawn additional, indented tributaries, like hoop earrings dangling from the stanzas’ lobes. Koestenbaum’s poems are comic, ribald, compressed, symphonic. They take liberties with ordinary language, & open up new pockets for sensation in the sorrowing overcoat of the “now.” Stubble—a libidinal detail—matters when you’re stranded on the archipelago of your most unsanctioned yet tenaciously harbored impulses. Wayne Koestenbaum—poet, critic, novelist, artist, performer—has published nineteen books, including "The Queen’s Throat," a groundbreaking study of sexuality & the human voice which was a National Book Critics Circle Award Finalist. Additional books to his credit include: "Camp Marmalade," "Notes on Glaze," "The Pink Trance Notebooks," "My 1980s & Other Essays," "Hotel Theory," "The Anatomy of Harpo Marx," "Humiliation," "Jackie Under My Skin," & "The Cheerful Scapegoat." His essays & poems have been widely published in periodicals & anthologies, including "The Best American Poetry," "The Best American Essays," The New Yorker, The New York Times, The Paris Review, London Review of Books, The Believer, The Iowa Review, Cabinet, and Artforum. Formerly an Associate Professor of English at Yale & a Visiting Professor in the Yale School of Art’s painting department, he is a Distinguished Professor of English, French, & Comparative Literature at the CUNY Graduate Center in New York City. Tausif Noor is a critic, curator, & PhD student in global modern art history at the University of California, Berkeley. His writing & essays have appeared in publications such as Artforum, the Poetry Project Newsletter, the New York Review of Books, & the New Yorker, as well as in various exhibition catalogues, artist books, & edited volumes. He lives in Oakland, CA. Originally broadcast via Zoom on Monday, March 25, 2024. Hosted by Peter Maravelis. Made possible by support from the City Lights Foundation. citylights.com/foundation

Judith Butler discusses their new book "Who’s Afraid of Gender?" published by Farrar Straus Giroux. Named a "Most Anticipated Book of 2024" by Time, Elle, Kirkus, Literary Hub, The Millions, & Electric Literature. Purchase book here: https://citylights.com/whos-afraid-of-gender/ Judith Butler, the groundbreaking thinker whose iconic book "Gender Trouble" redefined how we think about gender & sexuality, confronts the attacks on “gender” that have become central to right-wing movements today. Global networks have formed “anti-gender ideology movements” that are dedicated to circulating a fantasy that gender is a dangerous, perhaps diabolical, threat to families, local cultures, civilization—& even “man” himself. Inflamed by the rhetoric of public figures, this movement has sought to nullify reproductive justice, undermine protections against sexual & gender violence, & strip trans & queer people of their rights to pursue a life without fear of violence. The aim of "Who’s Afraid of Gender?" is not to offer a new theory of gender but to examine how “gender” has become a phantasm for emerging authoritarian regimes, fascist formations, & transexclusionary feminists. In their vital, courageous new book, Butler illuminates the concrete ways that this phantasm of “gender” collects & displaces anxieties & fears of destruction. Operating in tandem with deceptive accounts of “critical race theory” & xenophobic panics about migration, the anti-gender movement demonizes struggles for equality, fuels aggressive nationalism, & leaves millions of people vulnerable to subjugation. An essential intervention into one of the most fraught issues of our moment, "Who’s Afraid of Gender?" is a bold call to refuse the alliance with authoritarian movements & to make a broad coalition with all those whose struggle for equality is linked with fighting injustice. Imagining new possibilities for both freedom & solidarity, Butler offers us a hopeful work of social and political analysis that is both timely and timeless. Judith Butler is the author of several books including "Gender Trouble: Feminism and the Subversion of Identity," "Bodies That Matter: On the Discursive Limits of 'Sex'," "The Psychic Life of Power: Theories of Subjection, Excitable Speech, Notes Toward a Performative Theory of Assembly," & "The Force of Non-Violence." In addition to numerous academic honors & publications, Butler has published editorials & reviews in The Guardian, The New Statesman, The Nation, Time Magazine, the London Review of Books, & in a wide range of journals, newspapers, radio & podcast programs throughout Europe, Latin America, Central & South Asia, & South Africa. They live in Berkeley. Maggie Nelson is the author of several acclaimed books of poetry & prose, including "Like Love: Essays and Conversations" (2024), the national bestseller "On Freedom: Four Songs of Care and Constraint" (2021), National Book Critics Circle Award winner and international bestseller "The Argonauts" (2015), "The Art of Cruelty: A Reckoning" (2011), "Bluets" (2009; named by Bookforum as one of the top 10 best books of the past 20 years), "The Red Parts: Autobiography of a Trial" (2007), & "Women, the New York School, & Other True Abstractions" (2007), "Something Bright, Then Holes" (2007), & "Jane: A Murder" (2005; finalist, the PEN/ Martha Albrand Art of the Memoir). A recipient of a 2016 MacArthur “genius” Fellowship, she is currently a professor of English at the University of Southern California. Originally broadcast from City Lights' Poetry Room on Thursday, March 28, 2024. Hosted by Peter Maravelis. Made possible by support from the City Lights Foundation. citylights.com/foundation

Kit Schluter celebrates the publication of "Cartoons," (City Lights) & Garrett Caples celebrates the publication of "Proses: Incomparable Parables! Fabulous Fables! Cruel Tales!" (Wave Books). Purchase "Cartoons:" https://citylights.com/city-lights-published/cartoons/ Purchase "Proses:" https://citylights.com/general-fiction/proses-incomparable-parables-fabulous/ About "Cartoons:" Set in the uncanny valley between Bugs Bunny & Franz Kafka, "Cartoons" is an explosive series of outrageous, absurdist tales. "Cartoons" proposes itself as a genre of imaginary writing in opposition to the realism of most contemporary U.S. fiction, aligning itself with the French symbolism & Latin American fabulism its author is known to translate. A giant cricket with a tiny Kit Schluter in a jar, an umbrella who confuses the words porpoise and purpose in its quest for self-fulfillment, a pair of slugs go on a bender, these are just a few denizens of its pages, suffused with a fairy tale-like animism. A microwave oven decries microaggressions. A beer bottle is filled with regret. An escalator mechanic’s shoe conceals a terrible secret. Kit Schluter’s recent work has appeared in Boston Review, BOMB, & Brooklyn Rail. He is author of the poetry collection "Pierrot’s Fingernails" (Canarium Books) as well as numerous chapbooks & artist editions of poems & stories. Schluter is included in the latest edition of "Best American Experimental Writing" (Wesleyan UP, 2020), edited by Carmen Maria Machado, Joyelle McSweeney, Jesse Damiani & Seth Abramson. He has translated widely from French & Spanish, including works by Rafael Bernal (New Directions), Marcel Schwob (Wakefield Press), & Olivia Tapiero (Nightboat Books). He recently illustrated Sebastian Castillo’s novel "SALMON." Kit coordinates production & design for Nightboat Books and lives in Mexico City. About "Proses:" In the grand tradition of poet’s fiction, "Proses: Incomparable Parables! Fabulous Fables! Cruel Tales!" is a collection of nine phantasmagorical stories by poet & City Lights editor, Garrett Caples. Turning its back on the ethos of traditional narrative, "Proses" draws on Marcel Schwob, magical realism, & speculative fiction for inspiration, projecting worlds dominated by dream logic & impossible dimensions. Spectral nuns, xenobots, explosive phraseology, & even Ringo Starr are some of the unexpected dilemmas confronting the various protagonists. Poets such as Andrew Joron, Kit Schluter, & Claude Grind make cameo appearances. While each story is a standalone, the collection amounts to an intricate whole, as themes, objects, & characters recur, encouraging readers to enjoy the book sequentially. Regardless of how it's enjoyed, "Proses" is both a satire of the world of contemporary poetry & a celebration of that world’s fantastic, infinite imagination. Garrett Caples is the author of "Lovers of Today" (Wave Books, 2021), "Power Ballads" (Wave Books, 2016), "Complications" (2007), & "The Garrett Caples Reader" (1999), a collection of outtakes, "The Rise & Fall of Johnny Volume" (2020), & a bilingual selection, "Noches Apátridas" (Unstated Nights, 2019). He’s also written a book of essays, "Retrievals" (2014), & a pamphlet, "Quintessence of the Minor" (2010). He’s the editor of Philip Lamantia’s "Preserving Fire: Selected Prose" (2018), Samuel Greenberg’s "Poems from the Greenberg MSS" (2019), & Michael McClure’s "Mule Kick Blues and Last Poems" (2021), as well as the co-editor of "The Collected Poems of Philip Lamantia" (2013), "Particulars of Place" (2015) by Richard O. Moore, "Incidents of Travel in Poetry: New and Selected Poems" (2016) by Frank Lima, & "Arcana: A Stephen Jonas Reader" (2019). He is an editor at City Lights Books, where he curates the Spotlight Poetry Series. Originally broadcast from City Lights' Poetry Room on Thursday, May 22, 2024. Hosted by Peter Maravelis. Made possible by support from the City Lights Foundation. citylights.com/foundation

Celebrate Gil Cuadros with Kevin Martin, Rafael Pérez-Torres, & Amy Scholder. Opening by Greyson Wright & readings by Joseph Cassara & Flavia Elisa Mora. City Lights & the SF LGBT Center celebrate the publication of "My Body Is Paper: Stories and Poems" by Gil Cuadros, edited by Pablo Alvarez, Kevin Martin, Rafael Pérez-Torres, & Terry Wolverton, foreword by Justin Torres. Published by City Lights Books. Purchase "My Body Is Paper" here: https://citylights.com/my-body-is-paper-stories-poems/ Purchase "City of God" here: https://citylights.com/city-lights-published/city-of-god/ Since "City of God" was published by City Lights 30 years ago, it has become an unlikely classic (an “essential book of Los Angeles” according to the LA Times). The book has touched those who find in his work a singular evocation of Chicanx life in Los Angeles around the time of the AIDS epidemic, which took his life in 1996. Little did we know, Cuadros continued writing exuberant works in the period between his one published book & his untimely death at 34. This recently discovered treasure, "My Body Is Paper," is a stunning portrait of sex, family, religion, culture of origin, & the betrayals of the body. Tender & blistering, erotic & spiritual, Cuadros dives into these complexities which we grapple with today, showing us how to survive these times & beyond. Gil Cuadros (1962–1996) was a groundbreaking gay Latino writer whose work explored the intersections of sexuality, race, & spirituality. Diagnosed with HIV in 1987, Cuadros channeled his experiences into "City of God," capturing the raw emotions of living with a life-threatening illness. His lyrical intensity & unflinching honesty shined a light on marginalized communities & familial expectations. "City of God" has gone on to become a classic of Chicanx literature. Kevin J. Martin is the executor of the Estate of Gil Cuadros, & a longtime copyeditor & writer. He serves as Senior Writer & Associate Editor for MagellanTV, where he writes on various topics related to art & culture. Rafael Pérez-Torres is professor of English & Gender Studies at UCLA & author of "Movements in Chicano Poetry and Critical Mestizaje," co-author of "Memories of an East L.A. Outlaw," & co-editor of "The Chicano Studies Reader." Amy Scholder is a literary editor & documentary filmmaker known for amplifying the stories of marginalized artists & activists. Amy began her career as an editor at City Lights. She has since served as US Publisher to Verso Books, later joining 7 Stories Press as Editor & Chief. In 2008, Scholder left 7 Stories to become the executive editor of the Feminist Press at the City University of New York. Scholder was approached by director Pratibha Parmar & producer Shaheen Haq to help finish their hybrid documentary feature, "My Name Is Andrea," about Andrea Dworkin. She became an executive producer of the film, which premiered at the 2022 Tribeca Film Festival. Joseph Cassara is the author of "The House of Impossible Beauties" (Ecco), winner of the 2019 Edmund White Award for Debut Fiction & finalist for the Lambda Literary Award for Gay Fiction. A graduate of Columbia University & the Iowa Writers’ Workshop, he currently serves as the George & Judy Marcus Endowed Chair of Creative Writing at San Francisco State University. Flavia Elisa Mora is a queer, Mexican migrant artist, activist, & community organizer raised in occupied Ramaytush Ohlone land, in La Mission. Her main two foci are muralismo & Flor y Canto poesía. Flavia’s work delves into the exploration of her identity, relationships, migration story, family & community history. She is a published writer, performs poetry throughout the Bay, & is one of the lead artists for the mural "Alto al Fuego en la Misión," located on 24th and Capp, SF. Event originally broadcast from City Lights' Poetry Room on Thursday, May 30, 2024. Hosted by Peter Maravelis. Made possible by support from the City Lights Foundation. citylights.com/foundation

Jordan Elgrably in conversation with Sarah AlKahly-Mills, with readings from both authors. City Lights celebrates the publication of "Stories from the Center of the World: New Middle East Fiction," edited by Jordan Elgrably, published by City Lights Books. You can purchase copies directly from City Lights here: https://citylights.com/stories-from-the-center-of-the-world/ "Stories from the Center of the World" gathers new writing from 25 emerging and established writers of Middle Eastern and North African origins, offering a unique collection of voices and viewpoints that illuminate life in the global Arab/Muslim world. The authors included in the book come from a wide range of cultures and countries, including Palestine, Syria, Pakistan, Iran, Lebanon, Egypt, and Morocco. In “Asha and Haaji,” Hanif Kureishi takes up the cause of outsiders who become uprooted when war or disaster strikes and they flee for safe haven. In Nektaria Anastasiadou‘s “The Location of the Soul According to Benyamin Alhadeff,” two students in Istanbul from different classes — and religions that have often been at odds with one another — believe they can overcome all obstacles. MK Harb‘s story, “Counter Strike,” is about queer love among Beiruti adolescents; and Salar Abdoh‘s “The Long Walk of the Martyrs” invites us into the world of former militants, fighters who fought ISIS or Daesh in Iraq and Syria, who are having a hard time readjusting to civilian life. In “Eleazar,” Karim Kattan tells an unexpected Palestinian story in which the usual antagonists — Israeli occupation forces — are mostly absent, while another malevolent force seems to overtake an unsuspecting family. Omar El Akkad‘s “The Icarist” is a coming-of-age story about the underworld in which illegal immigrants are forced to live, and what happens when one dares to break away. Contributors include: Salar Abdoh, Leila Aboulela, Farah Ahamed, Omar El Akkad, Sarah AlKahly-Mills, Nektaria Anastasiadou, Amany Kamal Eldin, Jordan Elgrably, Omar Foda, May Haddad, Danial Haghighi, Malu Halasa, MK Harb, Alireza Iranmehr, Karim Kattan, Hanif Kureishi, Ahmed Salah Al-Mahdi, Diary Marif, Tariq Mehmood, Sahar Mustafah, Mohammed Al-Naas, Ahmed Naji, Mai Al-Nakib, Abdellah Taia, and Natasha Tynes. Jordan Elgrably is a Franco-American and Moroccan writer and translator, whose stories and creative nonfiction have appeared in numerous anthologies and reviews, including Apulée, Salmagundi, and The Paris Review. Editor-in-chief and founder of The Markaz Review, he is the cofounder and former director of the Levantine Cultural Center/The Markaz in Los Angeles (2001-2020), and producer of the stand-up comedy show “The Sultans of Satire” (2005-2017) and hundreds of other public programs. He is based in Montpellier, France and California. Sarah AlKahly-Mills is a Lebanese-American writer. Her story “The Salamander” is included in the new book "Stories from the Center of the World: New Middle East Fiction," edited by Jordan Elgrably, and just published by City Lights. Her fiction, poetry, book reviews, and essays have appeared in publications including Litro Magazine, Ink and Oil, the Los Angeles Review of Books, Michigan Quarterly Review, PopMatters, Al-Fanar Media, Middle East Eye, and various university journals. Born in Burbank, CA, she now lives in Rome, Italy. Originally hosted live in City Lights' Poetry Room on Thursday, May 9, 2024. Hosted by Peter Maravelis. Made possible by support from the City Lights Foundation cosponsored with Golden Thread Productions. citylights.com/foundation

City Lights celebrates No.23 in the "Spotlight Poetry Series" Roberto Harrison reads from his work. Introduction by Garrett Caples. Julien Poirier will also be reading from his work. In person event held in City Lights' Poetry Room, hosted by Peter Maravelis. Purchase "Isthmus to Abya Yala" By Roberto Harrison here: https://citylights.com/isthmus-to-abya-yala-spotlight-23/ A conjuration of ancient consciousness aimed at rehumanizing our contemporary cyborg condition. “Abya Yala”–“land of life” or “land of vital blood”–is a Pre-Columbian term of the Guna people of Panamá and Colombia to refer to the American continent and more recently has signified the idea of a decolonized “New World” among various Indigenous movements. In Isthmus to Abya Yala, Panamanian American poet Roberto Harrison summons a mythic consciousness in response to this political and spiritual struggle. In his poems, with mystic fervor, Harrison finds phonetic unities concealing conceptual oppositions he must transcend. Invoking “mobilian” as an ur-language against racism and toward an all-inclusive humanity–in opposition to the “mobile” of phone-mediated existence–the poems of "Isthmus to Abya Yala" burn with a visionary ardor that overpowers rationality through an intensive accumulation of imagery. They even sometimes manifest as visual poems in the form of drawings he calls “Tecs,” opposing the dominance of technology to the advocacy of pan-Indian nationhood by 19th century Shawnee leader Tecumseh. “Tecumseh Republic” is the poet’s name for a new post-racial, post-national, post-binary, post-colonial, holistic and earth-oriented society with no national borders, with Panamá, the isthmus, as its only entry and exit. Roberto Harrison’s poetry books include "Tropical Lung: exi(s)t(s)" (Omnidawn, 2021), "Tropical Lung: Mitologia Panameña" (Nion Editions, 2020), "Yaviza" (Atelos, 2017), "Bridge of the World" (Litmus Press, 2017), "culebra" (Green Lantern Press, 2016), "bicycle" (Noemi Press, 2015), "Counter Daemons" (Litmus Press, 2006), "Os" (subpress, 2006), as well as many chapbooks. With Andrew Levy, Harrison edited the poetry journal "Crayon" from 1997 to 2008. He was also the editor of Bronze Skull Press which published over 20 chapbooks, including the work of many Midwestern poets. Most recently, Harrison served as a co-editor for the "Resist Much/Obey Little: Inaugural Poems to the Resistance" anthology. He was the Milwaukee Poet Laureate from 2017–2019 and is also a visual artist. He lives in Milwaukee with his wife, the poet Brenda Cárdenas. Julien Poirier teaches poetry in the San Francisco public schools and at San Quentin State Prison. His book "Out of Print" was published by City Lights in 2016. He is also the author of "El Golpe Chileño" (2010), "Stained Glass Windows of California" (2012), and "Way Too West" (2015), among other volumes. With Garrett Caples, he edited Incidents of "Travel in Poetry: New and Selected Poems" (2016) by Frank Lima for City Lights. He is also a co-founder of Ugly Duckling Presse Collective, where he edited a poetry newspaper, "New York Nights," as well as an anthology of writing by Jack Micheline, "One of a Kind" (Ugly Duckling, 2008), and a book of travel journals by Bill Berkson, "Invisible Oligarchs" (Ugly Duckling, 2016). He is currently the mastermind behind the mail art publication Night Mail. Originally broadcast on Wednesday, April 3, 2024. Made possible by support from the City Lights Foundation: citylights.com/foundation

City Lights LIVE, Beacon Press, and Refugee Immigrant Transitions celebrate the publication of “Humanizing Immigration: How to Transform Our Racist and Unjust System” by Bill Ong Hing, published by Beacon Press. “Humanizing Immigration” is the first book to argue that immigrant and refugee rights are part of the fight for racial justice; and offers a humanitarian approach to reform and abolition. Representing non-citizens caught up in what he calls the immigration and enforcement “meat grinder”, Bill Ong Hing witnessed their trauma, arriving at this conclusion: migrants should have the right to free movement across borders—and the right to live free of harassment over immigration status. He cites examples of racial injustices endemic in immigration law and enforcement, from historic courtroom cases to the recent treatment of Haitian migrants. Hing includes histories of Mexican immigration, African migration and the Asian exclusion era, all of which reveal ICE abuse and a history of often forgotten racist immigration laws. While ultimately arguing for the abolishment of ICE, Hing advocates for change now. With 50 years of law practice and litigation experience, Hing has represented non-citizens—from gang members to asylum seekers fleeing violence, and from individuals in ICE detention to families at the U.S. southern border seeking refuge. Bill Ong Hing is Professor of Law and Migration Studies at the University of San Francisco, and Professor of Law and Asian American Studies Emeritus, at UC Davis. Previously on the law faculties at Stanford University and Golden Gate University, he founded the Immigrant Legal Resource Center in San Francisco and directs their Immigration & Deportation Defense Clinic. Professor Hing teaches Immigration Law & Policy, Migration Studies, Rebellious Lawyering, and Evidence, is the author of 6 books, and was co-counsel in the U.S. Supreme Court asylum precedent-setting case "INS v. Cardoza-Fonseca" (1987). Jane Pak is Co-Executive Director at Refugee and Immigrant Transitions and Adjunct Professor in the Masters in Migration Studies program at the University of San Francisco (USF). Her scholarship and praxis are informed by Critical Refugee Studies; liberatory education; and transnational solidarity. Jane is most energized when engaging with diverse communities and knowledge in collective contexts. Her background is in strategy, development, and research in education and refugee contexts. She has worked in community, nonprofit, government, and business sectors. Jane’s work for justice is motivated by a multi-generational family history of forced migration, resistance, and service. You can purchase copies of “Humanizing Immigration: How to Transform Our Racist and Unjust System” at https://citylights.com/humanizing-immigration-ht-transfor/. This event is made possible with the support of the City Lights Foundation. To learn more visit: https://citylights.com/foundation/.

City Lights LIVE! presents Myriam Gurba in conversation with visual artist MariNaomi to celebrate the release of Gurba’s new book “Creep: Accusations and Confessions,” published by Simon and Schuster. A ruthless and razor-sharp essay collection that tackles the pervasive, creeping oppression and toxicity that has wormed its way into society—in our books, schools, and homes, as well as the systems that perpetuate them—from the acclaimed author of “Mean,” and one of our fiercest, foremost explorers of intersectional Latinx identity. A creep can be a singular figure, a villain who makes things go bump in the night. Yet “creep" is also what the fog does—it lurks into place to do its dirty work, muffling screams, obscuring the truth, and providing cover for those prowling within it. “Creep” is Myriam Gurba’s informal sociology of creeps, a deep dive into the dark recesses of the toxic traditions that plague the United States and create the abusers who haunt our books, schools, and homes. Through cultural criticism disguised as personal essay, Gurba studies the ways in which oppression is collectively enacted, sustaining ecosystems that unfairly distribute suffering and premature death to our most vulnerable. Yet identifying individual creeps, creepy social groups, and creepy cultures is only half of this book’s project—the other half is examining how we as individuals, communities, and institutions can challenge creeps and rid ourselves of the fog that seeks to blind us. With her ruthless mind, wry humor, and adventurous style, Gurba implicates everyone from Joan Didion to her former abuser, everything from Mexican stereotypes to the carceral state. Braiding her own history and identity throughout, she argues for a new way of conceptualizing oppression, and she does it with her signature blend of bravado and humility. Myriam Gurba is a writer and artist. She is the author of the true crime memoir “Mean,” a New York Times Editors’ Choice. O, The Oprah Magazine, ranked “Mean” as one of the best LGBTQ books of all time. Publishers Weekly describes Gurba as having a voice like no other. Her essays and criticism have appeared in The Paris Review, Time, and 4Columns. She has shown art in galleries, museums, and community centers. She lives in Pasadena, California. MariNaomi (they/them) is the award-winning author and illustrator of “Kiss & Tell: A Romantic Resume,” “Ages 0 to 22,” “Dragon’s Breath and Other True Stories,” "Turning Japanese," “I Thought YOU Hated ME,” the “Life on Earth” trilogy, “Dirty Produce,” and “I Thought You Loved Me.” Their work has appeared in nearly 100 print publications, and has been featured on websites such as The New Yorker’s Daily Shouts, The Washington Post, the Los Angeles Times, The Rumpus, the Los Angeles Review of Books, Midnight Breakfast, SF Examiner, and BuzzFeed. Their comics have been translated into French (Devenir Japonaise, Editions IMHO, 2021), German, and Russian. You can purchase copies of “Creep” at https://citylights.com/new-nonfiction-in-hardcover/creep-accusations-confessions/. This event is made possible with the support of the City Lights Foundation. To learn more visit: https://citylights.com/foundation/.