Send us a text Dark and disturbing, yet strangely redemptive, Djuna Barnes’s 1936 modernist masterpiece Nightwood left even its greatest champion, T.S. Eliot, a bit bewildered. Guest Margaret Vandenburg, an expert in modernism, post-modernism and gender studies, joins us to illuminate Barnes’s tumultuous life and help us decipher her "ultimate breakup novel,” a work that casts its spell by turning the world upside down in subversive defiance of fascism. Mentioned in this episode: Nightwood by...
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