In this episode of Morally Offensive, we explore the cultural earthquake sparked by the 1972 film Deep Throat with special guest Mark Covino, director of the award-winning documentary A Band Called Death. We dive into the rise of 1970s “porn chic,” the collapse of the Hays Code, the creation of the X-rating, and how a low-budget film became a mainstream phenomenon seen by public figures like Jackie Onassis and Truman Capote.

Stephanie and Bill head on up to the lab, to see what’s on the slab...and it turns out it’s The Rocky Horror Picture Show, a cult classic that started as rebellion and transformed into a midnight movie ritual. With special guest props expert and technical theatre professional Jeffrey Rockey, they dig into the history of the movie that became a cultural touchstone, especially for Catholic school kids who found they didn’t quite fit in. Jeff talks coming out, Bill shares the story of how he originated the first stage role of the Captain of the Edmund Fitzgerald, and Stephanie recounts the experience of getting into Rocky Horror as a young Jewish woman. They also revisit Richard O’Brien’s problematic remarks, the Catholic media’s moral outrage, and the often-forgotten sequel Shock Treatment. It’s a science fiction double feature of faith, fishnets, and the strange comfort of finding community in the most “morally offensive” places.

In this episode of Morally Offensive, we revisit the 1995 cult classic Mortal Kombat — the movie that brought video game violence, bad CGI, and 90s martial arts chaos to the big screen. We dig into Catholic reviews of the film, including one that blames stuffed-crust pizza and child day planners for the future downfall of civilization. We talk about the movie, it’s place in 90s pop culture, our mutual experiences with the game series, the panic surrounding video game violence, the mammoth status of its CD soundtrack, a brief history of Belgium New Beat, and a tangent about the Wisdom Tree Christian NES Videogame knockoffs, including the classic convert-the-heathens-by-throwing-fruit Zelda ripoff, Spiritual Warfare.

Bill and Stephanie are joined by film scholar Christopher Hoppe to unlock Sergio Martino’s Your Vice Is a Locked Room and Only I Have the Key (1972), a cornerstone of Giallo cinema, laced with gothic unease, which explores the cultural anxieties of 1970s Italy. The film follows a washed-up writer, his abused wife, and the arrival of his seductive niece, as secrets, betrayals, and murders spiral inside (and outside) a crumbling villa. Lurking over it all is the ghostly presence of the writer’s domineering mother, and watching with uncanny menace is the family’s black cat named (yes, really)...Satan.

This week, Bill and Stephanie drag Atlanta filmmaker Nicole Kemper into the delivery room to talk David Cronenberg’s The Brood (1979), a horror movie which doubles as the world’s worst sex-ed film. We’re talking cinematic birth control, belly-buttonless mutant murder children, slutty vintage men’s bathrobes, and why men are absolutely terrified of the female body. Diversions include Oliver Reed’s drunken shenanigans, an attempted cult kidnapping, the Canadian public’s outrage over finding out their tax dollars were financing gorey art, and, of course, we read another Catholic review which completely disregards the artistic merits and possibilities of the horror genre. This is definitely an episode to listen to if you’re still comtemplating bringing children into a violent world which is on fire. For us, the Brood proved to be far more effective than abstinence-only sex education.

Mae West struts into the spotlight in I’m No Angel (1933), the pre-Code sensation that saved Paramount and scandalized the censors. Co-hosts Bill and Jess welcome Sara Shea of Shea Cinema to talk about Mae’s wit, sexuality, and the double entendres that made Catholic watchdogs sweat. Along the way we meet Joseph Breen and Will Hays, the moral gatekeepers who tried to rein her in, and discover how Cary Grant was launched into stardom with her assistance. From her Broadway scandal Sex (and a stint in jail) all the way to her campy swan song Sextette, we trace Mae’s career of outsmarting the men, proving why her comedy still feels dangerous today.

Bill and Cisco take a deep dive into The Pope’s Exorcist, the horror film where Russell Crowe channels his inner Super Mario Bro, and chews scenery as Father Gabriele Amorth, the wacky, self-proclaimed ”Chief Exorcist” of the Vatican (he wasn’t). We unpack the real Amorth’s history and his outrageous claims about what opens the door to demonic possession — from Harry Potter books to yoga classes, from Freemasonry to the soothing music of Yanni. Along the way we compare the movie’s Hollywood exorcisms with the actual Catholic ritual, talk about the Church’s checks and balances within the practice of exorcism, and laugh at the over-the-top sequel setup that plays like the Pope (played by B-movie favorite Franco Nero) is putting together a ragtag team of supernatural warriors. It’s a mix of film criticism, Catholic weirdness, and irreverent comedy that only Morally Offensive could deliver.

It’s 1999. Patricia Arquette is bleeding holy wounds in a rave bathroom. Gabriel Byrne is a hot Vatican investigator in denial. And Chumbawamba is playing in the background. For this chapter of Hot Priest Summer, we dive into Stigmata — the Catholic horror cult classic that mixes the Gospel of Thomas, Billy Corgan’s soundtrack, 90s fashion, and deep ex-Catholic trauma. We break down the film’s wild theology, the history of stigmatics like St. Francis and Padre Pio, and the Vatican’s problem with Gnostic gospels. With guest film teacher Christopher Hoppe and co-host Kevin from A24 On the Rocks.

Dogma looms large in the canon of Morally Offensive films, casting a long shadow over many millennial Catholics. For those of us who were teens when it premiered, Dogma felt like the ultimate “anti Catholic” movie we were warned about, crafted by ”satanic” filmmakers from Hollywood (never mind that Smith is from New Jersey). Written and directed by Kevin Smith, it sparked national outrage and became one of the most high profile targets of Bill Donohue and the Catholic League in their crusade against media, which they viewed as attacking the Church. Starring Ben Affleck, Matt Damon, Linda Fiorentino, Salma Hayek, Jason Lee, Alanis Morrisette, George Carlin, Chris Rock, Jason Mewes, Alan Rickman, and many others, Dogma is a comedic epic which has persisted, despite attacks from religious groups and attempts by Harvey Weinstein to suppress it’s re-release. In this episode of the Morally Offensive podcast, Bill and Cisco are joined by comedian Ross Childs aka Crabman732 to revisit the controversy. Was Dogma truly as offensive as the Catholic League claimed, and does it hold up?

On this episode of Morally Offensive, Cisco takes a break, so Bill is joined by frequent guest and film presenter Stephanie Sack along with television producer and writer Ken Melvoin-Berg to dive headfirst into The Devils (1971), Ken Russell’s blasphemous, banned, and still shocking masterpiece. Based on Aldous Huxley’s The Devils of Loudun, this true story of sex, power, witch hunts, and moral panic in the Catholic Church proves that real life is often stranger, and in this case even more offensive, than fiction. The crew breaks down the history behind the Loudun possessions, digs into the background of filmmaker Ken Russell, and reads scathing “Condemned” reviews from outraged Catholic news sources. Tune in to find out why some are calling Morally Offensive the ”podcast equivalent of a forced enema exorcism”.

Jim Marcus (author, musician, and designer) joins us to dissect the controversy surrounding Cruising (1980), the queer thriller that pushed Al Pacino into New York’s underground leather scene. We explore the film’s legacy in LGBTQ+ cinema, the protests it sparked, and the moral outrage it provoked, including strong reactions from Catholic reviewers. We also discuss the film’s ongoing re-evaluation, its impact on queer visibility, and why it continues to divide audiences over 40 years later. Plus, Bill takes the Hanky Code Quiz.

This week, we were slightly concerned that we would not have our Freddy Got Fingered Episode done in time, so we prepared a backup episode to buy us time to wrap it up. As it turned out, we were able to complete both, so our listeners get a double dose of Catholic guilt this week. In an early episode covering Barbara Stanwyck’s iconic performance in Baby Face, we still thought our average show length should be about an hour and a half, so we removed a large chunk of the conversation with our guests. The more we sat on the ”missing” parts of this episode, the more we realized that we were sitting on some pretty relatable and heart-felt content, that really needed to released into the wild. In this ”lost” material, we dig into the way Catholics scare children and teens into compliance with fear of God and damnation, the problematic quackery that is abstinence-only ”sex-ed”, and Bill and his wife Kelly talk about that one time they saw a DIY exorcism at a Basilica.

On this episode of Morally Offensive, Bill and Cisco dive headfirst into Freddy Got Fingered (2001), Tom Green’s aggressively unhinged film that might be the worst comedy of the 2000s, or a misunderstood absurdist masterpiece, according to some. Filled with horse semen, broken bones, and a wildly uncomfortable false molestation subplot, it was a critical disaster. Yet, it somehow features Rip Torn, an Oscar-nominated actor who fully commits to Green’s chaotic vision. With the release of Tom Green Country and a new stand-up special, we ask: is it time to rethink Green as a proto-absurdist innovator rather than just an MTV shock jock?

This week on Morally Offensive, Bill and Cisco are joined by Matt Harding of Severin Films to unpack Blood for Dracula—the 1974 cult horror film that’s part vampire flick, part Catholic fever dream, and weirdly anti-communist. Directed by Paul Morrissey (a devout Catholic and outspoken conservative) and presented by Andy Warhol, the film follows Count Dracula as he travels to Italy in search of a virgin bride—because, naturally, good Catholic girls are presumed to still be pure. We explore Morrissey’s strange blend of conservative ideology and avant-garde aesthetics, his collaborations at The Factory, and his time managing the Velvet Underground and Nico. This episode dives into the film’s making, bizarre politics, and how Catholic values, exploitation cinema, and vampire lore collide in one of the strangest art-house horror movies ever made.

On this episode of Morally Offensive, Bill and Cisco revisit the Y2K-era horror classic Final Destination (2000), the film that made audiences afraid to fly and introduced death as the ultimate slasher. Released just a year before 9/11 and a few years after the TWA Flight 800 disaster, its opening plane crash and creeping paranoia feel strangely prophetic in hindsight. The episode dives into horror, practical effects, the teen slasher boom, and turn-of-the-millennium anxieties. And yes, they talk about that one bathroom scene. 👕Check out our new Merch Store! We've got t-shirts, hats, tote bags and branded denim jackets! 📚Support us and local booksellers via Libro.fm here. 📲 Follow us on our socials at Instagram and Tiktok.

It’s all been building up to this. The Last Temptation of Christ is one of the most, if not the most, controversial films of the 1980s—and of Martin Scorsese’s career. Willem Dafoe plays Jesus, but this isn’t your grandmother’s technicolor epic Messiah. This Jesus wrestles with violence, lust, and self-doubt. Naturally, the film enraged many Christians. There were boycotts, bans, death threats against Scorsese, and even a terrorist bombing by Catholic Integralists.

Easter falls on 4/20 this year, so the guys decided to push their Last Temptation of Christ episode back a couple of weeks, to make room for two other, culturally important, long-haired, bearded dudes. ”Cheech and Chong’s Last Movie” comes out on Easter this year, which falls on April 20th, appropriately, so we decided to go back to the beginning, by reviewing 1978’s ”Up in Smoke”.

Ben Affleck plays an autistic accountant, whose neurodivergent mind allows him to be a genius with numbers, and even better with a gun. Let’s just say the guys had...takes on this movie. With The Accountant 2 coming to theatres on April 25th, it felt like the perfect time to revisit this film, and to ask ”does this film actually warrant a sequel”?

Time to go deep deep down the Italian genre cinema rabbit hole, as the guys dig into Bill’s birthday pick - a Mario Bava comic book adaptation and cult classic, which inspired everyone from Roman Coppola to the Beastie Boys. Diabolik is the world’s greatest super-spy, and one of Italy’s most famous comic book heroes. The guys talk Ennio Morricone, PVC vs. Leather bondage wear, Italian vs. English overdubs, and debate just how much Diabolik and Eva pay in property taxes on their secret lair. If you love Austin Powers, James Bond, Matt Helm, and comic book movies, you won’t want to miss this wacky birthday episode.

What made Kiss Me, Stupid (1964), a comedy starring Dean Martin and directed by Billy Wilder (Some Like It Hot), so scandalous that it became the first U.S. film since Elia Kazan’s Baby Doll (1956) to receive a ”Condemned” rating from the Legion of Decency? In 1964, both Kiss Me, Stupid and The Pawnbroker shocked the Catholic censors and the Hays Office, pushing the MPAA to rethink Hollywood’s entire ratings system.