Emily Noelle Lambert creates large-scale paintings and sculptures that navigate the space between abstraction and figuration. She holds an MFA in Painting from Hunter College (NY) and a BA in Visual Art from Antioch College (OH). Lambert has had solo exhibitions at  Freight+Volume Gallery (NYC). Additional solo exhibitions include Freight + Volume Gallery (NYC), Denny Dimin Gallery (NYC), Lu Magnus (NYC), Thomas Robertello Gallery (IL), Greenfield Community College (MA), and ARTBN (South Korea). Lambert is an Associate Professor of Drawing and Painting at Keene State College in New Hampshire. She has completed public art projects for the NYC Department of Transportation and collaborated with both elementary schools and college students on public art initiatives in New York and New Hampshire. Previously, she has taught at Parsons School of Design, Yeshiva University and Fordham University. She has been awarded residencies at MacDowell (NH), Yaddo (NY), AIR Woodstock/Byrdcliffe (NY), Vermont Studio Center (VT), Dieu Donné (NY), Lower East Side Printshop (NY), VCCA (VA)  and Fountainhead Residency (FL).

Lydia McCarthy is a Brooklyn-based artist and therapist. Herphotographs and videos have been exhibited at 106 Green, EssexFlowers, Sardine and the Scandinavia House in New York, Hidrante inSan Juan, Sports Hall Window in Helsinki and A-DASH in Athens. She hasbeen reviewed and published in The Washington Post, The New Yorker,Art F City, The Wall Street Journal, Dossier and the Huffington Post.Lydia was a Lighthouse Works Fellow in 2025 and served as an AssociateProfessor of Photography at Alfred University for nine years.

Mathew Cerletty (b. 1980, Wauwatosa, Wisconsin) paints hyperreal depictions of signage, commercial tableaux, and everyday items with a precision that veers into the uncanny. At first glance, his paintings appear seamless, almost digital, but closer inspection reveals traces of the artist's hand that attest to his dedication to traditional craft. His recent solo exhibitions include Karma, New York (2025); Herald St, London (2024); STANDARD (OSLO) (2023, 2019); Karma, Los Angeles (2022); Karma, New York (2021, 2018); The Power Station, Dallas (2020); Office Baroque, Brussels (2014); and Blum & Poe, Los Angeles (2013).  

Nicholas Moenich was born in Cleveland, Ohio and received a BFA from the Cleveland Institute of Art and a MFA from Hunter College. He currently lives and works in Brooklyn, NY.He is a 2023 Pollock-Krasner Foundation Grantee, a 2021 Fellow in Painting from The New York Foundation for the Arts, and a 2019-2020 recipient of the Sharpe-Walentas Studio Program Award. His current solo exhibition Drawings is at Picture Theory in New York, NY. His work has recently been included in group exhibitions at Harper’s (New York, NY), McBride Contemporain (Montreal, Canada), George Benias Gallery (Athens, Greece), and Anton Kern Gallery (New York, NY).    

Tony Mascatello is a New York based painter of narrative images who began this process as a performance artist in SOHO long ago. Working on a small scale, he creates intimate spaces that invite the viewer to enter into an imagined experience.  

Clare Grill (born 1979, lives and works in Queens, NY) received her MFA fromthe Pratt Institute in 2005 and attended the Skowhegan School of Painting andSculpture in 2011. Recent solo exhibitions include Parlance, Derek Eller Gallery,New York, NY; Cutwork, Galería Marta Cervera, Madrid, Spain; and WichLanguage and Oyster, M+B, Los Angeles, CA. Her work hasbeen reviewed in Artforum, ArtNews, Hyperallergic, the Brooklyn Rail, The NewYork Times, The Los Angeles Times, and The Boston Globe.

Dylan Vandenhoeck, born in New York City in 1990, is a painter and musician. His meandering and embodied perspective approach to observational painting questions what it means to paint from life today. He received his BFA from The Cooper Union in 2012 and MFA in Visual Art from Columbia University in 2017. His most recent solo shows include “Right Under The Nose” at Jack Barrett Gallery (2024), “Inside Out, Outside In” at Jack Barrett Gallery (2022), “Reality Show” at Matthew Brown, Los Angeles (2021) and “What Do You See When You Close Your Eyes and Nod Yes?” at Jack Barrett, New York (2020). 

Matthew Tully Dugan (b. 1986) is a New York born and based multidisciplinary artist. The artist’s interests span renaissance art, celebrity, psychology, occult practices, pop iconography, privacy, and fanaticism. Dugan often employs promotional, social, and found imagery as well as divinatory visions in a practice motivated by ritualistic impulse and alchemical processes that investigate media’s physical and emotional divide. His paintings, sculptures, installations, texts, and curatorial projects collapse the popular and the subcultural, the collective and the personal, as a means of processing contemporary conditions and their impact on the psyche. In his most recent work Dugan has furthered his research of the materiality and techniques of renaissance painting systems in a continued effort to embed and articulate the incurrence of talismanic energy that is formed through ceremonial practice within the space between intention and objectness.

Kai Altair is a musician and guide exploring the meeting place of music, ritual, and consciousness.  Rooted in animist, earth-based traditions, she creates spaces for remembrance and ecstatic renewal. Through sound, compassionate support, and lineage holding, her work invites connection to benevolent realms walking in partnership with the deeply human.  

Lauren Clay is a visual artist from Atlanta, Georgia. She holds a BFA in Painting from Savannah College of Art and Design, and MFA in Painting from Virginia Commonwealth University. She is best known for her wall-based relief sculptures and elaborate wallpaper installations. She currently lives and works in New York city. 

Julie Curtiss was born in 1982 in Paris, France and lives and works in Brooklyn, New York. She studied at the École Nationale Supérieure des Beaux-arts, Paris and graduated in 2006 with a BA and MFA. Recent solo exhibitions include Gagosian Gallery Paris (2025), White Cube HongKong (2023) White Cube Mason’s Yard, London (2021); Anton Kern Gallery, New York (2019); Various Small Fires, Los Angeles (2018); and 106 Green, Brooklyn, New York (2017). Group exhibitions include Leeum Museum of Art, Seoul (2022); Biennale des Arts de Nice (2022); The Shed, New York (2021); La Patinoire Royale – Galerie Valérie Bach, Brussels (2020); Deitch Gallery, New York (2020); Nassau County Museum of Art, Roslyn, New York (2019); Perrotin, Seoul (2019); Clearing, New York (2019); White Cube Bermondsey, London (2017).

Ethan Greenbaum is a New York based artist. His multimedia artworks merge photography, painting, and sculpture in low-relief wall works that read like urban archaeology—fragments of city life preserved and reimagined. Ethan has exhibited his artwork nationally and internationally. Selected exhibition venues include Derek Eller Gallery, New York; Hauser and Wirth, New York; Marlborough Chelsea, New York, Higher Pictures, New York; New York; Marianne Boesky, New York, Lyles & King, New York; The Suburban, Chicago; Galerie Pact, Paris; Super Dakota, Brussels; Stems, Brussels; The Aldrich Museum, Connecticut; and Socrates Sculpture Park; Long Island City. He received an MFA in Painting from Yale School of Art.  

Zuriel Waters was born in 1984 in Philadelphia, PA, and lives and works in Brooklyn, NY. Received an MFA in Painting from the Rhode Island School of Design in 2010 with a fellowship from the Jacques and Natasha Gelman Foundation and a BA in Interdisciplinary Studies from San Diego State University in 2007. Has shown work in group exhibitions throughout New York City at galleries such as Underdonk, CANADA, Tappeto Volante, Deanna Evans and others and has recently had solo shows at Kathryn Markel Fine Arts and My Pet Ram in New York City.

Richard Tinkler was born in Westminster MD in 1975 and went to college at the University of North Texas and graduate school at Hunter College. He lives and works in Brooklyn, NY and shows at 56 Henry in NYC.  

Brigitte Mulholland opened her eponymous gallery in Paris in April 2024. She was previously a Senior Director at Anton Kern in New York, as well as an independent curator of numerous shows.   

Bio forthcoming

Ben Pederson was raised by a poet and a sculptor who taught him to value intuition and curiosity above all else. He makes sculptures and paintings that are born from dreams, books, and all of the people he has ever known and loved. Most summer evenings Ben can be found drinking a beer on his rooftop garden that he tends with his studio mate and great friend Dan. His Gods are Art, Love, and Hacky Sack . 

Born in Coshocton, Ohio 1976, Clinton King holds a BFA in painting from Columbus College of Art and Design and an MFA in sculpture from The School of the Art Institute of Chicago. King’s artistic approach is defined by his emphasis on the material and sensory qualities of painting and his minimalist approach, which often creates elaborate maximalist effects.King’s recent solo exhibitions include Participation Mystique, STEMS (Brussels, 2025); Mythmatics, MAKI Gallery (Tokyo, 2023); LIVING ENDS, Carl Kostyál (London, 2022); and FREE RADICAL, Allouche Benias Gallery (Athens, 2021). He is also a frequent participant in group exhibitions worldwide, primarily in the US.

Texas-born artist Robin Kang creates woven artworks that merge ancestral textile traditions, shamanic healing, and digital innovation.  Using a digitally operated Jacquard loom, she creates textiles that blend botanical motifs with circuit-like patterns, exploring the dualities of past and future, nature and technology, and mysticism and computation.  A 2017 NYFA Fellow, Kang has exhibited internationally at venues including the Queens Museum, Brooklyn Academy of Music, and the U.S. Embassy in Saudi Arabia, with features in The New York Times, ArtNews, and Hyperallergic. She holds an MFA from the School of the Art Institute of Chicago and has taught fiber arts and digital weaving at RISD, Parsons, and Tyler School of Art.  

Jonathan Herrera Soto (b. 1994) holds a BFA from the Minneapolis College of Art and Design and an MFA in Painting/Printmaking from the Yale School of Art. He is a recipient of the Jerome Hill Artist Fellowship, Paul and Daisy Soros Fellowship, Yale Prison Education Initiative Fellowship, and the Koopman Distinguished Chair in the Visual Arts at the Hartford Art School. Herrera Soto is a printmaker, whose practice explores the relationship between the printing matrix (the surface used to create the print) and the substrate (the material that receives the print). He is interested in how this interaction can serve as a metaphor for translation and mistranslation, specifically highlighting distortions that occur in the process of understanding one another in the world.