In this episode of *Movies First*, Chris and Jessica delve into the intriguing world of *Wake Up Dead Man*, the latest installment in the Knives Out franchise that takes murder mysteries to a new level within the confines of a church. The hosts explore the darkly ironic setting of Our Lady of Perpetual Fortitude, where the past sins of Father Duplentice, played by Josh O'Connor, collide with a shocking murder during a service, challenging the very notion of divine intervention.

Listeners will be captivated as Chris and Jessica discuss the power dynamics at play, particularly with Josh Brolin's Monsignor Wicks, who runs the parish like a personal empire. They highlight the film's ensemble cast, featuring Glenn Close, Jeremy Renner, Kerry Washington, and others, creating a rich tapestry of characters that embody various forms of suffering and redemption.

The episode also examines how director Rian Johnson masterfully uses the church setting to delve into themes of faith, doubt, and collective guilt, especially with the murder occurring in front of a congregation that becomes both witnesses and suspects. Chris and Jessica reflect on the clever symbolism and the tension brought forth by Daniel Craig's Benoit Blanc, navigating the intersection of earthly justice and divine judgment.

With a score of 8 out of 10, this episode invites listeners to ponder the complex layers of morality, redemption, and the human condition, all while enjoying the sophisticated mystery and dark humor that the Knives Out series is known for.
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In this episode of *Movies First*, Chris and Jessica dive deep into the enchanting yet thought-provoking world of *Wicked: for Good*, exploring the transformative journey of villains into heroes and how the narrative challenges our understanding of good and evil. They discuss the revolutionary portrayal of power, truth, and justice, particularly through Michelle Yeoh's chilling role as Madame Morrible, who orchestrates a propaganda campaign that resonates with today's media landscape.

Listeners will be captivated by the hosts' analysis of Ariana Grande's performance as Glinda, highlighting her authentic evolution from a popularity-obsessed student to a character faced with moral dilemmas. The dynamic chemistry between Grande and Cynthia Erivo, who portrays Elphaba, adds depth to their contrasting paths, showcasing how shared histories can shape divergent choices.

Chris and Jessica emphasize the musical's technical achievements, particularly the tornado sequence as a metaphor for societal upheaval driven by fear and manipulation. They also explore the allegorical representation of marginalized voices through the innovative use of technology in the depiction of animals in Oz, enhancing the film's themes of power and resistance.

The hosts delve into the visual storytelling elements, like costume design, which reflects the power dynamics between Glinda and Elphaba, and the commentary provided by Jeff Goldblum's wizard character. They appreciate how director John M. Chu balances spectacular fantasy with complex ideas, making the film both entertaining and intellectually engaging.

With a score of 8 out of 10, this episode invites listeners to reflect on the evolving narratives of morality and the potential for more nuanced storytelling in the future, proving that entertainment can be both commercially successful and thought-provoking.
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In this episode of *Movies First*, reviewer Alex First delves into the harrowing psychological drama *Nuremberg*, which offers a profound exploration of the landmark trial that sought justice for crimes against humanity in the aftermath of World War II. The film centers on the unsettling dynamic between Nazi leader Hermann Goering, portrayed chillingly by Russell Crowe, and U.S. army psychiatrist Lt. Col. Douglas Kelly, played by Rami Malek. Alex discusses how Crowe captures Goering's disturbing duality—his affectionate side as a husband and father juxtaposed against the cold indifference he displayed towards the atrocities committed under his regime.

Listeners will be drawn into the intense psychological tension as Kelly grapples with the moral implications of his role in evaluating Goering's fitness for trial. Alex highlights Malek's nuanced performance, which effectively conveys the psychiatrist's internal conflict as he navigates the complexities of his professional duty while confronting the horror of Goering's actions.

The episode also examines the supporting cast, including Leo Woodle as the translator and John Slattery as Colonel Andrus, whose roles add depth to the narrative. The film's use of stark documentary footage serves as a haunting reminder of the atrocities that necessitated the trials, and Alex emphasizes the importance of this historical context in understanding the film's significance.

Director James Vanderbilt's adaptation of Jack El-Hai's book showcases not just the procedural challenges faced by the Allies but also the psychological toll on those involved in the trial. With a runtime of two and a half hours, the film maintains a gripping pace, compelling viewers to grapple with the weighty themes of justice, accountability, and the complexities of evil.

With a score of 8.5 out of 10, this episode invites listeners to reflect on the essential legacy of the Nuremberg Trials and the imperative of remembering historical atrocities, ensuring that justice prevails against the backdrop of human nature's darkest impulses.
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In this episode of *Movies First*, Chris and Jessica navigate the chilling narrative of *Dead of Winter*, a gripping survival thriller that intertwines themes of love, loss, and resilience against the brutal backdrop of the Minnesota wilderness. The hosts delve into the poignant journey of Barb, portrayed by the remarkable Emma Thompson, who embarks on a pilgrimage to scatter her late husband's ashes, only to find herself entangled in a harrowing fight for survival.

Listeners will be captivated as Chris and Jessica discuss how the film artfully transitions from a personal tale of grief to a suspenseful confrontation with a desperate couple, whose twisted motivations blur the lines of morality. They explore the film's complex characters, particularly the antagonists—Mark Menchaca as the ominous man in the camo jacket and Judy Greer as the emotionally charged Purple lady—highlighting how their misguided love drives the tension forward.

The hosts emphasize Thompson's powerful performance, showcasing how Barb's grief transforms into a source of strength as she encounters Leah, a young woman held captive by the couple. Through effective flashbacks, the film reveals the depth of Barb's character and her determination to prevent further loss, making her journey both relatable and inspiring.

With stunning cinematography by Christopher Ross, the icy landscape becomes a character in its own right, heightening the film's suspense. Chris and Jessica discuss how the isolation of the wilderness forces Barb to rely on her intelligence and determination, grounding the narrative in reality and making her triumph feel authentic.

Scoring *Dead of Winter* a solid 7 out of 10, this episode invites listeners to reflect on the multifaceted responses to mortality and the enduring power of love, all while delivering a thrilling cinematic experience that transcends typical survival tropes.
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This episode includes AI-generated content.

In this episode of *Movies First*, Chris and Jessica embark on a gripping exploration of the psychological thriller *If I Had Legs I'd Kick You*, a film that authentically portrays the harrowing journey of a mother's mental breakdown. They delve into Rose Brian's mesmerizing performance as Linda, a therapist whose life unravels amidst the chaos of her daughter's mysterious illness. The hosts discuss the film's striking opening scenes, where extreme close-ups capture Linda's emotional disintegration, and the symbolism of her apartment's roof caving in, mirroring her crumbling reality.

Listeners will be engaged as Chris and Jessica dissect the layers of isolation that Linda faces, including her husband's absence due to naval duty and the anxiety-inducing environment of a sketchy motel. They highlight the character of James, played by A$AP Rocky, whose presence introduces a moral ambiguity that challenges Linda's ethical boundaries in her desperate quest for help.

The episode further examines the dynamic between Linda and her therapist, played by Conan O'Brien, whose awkwardness adds a unique layer to the narrative, reflecting the complexities of seeking help. The parallel storyline with Linda's patient, Caroline, offers a poignant exploration of maternal mental health, showcasing two sides of a similar struggle.

Chris and Jessica appreciate how the film uses the motel setting as a metaphor for Linda's unstable mental state, creating an atmosphere where reality and perception blur. They emphasize that *If I Had Legs I'd Kick You* avoids sensationalizing mental illness while still depicting its profound effects, challenging viewers to confront their own assumptions about mental health and professional competence.

With a score of 8 out of 10, this episode invites listeners to reflect on the unsettling yet meaningful themes of parenthood and mental health, making *If I Had Legs I'd Kick You* a powerful and unforgettable cinematic experience.
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In this episode of *Movies First*, Chris and Jessica plunge into the dystopian depths of the new remake of *The Running Man*, a chilling take on Stephen King's 1982 classic that feels eerily relevant in today's society. The hosts dissect how the film updates the original premise, where a desperate father enters a deadly game show to secure medical care for his ailing child, reflecting our current anxieties surrounding healthcare and corporate control.

Listeners will be captivated as Chris and Jessica analyze Glen Powell's portrayal of Richards, which diverges from Arnold Schwarzenegger's iconic performance, bringing a sense of vulnerability and realism that resonates deeply. They highlight the film's exploration of media manipulation, particularly through Josh Brolin's character, Killian, who embodies the terrifying power of entertainment executives.

The episode also delves into the supporting cast's contributions, with standout performances from William H. Macy and Michael Cera, who add layers to the narrative's resistance theme. The hosts appreciate Edgar Wright's direction, noting how he skillfully balances action with darker satirical elements, ensuring that each sequence serves a purpose in character development and plot advancement.

As they reflect on the film's commentary about society's trajectory, Chris and Jessica emphasize the unsettling plausibility of the depicted technology and the cultural implications of an entertainment landscape driven by corporate greed. With a score of 7.5 out of 10, this episode invites listeners to consider the fine line between entertainment and exploitation, and the enduring hope for authentic human connection amidst a manufactured reality.
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In this episode of *Movies First*, Chris and Jessica dive into the enchanting world of *Now You See Me: Now You Don't*, where the timeless allure of magic collides with the gritty realities of cryptocurrency scams and blood diamonds. The hosts explore how the film brilliantly introduces a new generation of magicians who kick off their journey by exposing a cryptocurrency con through a spectacular illusion reminiscent of the original Horseman, showcasing the evolution of magic in the modern age.

Listeners will be captivated as Chris and Jessica discuss the tension between the original team, led by Jesse Eisenberg's Atlas, and the newcomers, particularly the dynamic with Dominic Cess's Bosco. This clash of philosophies—traditional grand theatrics versus tech-savvy innovation—creates a fascinating backdrop for their heist against Rosamund Pike's formidable Veronica Vanderburg, who runs a corrupt diamond mining empire with a captivating performance.

The hosts highlight the film’s clever incorporation of the diamond industry's complex history of deception, noting how the magicians utilize both classic sleight of hand and modern technology to infiltrate Vanderburg's operations. They commend Ariana Greenblatt’s June for her fresh energy and Justice Smith’s Charlie for his transformation from a behind-the-scenes tech wizard to a pivotal player in the heist.

As they analyze the film's bold approach to revealing magic tricks, Chris and Jessica appreciate how the stunning locations, from the streets of New York to the architectural marvels of Abu Dhabi, enhance the storytelling. Each setting serves as a character in its own right, adding depth to the mesmerizing illusions presented.

With a score of 7.5 out of 10, this episode reflects on how *Now You See Me: Now You Don't* successfully revitalizes the franchise, proving that magic is not only relevant in the digital age but is also evolving to blend traditional artistry with contemporary storytelling. Join Chris and Jessica as they unpack this thrilling installment that captures the essence of magic while pushing its boundaries.
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In this episode of *Movies First*, Chris and Jessica delve into the intriguing world of art heists with the film *The Mastermind*. Set against the tumultuous backdrop of 1970s Massachusetts, the story follows James Blaine Mooney, or JB, portrayed by Josh O'Connor—a failed architect driven to steal four Arthur Dove paintings in a desperate bid to escape his father's criticism and prove his worth. The hosts discuss how director Kelly Reichardt crafts an intimate narrative inspired by the real-life 1972 Worcester Art Museum heist, yet focuses on the personal struggles of a man disconnected from the social upheaval of the era.

Listeners will appreciate the nuanced performance by O'Connor, whose portrayal of JB captures the layers of desperation without veering into melodrama. Chris and Jessica highlight the complex relationship between JB and his wife, Terry, played by Alana Haim, emphasizing the unspoken disappointment that lingers between them. The arrival of JB's old friend Fred, portrayed by John Magaro, introduces a moment of genuine connection, further accentuating JB's isolation.

The episode also explores the film's meticulous attention to period details, which lend authenticity to the narrative while highlighting the simplicity of security systems at the time, making JB's heist seem almost feasible—until it spirals out of control. As the plot unfolds, the hosts discuss the unique approach the film takes to the aftermath of the heist, illustrating how JB's shortcuts lead to even greater complications, forcing him into a life on the run.

Ultimately, Chris and Jessica reflect on how *The Mastermind* serves as a character study disguised as a heist film, focusing on themes of identity, ambition, and the lengths one will go to when feeling trapped. With a score of 7.5 out of 10, this episode invites listeners to ponder the deeper implications of desperation and self-worth as they follow JB's heartbreaking journey.
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This episode includes AI-generated content.

In this episode of *Movies First*, Chris and Jessica embark on an exhilarating journey through the latest installment of the *Predator* franchise, which takes a bold leap by centering the narrative on a young Yautja warrior named Deck, brilliantly portrayed by Demetrius Schuster. The hosts discuss how this fresh perspective—following an alien hunter rather than the traditional human prey—creates an unexpected emotional investment, as viewers witness Deck's struggles within a brutal culture that demands strength and ruthlessness.

Listeners will be intrigued by the film's exploration of toxic masculinity through the lens of alien society, particularly in the chilling family dynamics that unfold. Chris and Jessica highlight the clever pairing of Deck with Elle Fanning’s character, Tia, a chatty robot with a missing set of legs, showcasing an inspired duality in Fanning's performances that adds depth to the narrative.

The episode dives into director Dan Trachtenberg's impressive handling of action and world-building, especially in the creation of the hostile planet Jenna, where survival becomes a formidable challenge even for a predator. The hosts appreciate the subtle nods to the broader *Alien* universe, noting how these references expand the mythology without overshadowing Deck's personal journey.

As they analyze the film's emotional core, Chris and Jessica commend the balance struck between Deck’s intimidating presence and his relatable vulnerabilities, enhanced by a score that beautifully complements his transformation from outcast to hero. With a solid score of 7.5 out of 10, this episode invites listeners to reflect on how the film not only reinvents the franchise but also sets the stage for exciting future stories within the *Predator* universe, promising a deeper exploration of Yautja culture and identity.
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In this episode of *Movies First*, Chris and Jessica delve into the intriguing adaptation of *Kiss of the Spider Woman*, a musical that boldly juxtaposes the harrowing realities of Argentina's Dirty War with the vibrant world of theater. The hosts explore the complex relationship between Molina, a gay window dresser portrayed by Tonatiu, and Valentin, a political revolutionary played by Diego Luna, as they navigate the confines of a prison cell. Their dynamic is charged with tension, as Molina is secretly tasked with spying on Valentin, yet he uses storytelling to forge an emotional connection.

Listeners will appreciate the nuanced performances, particularly how Diego Luna transforms Valentin from a hardened figure into someone capable of vulnerability. The conversation reveals the film's attempt to balance personal and political narratives, with the intimate prison drama resonating more profoundly than the musical elements introduced by Jennifer Lopez’s dual roles. Chris and Jessica discuss how the film's musical sequences often feel disconnected from the overarching political drama, creating a sense of dissonance.

Despite its flaws, the hosts highlight the film's commitment to portraying the brutality of the regime, adding layers of tension to every interaction between Molina and Valentin. They reflect on the film's core themes of identity politics and human connection, emphasizing the importance of storytelling as a means to process trauma in dire circumstances.

With a score of 6 out of 10, this episode encourages listeners to engage with both this new adaptation and the original 1985 film, reminding us that the most significant stories are those we continue to tell, even imperfectly. Join Chris and Jessica as they unpack this thought-provoking narrative that challenges our understanding of love and resilience in the face of oppression.
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This episode includes AI-generated content.

In this episode of *Movies First*, Chris and Jessica explore the mind-bending film *Bugonia*, a captivating fusion of ancient myths and contemporary conspiracy theories. The hosts delve into the film's unique premise, which intriguingly links the bizarre belief that bees spawn from dead oxen to modern-day paranoia surrounding alien pharmaceutical executives. They highlight Jesse Plemons' portrayal of Teddy, an intelligent but detached apiarist whose descent into madness is both unsettling and tragically compelling.

Listeners will appreciate Emma Stone's nuanced performance as Michelle Fuller, where she expertly balances the tension between being a potential alien threat and a rational individual trying to connect with Teddy. Chris and Jessica discuss the film's roots in the South Korean original *Save the Green Planet*, and how director Yorgos Lanthimos' distinctive style enhances the absurdity woven throughout the narrative.

The hosts reflect on the film's pacing, noting how it immerses viewers in Teddy's paranoid perspective, while also acknowledging that some scenes may feel prolonged. They analyze the emotional weight added by Teddy's mother's coma, which serves as a poignant backdrop to his conspiracy-laden journey, ultimately transforming his delusions into a means of coping with grief.

As the discussion unfolds, Chris and Jessica emphasize the film's clever structure and its commentary on the proliferation of conspiracy theories in today's society, especially as they relate to corporate power and medical technology. The visual storytelling, particularly during the climactic lunar eclipse sequences, is praised for creating an atmosphere that mirrors the chaos of Teddy's mind.

With a score of 7 out of 10, *Bugonia* stands out as both a critique of conspiracy thinking and a deeply empathetic exploration of loss and the human search for meaning amidst confusion. Join Chris and Jessica as they dissect this bizarre yet thought-provoking film that challenges our understanding of reality.
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In this episode of *Movies First*, Chris and Jessica take a chilling dive into the psychological horror of *Silent Night, Deadly Night*—a reimagining that transforms the beloved figure of Santa Claus into a haunting embodiment of trauma and violence. The hosts explore the film's intricate portrayal of Billy Chapman, whose childhood trauma of witnessing his parents' murder at the hands of a Santa-suited killer shapes him into a complex character grappling with violent urges and a twisted moral compass represented by Charlie, the voice in his head.

Listeners will be captivated by the film's departure from typical slasher tropes, focusing instead on the psychological depth of its characters. Chris and Jessica discuss how the romantic subplot with Pamela adds layers of tragedy, as viewers watch Billy's potential path to redemption unravel amidst his descent into chaos. They reflect on the film's emphasis on mental health and the long-lasting effects of childhood experiences, contrasting it with the original 1984 version known for its shock value.

The hosts highlight the film's visual storytelling, juxtaposing the cheerful holiday setting with dark events that unfold, creating a powerful atmosphere that resonates with audiences. They draw connections to a broader tradition of subversive Christmas films, noting how this version elevates the genre by exploring themes of trauma and control through the symbolic Santa suit.

As they wrap up the discussion, Chris and Jessica emphasize the film's challenge to conventional horror and holiday narratives, illustrating that even the darkest tales can offer profound insights into human nature and the complexities of trauma. With a score of 7 out of 10, this episode invites listeners to reconsider their perceptions of horror films and the deeper meanings they can convey.
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In this episode of *Movies First*, Chris and Jessica delve into the unsettling film *Shell*—a dark exploration of society's obsession with youth and beauty that raises more questions than it answers. The hosts discuss how the film, starring Elisabeth Moss as a 40-something actress grappling with her fading relevance in Hollywood, confronts the uncomfortable truths about aging and the beauty industry, which raked in a staggering $430 billion last year.

Listeners will find themselves reflecting on the film's portrayal of a wellness company, helmed by Kate Hudson’s character, who epitomizes the deceptive allure of eternal youth. The narrative highlights the absurdity of spending an average of $225,000 on beauty products over a lifetime, while showcasing the predatory nature of luxury wellness retreats that promise transformation at a steep price.

Chris and Jessica dissect the film's transition from psychological horror to schlock horror in its final act, questioning whether it missed a vital opportunity to address the genuine psychological distress associated with beauty standards. They emphasize the deliberate casting choices, with Moss and Hudson representing the struggle between authenticity and the manufactured perfection promoted by the wellness industry, now valued at $4.4 trillion globally.

The conversation touches on the societal pressures that render beauty a currency, illustrated poignantly through Samantha's psoriasis, which symbolizes her unmarketability in a cutthroat industry. With alarming statistics revealing that women with visible skin conditions are 30% less likely to secure public-facing roles, the hosts underscore the desperation that drives individuals to seek out dubious beauty treatments.

Ultimately, *Shell* serves as a cautionary tale about the systemic enforcement of beauty standards and the societal norms that make such treatments feel obligatory. While the film may falter in execution, its message resonates deeply, reflecting the terrifying reality of a culture that equates beauty with survival. With a score of 5.5 out of 10, this episode invites listeners to confront the real monsters lurking behind the veneer of beauty treatments and wellness culture.
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In this episode of *Movies First*, Chris and Jessica dive into the whimsical yet thought-provoking film *Good Fortune*, where guardian angels navigate the complexities of modern corporate life and technology. The hosts unpack the absurd yet relatable premise of Keanu Reeves as Gabriel, a low-ranking angel who finds himself entangled in the bureaucracy of divine intervention while trying to save people from their own poor choices, like texting while driving.

Listeners will be entertained by the film's portrayal of Arge, played by Aziz Ansari, a gig economy worker living out of his car and hustling through life via an app called Task Sergeant. The juxtaposition of Arge’s struggles with the ultra-wealthy tech mogul Jeff, portrayed by Seth Rogen, offers a humorous yet critical commentary on class and wealth inequality in today’s society. Chris and Jessica highlight how the film cleverly uses comedy to address serious themes without becoming preachy, particularly through the lens of Arge’s girlfriend, Elena (Kiki Palmer), a passionate labor activist.

The hosts reflect on the film's ability to balance humor with insightful social commentary, drawing parallels to classics like *Trading Places* and *It’s a Wonderful Life*, but with a contemporary twist. They discuss how Gabriel's attempts to assist others often lead to chaos, mirroring the confusion many feel in the face of modern societal challenges.

Ultimately, *Good Fortune* serves as a reminder that even divine beings might struggle to navigate the complexities of modern life, offering a comforting thought that we’re all just trying our best. With a score of 7.5 out of 10, this film is both charming and buoyant, inviting audiences to reflect on their own lives while enjoying a lighthearted narrative.
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In this episode of *Movies First*, Chris and Jessica explore the uproarious comedy *Bad Shabbos*—a film that brilliantly merges the chaos of family dinners with the intricacies of Jewish traditions. The hosts delve into the film's clever premise, where a Shabbat dinner spirals into a comedic disaster reminiscent of *Weekend at Bernie's*, as David (played by John Bass) introduces his Catholic girlfriend Meg to his traditional Jewish family amidst mounting tensions and unexpected mishaps.

Listeners will appreciate the dynamic cast, including Kyra Sedgwick as the conflicted mother grappling with her daughter's conversion, and the unexpected yet delightful appearance of Method Man as the doorman caught in the unfolding chaos. Chris and Jessica unpack the film's exploration of interfaith relationships and family acceptance, highlighting how it resonates with nearly 50% of Jewish Americans navigating similar challenges in their own lives.

The hosts discuss the film's unique setting—a cramped 10th-floor apartment—where the pressure of familial expectations amplifies the comedic stakes. They draw attention to the character of Benjamin, David's sister's insufferable boyfriend, whose antagonism adds fuel to the already volatile family dynamics, creating a pressure cooker of hilarity.

As the plot thickens, the hosts reflect on the film's ability to tackle serious themes like mental health and religious identity through a comedic lens, illustrating how laughter can emerge from chaos. They note the clever production design that authentically captures the essence of Jewish culture while serving as a backdrop for farcical events.

Ultimately, *Bad Shabbos* resonates as a relatable tale of family gatherings gone awry, reminding us that regardless of our backgrounds, we all share the universal experience of wanting our important moments to go smoothly. With a commendable score of 7.5 out of 10, this film invites viewers to embrace the discomfort of family dynamics and find joy in the laughter that follows.
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This episode includes AI-generated content.

In this episode of *Movies First*, Chris and Jessica examine the provocative film *After the Hunt* which delves into the intricate power dynamics within a prestigious philosophy department at Yale University, where accusations of sexual misconduct ignite a tense atmosphere. The hosts discuss how the film's setting amplifies the stakes, revealing the explosive intersection of elite academia and personal ambition.

Julia Robert takes on a challenging role as Alma Imhoff, a cold and calculating professor vying for tenure in a male-dominated department, all while concealing a chronic illness from her colleagues. The complex relationship between Alma and her student Mikey, portrayed by A.O. Etabiri, adds layers of mentorship and attraction that complicate their interactions. Mikey, a privileged yet alienated philosophy student, grapples with her identity and her parents' significant influence at Yale, raising questions about the true nature of belonging.

Andrew Garfield delivers a powerful performance as Hank Gibson, the accused professor whose fierce denial of Mikey's allegations adds to the film's tension. Chris and Jessica highlight the film's exploration of truth and perception, particularly through Alma’s conflicted loyalties as she navigates the murky waters of the situation. The hosts also discuss the heavy secrets each character carries, from Alma's troubled past to Mikey's struggles with her identity as an adopted child, and how these elements contribute to the film's narrative complexity.

While Luca Guadagnino's direction is praised, the hosts note that the film sometimes feels overloaded with themes such as sexual assault, tenure politics, and hidden illnesses. Despite its ambitious scope, Chris and Jessica argue that these imperfections may spark important conversations about power dynamics in academia. With a score of 7.5 out of 10, *After the Hunt* stands as a thought-provoking piece that resonates with contemporary issues, reminding us that sometimes the most challenging stories leave a lasting impact.
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In this episode of *Movies First*, Alex First dives into the gripping drama *Inter Alia* which explores the intricate life of Jessica Parkes, a distinguished UK Crown Court judge portrayed by the talented Rosamund Pike. The hosts unpack the multifaceted challenges Jessica faces as she balances her professional responsibilities with the demands of motherhood and marriage to fellow legal professional, Michael Wheatley.

Listeners will be drawn into the emotional turmoil as Jessica strives to raise her son Harry (played by Jasper Talbot) with strong values, only to confront a nightmare when he faces serious allegations of sexual assault against his classmate, Amy. The episode highlights the complexities of the case, from Harry's denial of the accusations to the troubling discoveries made on his laptop, all while Jessica and Michael navigate the treacherous waters of the legal system to protect their son.

Alex praises the innovative staging and technical aspects of the production, which features a live band and seamless transitions between various settings. They commend the collaborative efforts of the creative team, including the striking set design and immersive soundscapes that enhance the storytelling.

Alex also reflects on the powerful performances, particularly Pike's portrayal of a mother torn between her professional ethics and maternal instincts, as well as Glover’s nuanced depiction of Michael, who embodies a mix of pride and vulnerability. Talbot’s performance is noted for capturing the fear and uncertainty of youth in the face of grave allegations.

As they delve deeper, Alex discusses the production's timely exploration of themes such as toxic masculinity, justice, and the impact of social media on personal relationships. With a commendable score of 8.5 out of 10, *Inter Alia* stands out as a thought-provoking examination of modern society's legal and moral dilemmas.
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In this episode of *Movies First*, Chris and Jessica delve into the gripping world of mixed martial arts with the film *The Smashing Machine*. They explore how this powerful narrative transcends the brutality of the sport to reveal the harrowing journey of Mark Kerr, portrayed by Tim Johnson in what many consider his most nuanced performance yet. The hosts are captivated by Johnson's transformation, not just physically but also in his portrayal of Kerr's psychological unraveling due to painkiller addiction.

Listeners will appreciate the authentic depiction of the late 90s MMA scene, a time characterized by minimal oversight and evolving rules. Chris and Jessica highlight how the film captures the raw essence of the sport, with Ryan Bader's grounded performance as Coleman providing a stark contrast to Kerr's struggles. They discuss the thin line between athletic dedication and self-destruction, emphasizing how the very traits that elevate an athlete can also lead to their downfall.

Emily Blunt's heartbreaking portrayal of Don Staples adds depth to the narrative, particularly in her attempts to reach Kerr during his darkest moments. The hosts commend the film's cinematography, which immerses viewers in the fight scenes without glorifying the violence, instead focusing on the physical and emotional toll on the fighters.

Benny Safdie's direction is praised for its documentary-like feel, allowing real human struggles to unfold naturally. While some criticism arises regarding the pacing, Chris and Jessica argue that the slower moments serve to deepen the audience's understanding of Kerr's tragic descent.

Ultimately, *The Smashing Machine* emerges as a cautionary tale about the dark side of athletic ambition, exploring universal themes of ambition, relationships, and the sacrifices made for greatness. With a solid score of 7.5 out of 10, this film resonates beyond the realm of sports, inviting reflection on the true cost of success.
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To access the Movies First reviews archive visit our website at www.bitesz.com/podcast/movies-first

This episode includes AI-generated content.

In this episode of *Movies First*, Chris and Jessica tackle the perplexing blend of sports and horror in the film *Him*, where an NFL legend's dark secrets collide with psychological terror. As they dissect this ambitious genre mashup, the hosts ponder the implications of a young football prospect, Cameron Cade, being mentored by the sinister former quarterback Isaiah White, played by Marlon Wayans. The film's premise raises eyebrows as it explores themes of isolation within a remote training compound, echoing the privileged bubbles athletes often inhabit.

Listeners will be intrigued by the discussion surrounding the film's depiction of the extremes athletes endure, from hyperbaric chambers to experimental treatments, making the supernatural elements feel almost redundant. Chris and Jessica highlight Wayans' unexpected intensity, drawing parallels to Jordan Peele's successful transition from comedy to horror, while also noting the effective casting of Tyrek Withers as the rookie who transforms from starstruck to terrified.

The episode delves into the film's commentary on sports culture, examining how society dehumanizes athletes while idolizing them, and the hosts reflect on the brutal training sequences that mirror real-life pressures faced by professional athletes. They argue that the movie's missed opportunity lies in its failure to build tension through realism before introducing supernatural elements, which could have made the horror feel more organic.

Ultimately, *Him* serves as a cautionary tale about the dark side of sports and the challenges of blending genres. With a disappointing score of 3 out of 10, Chris and Jessica lament the film's inability to convey meaningful commentary on the real horrors lurking within professional sports, reminding listeners that sometimes the scariest stories are the ones rooted in reality.
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To access the Movies First reviews archive visit our website at www.bitesz.com/podcast/movies-first

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This episode includes AI-generated content.

In this episode of *Movies First*, Chris and Jessica explore the highly anticipated reunion of the legendary rock band *Spinal Tap* in their latest film, *Spinal Tap: Back to the Stage*. After a staggering 40 years, the iconic band returns, but not without the trademark dark humor that fans have come to love, particularly the infamous curse surrounding their drummers.

Listeners will be drawn into the hilarity as the hosts discuss how the characters have evolved over time. Nigel Tufnell, once a symbol of rock excess, now finds himself running a cheese and guitar shop, while David St. Hubbins has taken a surprising turn into producing music for True Crime podcasts. The absurdity of their new reality is both comical and poignant, reflecting the passage of time in the music industry.

The episode dives into the film's clever narrative, which revolves around an inherited contract that forces the band to perform one last show. With legendary musicians like Paul McCartney and Elton John making guest appearances, the hosts marvel at how these icons contribute to the film's satirical take on aging in rock and roll.

Chris and Jessica highlight the introduction of Dede Crockett, the new drummer, who not only bridges the generational gap but also faces the peril of the infamous drummer curse. The conversation touches on the film's ability to satirize not just rock and roll but the broader concept of aging, with new characters like Hope Faith and Simon Howler adding layers of music industry drama.

As they reflect on the commitment to absurdity that defined the original film, the hosts appreciate how the sequel maintains the mockumentary style while exploring contemporary themes. With a score of 7 out of 10, *Spinal Tap: Back to the Stage* emerges as a clever homage to the beloved classic, offering both nostalgia and fresh commentary on the evolving landscape of music.
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To access the Movies First reviews archive visit our website at www.bitesz.com/podcast/movies-first

To access the Movies First reviews archive visit our website at www.bitesz.com/podcast/movies-first

This episode includes AI-generated content.