It’s The Pop Culture Professors, and we analyze the third episode of Vince Gilligan’s new series Pluribus. We talk through this episode as a literalization of the problem of being an individual in late-stage capitalism or, if you prefer, the Amazonification of everything. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

“We know what we want, and one day, our prince will come,” says Toby, the bicycle-shorts-wearing, double ententre-making, unacknowledgely-gay neighbor in RTE’s Upwardly Mobile. Though the first queer characters in Irish entertainment television were tropes and stereotypes, they represented an important shift in LGBTQ visibility in Irish media. The road to early representations in entertainment media was a hard road paved by gay rights activists, AIDS stigma, and production teams looking for sensationalism. In LGBTQ Visibility, Media, and Sexuality in Ireland, Páraic Kerrigan explores the dynamics of queer visibility and sexuality in Ireland through televised media between 1974 and 2008. Tune in for our chat about Gay Byrne and the Late Late Show, queer soap stars, the AIDS crisis and globalization of Ireland, and the LGBTQ rights tug-of-war that played out in turn-of-the-century television. Avrill Earls is the Executive Producer of Dig: A History Podcast (a narrative history podcast, rather than interview-based), and an Assistant Professor of History at Mercyhurst University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Business as Usual: How Sponsored Media Sold American Capitalism in the Twentieth Century, (U Chicago Press, 2024) reveals how American capitalism has been promoted in the most ephemeral of materials: public service announcements, pamphlets, educational films, and games—what Caroline Jack calls “sponsored economic education media.” These items, which were funded by corporations and trade groups who aimed to “sell America to Americans,”found their way into communities, classrooms, and workplaces, and onto the airwaves, where they promoted ideals of “free enterprise” under the cloaks of public service and civic education. They offered an idealized vision of US industrial development as a source of patriotic optimism, framed business management imperatives as economic principles, and conflated the privileges granted to corporations by the law with foundational political rights held by individuals. This rhetoric remains dominant—a harbinger of the power of disinformation that so besets us today. Jack reveals the funding, production, and distribution that together entrenched a particular vision of corporate responsibility—and, in the process, shut out other hierarchies of value and common care. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How are influencers changing the arts? In Influencer Creep: How Optimization, Authenticity, and Self-Branding Transform Creative Culture (U California Press, 2025) Sophie Bishop, an Associate Professor in the University of Leeds’ School of Media and Communication analyses the lives of artists and influencers to understand the working and living conditions shaping modern culture. The book draws a comparison between the two sets of workers, showing how artists are having to engage with influencer’s techniques to be successful in the online economy, and how both groups struggle with the inequalities of the platform economy. Rich with fascinating case studies, alongside a range of theoretical insights that can be applied across many other aspects of the modern world, the book is essential reading for anyone interested in art, culture and contemporary social life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

It’s The Pop Culture Professors, and we analyze the first two episodes of Vince Gilligan’s new series Pluribus. The show posits an extraordinary intervention in worldwide politics and culture producing a utopia (that is of course simultaneously a dystopia) of quiescent bliss. Is the show shaping up to be another hit for the showrunner, previously responsible for Breaking Bad and Better Call Saul? Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Disease is a social issue and not just a medical one. This is the central tenet underlying The Kiss of Death: Contagion, Contamination, and Folklore (Utah State University Press 2019) by Andrea Kitta, Associate Professor in the English department at East Carolina University, examines the discourses and metaphors of contagion and contamination in vernacular beliefs and practices across a number of media and forms. Using ethnographic, media, and narrative analysis, chapters discuss the changing representations of vampires and zombies in popular culture, the online discussions of Slenderman in relation to adolescent experiences of bullying, the misogyny embedded in legends about kisses that kill, and the racialized nature of patient-zero narratives that surrounding the spread of things like ebola, and the ways in which the HPV vaccine to homophobia. Issues like tellability and the stigmatized vernacular loom large throughout. Although folklorists will already recognize the social importance of vernacular narrative and belief, The Kiss of Death also shows how medical professionals have often failed to take vernacular forms into account. Through attention to narrative and vernacular belief, folklorists can model new forms of engaging with public health professionals and local communities. Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In her new book Madrid on the Move: Feeling Modern and Visually Aware in the Nineteenth Century (Manchester UP, 2021), Vanesa Rodríguez-Galindo explains how the modernization of this great city shaped and was shaped by print media and mass culture. A growing population, industrial immigration, mass connection with the wider world (making it both smaller and bigger), and the twilight of an empire shaped the Madrileños, their sense of identity, and their feelings of being modern and visually aware. A history of print media—and itself an example of print media—the book shows how people adapted to the dawning of a transnational, information age (perhaps a timely and familiar topic for today’s listener?) and presents a remarkable ‘glocal’ history of this event. Vanesa Rodriguez Galindo is a cultural and visual historian, working in urban studies, print cultures in Spain and Latin America, transnationalism, and women’s studies. She holds an MA in Metropolitan History from the Institute of Historical Research, University of London, and a PhD in History of Art from UNED, Madrid. Krzysztof Odyniec is a historian of the Spain and the Spanish Empire, specializing in sixteenth-century diplomacy and travel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How is artificial intelligence transforming journalism as both a profession and an institution? In this episode, Ning Ao speaks to Dr. Joanne Kuai, exploring how AI reshapes journalistic roles, organisational structures, and governance systems through the lens of China’s media landscape—while drawing comparisons with the US and EU. Dr. Joanne Kuai is a Research Fellow in the School of Media and Communication at RMIT University and holds a PhD from Karlstad University in Sweden. Her research focuses on digital journalism, the social implications of automation and algorithms, and the governance of data and AI. Ning Ao is a PhD student at the Centre for East and South-East Asian Studies (ACE) at Lund University. Her research looks at generational differences among Chinese Mongols. Episode producer: Ning Ao - - - - - - Links: Joanne’s article-based PhD dissertation: AI, News, and the State: Reinstitutionalising Journalism in Global China’s Algorithmic Age Joanne’s recommendations: Julie E. Cohen’s Between Truth and Power: The Legal Constructions of Informational Capitalism Kevin Xu’s bilingual newsletter - Interconnected Ghost in the Shell (1995) Detroit: Become Human Follow Joanne’s research on: Joanne Kuai at RMIT University ResearchGate Linkedin The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the following academic partners: Asia Centre, University of Tartu (Estonia) Asian studies, University of Helsinki (Finland) Centre for Asian Studies, Vytautas Magnus University (Lithuania) Centre for East and South-East Asian Studies, Lund University (Sweden) Centre for East Asian Studies, University of Turku (Finland) Norwegian Network for Asian Studies Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In an age when digital media permeates every aspect of our lives, understanding its influence is more critical than ever. Algorithmic Saga: Understanding Media, Culture, and Transformation in the AI Age (Atique Mindscape Publishing, 2025), serves as a compass, guiding readers through the complexities of our interconnected world. From the moment we wake to a flurry of notifications to the late-night scrolling that often accompanies our downtime, we find ourselves enmeshed in a digital landscape that shapes our perceptions, relationships, and routines. The journey ahead will illuminate the dual-edged nature of technology—its ability to connect and empower as well as its potential to isolate and overwhelm. By examining the algorithms that curate newsfeeds and the social media platforms that redefine communication, this book unpacks the intricacies of modern digital life. But beyond the challenges lie opportunities; this book also highlights the ways in which digital media fosters social activism and creative expression, showcasing the remarkable power of collective voices and innovative ideas. Whether digital natives or just beginning to explore this expansive realm, readers will be equipped by this exploration with insights and tools to navigate the digital age thoughtfully. Discover how to harness technology's potential, ensuring it enriches rather than diminishes our lives. Guest: Dr. Muhammad Atique holds a PhD in Public Administration with a specialization in Digital Governance and has over fifteen years of combined experience in academia and media. He has published several peer-reviewed research articles on digital media, technology adoption, and governance. His teaching and research explore the intersection of technology, media culture, and societal transformation in the AI age. He is also the founder of Atique Mindscape Publishing, an imprint of Digital Vista Ventures LLC (USA), and is based in Auckland, New Zealand. Host: Dr. Michael LaMagna is the Information Literacy Program & Library Services Coordinator and Professor of Library Services at Delaware County Community College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

From the United States to China and from Brazil to India, an authoritarian approach to news is spreading across the world. Increasingly, the media is no longer a check on power or a source of objective information but a means by which governments and leaders can propagate their versions of reality, however biased or false. In Dictating Reality: The Global Battle to Control the News (Columbia UP, 2025), Dr. Martin Moore and Dr. Thomas Colley show how states are battling to control and shape the news in order to entrench their power, evade scrutiny, and ensure that their political narratives are accepted. Combining in-depth analyses of seven countries with a compelling range of stories and characters from around the world, they demonstrate the unprecedented scale and scope of governments’ efforts to take control of the media. Dictating Reality details how Xi’s China, Putin’s Russia, Modi’s India, AMLO’s Mexico, Bolsonaro’s Brazil, and Orban’s Hungary have all sought, in their different ways, to exploit news to manufacture alternative realities—and how their methods have taken hold in the United States, the United Kingdom, and other democracies. Combining keen analysis of contemporary world events with years of original research, this book is essential reading for anyone who wants to understand how authoritarian leaders use the media, why more and more people are living in different realities, and the ways democracy is under threat. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

When Willard M. Kiplinger launched the groundbreaking Kiplinger Washington Letter in 1923, he left the sidelines of traditional journalism to strike out on his own. With a specialized knowledge of finance and close connections to top Washington officials, Kiplinger was uniquely positioned to tell deeper truths about the intersections between government and business. With careful reporting and insider access, he delivered perceptive analysis and forecasts of business, economic, and political news to busy business executives, and the newsletter's readership grew exponentially over the coming decades. More than just a pioneering business journalist, Kiplinger emerged as a quiet but powerful link between the worlds of Presidents Hoover and Roosevelt, and used his Letter to play a little-known but influential role in the New Deal. Part journalism history, part biography, and part democratic chronicle, The Insider: How the Kiplinger Newsletter Bridged Washington and Wall Street (University of Massachusetts Press, 2022) offers a well-written and deeply researched portrayal of how Kiplinger not only developed a widely read newsletter that launched a business publishing empire but also how he forged a new role for the journalist as political actor." Rob Wells is is visiting associate professor at the Philip Merrill College of Journalism at the University of Maryland. Kavya Sarathy is a Linguistics student at the University of Massachusetts, Amherst, and a Marketing Intern for the University of Massachusetts Press. She is currently a political Staff Writer at The Massachusetts Daily Collegian. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Content moderation on social media has become one of the most daunting challenges of our time. Nowhere is the need for action more urgent than in the fight against terrorism and extremism. Yet despite mass content takedowns, account suspensions, and mounting pressure on technology companies to do more, hate thrives online. Safe Havens for Hate: The Challenge of Moderating Online Extremism (Princeton University Press, 2025) looks at how content moderation shapes the tactics of harmful content producers on a wide range of social media platforms.Drawing on a wealth of original data on more than a hundred militant and hate organizations around the world, Dr. Tamar Mitts shows how differing moderation standards across platforms create safe havens that allow these actors to organize, launch campaigns, and mobilize supporters. She reveals how the structure of the information environment shapes the cross-platform activity of extremist organizations and movements such as the Islamic State, the Proud Boys, the Oath Keepers, and QAnon, and highlights the need to consider the online ecosystem, not just individual platforms, when developing strategies to combat extremism.Taking readers to the frontlines of the digital battleground where dangerous organizations operate, Safe Havens for Hate sheds critical light on how governments and technology companies grapple with the tension between censorship and free speech when faced with violence, hate, and extremism. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In Crowded Out: The True Costs of Crowdfunding Healthcare (MIT Press, 2024), Dr. Nora Kenworthy presents an eye-opening investigation into charitable crowdfunding for healthcare in the United States—and the consequences of allowing healthcare access to be decided by the digital crowd. Over the past decade, charitable crowdfunding has exploded in popularity across the globe. Sites such as GoFundMe, which now boasts a “global community of over 100 million” users, have transformed the ways we seek and offer help. When faced with crises—especially medical ones—Americans are turning to online platforms that promise to connect them to the charity of the crowd. What does this new phenomenon reveal about the changing ways we seek and provide healthcare? In Crowded Out, Dr. Kenworthy examines how charitable crowdfunding so quickly overtook public life, where it is taking us, and who gets left behind by this new platformed economy.Although crowdfunding has become ubiquitous in our lives, it is often misunderstood: rather than a friendly free market “powered by the kindness” of strangers, crowdfunding is powerfully reinforcing inequalities and changing the way Americans think about and access healthcare. Drawing on extensive research and rich storytelling, Crowded Out demonstrates how crowdfunding for health is fueled by—and further reinforces—financial and moral “toxicities” in market-based healthcare systems. It offers a unique and distressing look beneath the surface of some of the most popular charitable platforms and helps to foster thoughtful discussions of how we can better respond to healthcare crises both small and large. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

A formal approach to anime rethinks globalization and transnationality under neoliberalism Anime has become synonymous with Japanese culture, but its global reach raises a perplexing question--what happens when anime is produced outside of Japan? Who actually makes anime, and how can this help us rethink notions of cultural production?  In Anime's Identity: Performativity and Form Beyond Japan (U Minnesota Press, 2021), Stevie Suan examines how anime's recognizable media-form--no matter where it is produced--reflects the problematics of globalization. The result is an incisive look at not only anime but also the tensions of transnationality. Far from valorizing the individualistic "originality" so often touted in national creative industries, anime reveals an alternate type of creativity based in repetition and variation. In exploring this alternative creativity and its accompanying aesthetics, Suan examines anime from fresh angles, including considerations of how anime operates like a brand of media, the intricacies of anime production occurring across national borders, inquiries into the selfhood involved in anime's character acting, and analyses of various anime works that present differing modes of transnationality. Anime's Identity deftly merges theories from media studies and performance studies, introducing innovative formal concepts that connect anime to questions of dislocation on a global scale, creating a transformative new lens for analyzing popular media. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Maggie Gram is a writer, cultural historian, and designer. She leads an experience-design team at Google. She has taught at the Maryland Institute College of Art, Ca’ Foscari University of Venice, and Harvard University, and she has written for N+1 and the New York Times. She lives in New York. The Invention of Design: A Twentieth-Century History (Basic Books, 2025) Recommended Books: Henry Dreyfuss, Designing for People Dolly Alderton, Ghosts Rob Franklin, Great Black Hope Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Women and Global Documentary: Practices and Perspectives in the 21st Century (Bloomsbury Academic, 2025), edited by Najmeh Moradiyan-Rizi and Shilyh J. Warren, answers the urgent need to re-evaluate not only the significance of women's documentary practices and their contributions to feminist world-building, but also the state of documentary studies as it engages with political, aesthetic, and industrial developments arising as a result of an increasing numbers of women's documentaries.  Bringing together a range of diverse practitioners and authors, the volume analyzes alternative and emergent networks of documentary production and collaboration within a global context. The chapters investigate filmmaking practices from regions such as East Africa, Latin America, South Asia, East Asia, the Middle East, and North Africa. They also examine decolonial practices in the Global North based on Indigenous filmmaking and feminist documentary institutions such as Women Make Movies. In doing so, they assess the global, institutional, political, and artistic factors that have shaped women's documentary practices in the 21st century, and their implications for scholarly debates regarding women's authorship, political subjectivity, and documentary representation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The Co-production Landscape in Europe: From Eurimages to Netflix (Springer Nature, 2025) explores the evolving landscape of European film and television co-productions, from traditional models supported by Eurimages to new collaborations shaped by global streaming platforms like Netflix. It examines how European co-production policies have influenced industry practices, funding structures, and audience engagement, balancing artistic, economic, and cultural priorities. Through historical analysis, case studies, and stakeholder perspectives – including policymakers, industry professionals, and audiences – this book offers fresh insights into the challenges and opportunities facing European audiovisual production today. It is essential reading for scholars, industry professionals, and policymakers interested in transnational media, cultural policy, and the future of European cinema. Dr Petar Mitric is an Assistant Professor in Film Studies at the University of Copenhagen. His research focuses on European audiovisual policy, co-production, and audience design practices, bridging film studies and creative media industry studies. He has published extensively on European cinema and has collaborated in an advisory capacity with organizations such as Film iVäst and TorinoFilmLab. Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website here and you can follow her on X here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How is the world of work depicted on page and on screen? In Culture, Capital and Carnival: Modern Media and the Representation of Work Dr Will Kitchen, an Associate Lecturer at Arts University Bournemouth explores this question using a series of literary and media case studies. Drawing on Bakhtin’s theories of the carnivalesque, the book assesses the possibilities of media texts, including histories, literature, films and sitcoms, to offer alternative visions of work. More critically, the analysis highlights media’s role in reinforcing exploitation and alienation within its seemingly playful and positive engagements with work. Theoretically rich, but accessible for the general reader, the book is essential reading across the humanities and social sciences, as well as for anyone interested in understanding how media shapes our understanding of work today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

John R. Davis's Keep Your Ear to the Ground (Georgetown University Press, 2025) is the first history of the fanzines that emerged from Washington, DC's highly influential punk community DIY culture has always been at the heart of DC's thriving punk community. As Washington, DC's punk scene emerged in the mid-1970s, so did the periodicals--"fanzines"--that celebrated it. Before the rise of the internet, fanzines were a potent way for fans to communicate and to revel in the joy of fandom. These zines were more than just publications; they were a distillation of punk's allure, connecting the city to the broader punk community. Fanzines remain a meaningful, tactile, creative medium for punk fans to connect with like-minded people outside the corporate-controlled world. In Keep Your Ear to the Ground, the archivist and musician John R. Davis unveils the development of punk fanzines and their role in supporting DC's hardcore and punk scene from the 1970s into the twenty-first century. He sheds new light on DC's scene and highlights some of its key personalities, including many who are often left out of punk history, with high-quality images of rare zines and insights from numerous interviews with zine creators and musicians. This book vividly weaves together the origin of zines and their importance in underground communities. For punk enthusiasts, zine creators, American studies scholars, and anyone who has ever felt like an outsider, Keep Your Ear to the Ground traces how the unique environment of Washington, DC, helped zines thrive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Selfies are more than fleeting images—across India, they shape how people imagine themselves, connect with others, and inhabit spaces. In this episode of the Nordic Asia Podcast, Prof. Xenia Zeiler from the University of Helsinki talks to Prof. Avishek Ray about his co-authored book Digital Expressions of the Self(ie): The Social Life of Selfies in India. This book explores how the digital selfie, unlike traditional photography, turns the lens inward while reconfiguring social identities, gender norms, power relations, and everyday interactions. Drawing on rich, situated examples, it shows how selfies operate as acts of self-making and place-making in contemporary India. At once playful and political, intimate and public, selfies offer a fascinating entry point into the fast-changing cultures of digital media and visual expression. Avishek Ray is Associate Professor of Cultural Studies at the National Institute of Technology Silchar, India. His research spans mobility, marginality, and digital culture, with a focus on South Asia. He is the author of The Vagabond in the South Asian Imagination (Routledge, 2022) and co-author of Digital Expressions of the Self(ie): The Social Life of Selfies in India (Routledge, 2024). A Fulbright-Nehru Fellow (2021), he has held visiting fellowships at institutions across Europe, North America, and Asia. Xenia Zeiler is Professor of South Asian Studies at the University of Helsinki. Her research and teaching are situated at the intersection of digital media, culture, and society, specifically as related to India and global Indian communities. Her focus within this wider field of digital culture is video games and gaming research, in India and beyond. She also researches and teaches digital religion, popular culture, cultural heritage, and mediatization processes. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications