An ever-expanding and panicked Wonder Woman lurches through a city skyline begging Steve to stop her. A twisted queen of sorority row crashes her convertible trying to escape her queer shame. A suave butch emcee introduces the sequined and feathered stars of the era’s most celebrated drag revue. For an unsettled and retrenching postwar America, these startling figures betrayed the failure of promised consensus and appeasing conformity. They could also be cruel, painful, and disciplinary jokes. It turns out that an obsession with managing gender and female sexuality after the war would hardly contain them. On the contrary, it spread their campy manifestations throughout mainstream culture. Offering the first major consideration of lesbian camp in American popular culture, Suffering Sappho! traces a larger-than-life lesbian menace across midcentury media forms to propose five prototypical queer icons—the sicko, the monster, the spinster, the Amazon, and the rebel. On the pages of comics and sensational pulp fiction and the dramas of television and drive-in movies, Barbara Jane Brickman discovers evidence not just of campy sexual deviants but of troubling female performers, whose failures could be epic but whose subversive potential could inspire. In this episode Dr. Barbara Jane Brickman (University of Alabama) and Leah Cargin (University of Oklahoma and Journal of Women’s History) discuss Suffering Sappho! First, Brickman introduces the listeners to lesbian camp and then we discuss the many storied characters in the monograph. We share the zingers and one liners of actress Tallulah Bankhead and giggle about the camp antics of Superwoman’s sidekick, Etta Candy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

What is “America” not only as a political entity but in our imagination? How can we properly envision America, without repeating clichés that frame America as either reactionary or revolutionary, repressive or liberatory? I spoke with Eyal Peretz about his book American Medium, which looks at Hollywood to re-imagine the concept of "America" through the medium of film. By considering six fundamental American movies: John Ford's Young Mr. Lincoln and The Man Who Shot Liberty Valance, Francis Ford Coppola's The Godfather, Steven Spielberg's West Side Story, and Sofia Coppola's Lost in Translation and Marie Antoinette, Peretz explains how these films do more than represent America and envision a new way to ground human life in our secular age. Eyal Peretz is Professor of Comparative Literature at Indiana University and the author of seminal books on Melville, de Palma, Diderot, da Vinci, as well as film, art, and philosophy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In 1956, Alfred Hitchcock focused his lens on an issue that cuts to the heart of our criminal justice system: the risk of wrongful conviction. The result was The Wrong Man, a bracing drama based on the real-life false arrest of Queens musician Christopher “Manny” Balestrero. Manny's ordeal is part of a larger story of other miscarriages of justice in the first half of the twentieth century.  In Nothing to Fear: Alfred Hitchcock and the Wrong Men (Fayetteville Mafia Press, 2023), attorney Jason Isralowitz tells this story in a revelatory book that situates both the Balestrero case and its cinematic counterpart in their historical context. Drawing from archival records, Isralowitz delivers a gripping account of Manny’ s trial and new insights into an errant prosecution. He then examines how Hitchcock’ s film bears witness to issues that animate the contemporary innocence movement. Given the hundreds of exonerations of the wrongfully convicted in recent years, this genre-bending work of true crime and film history is a must-read. Jason Isralowitz is a partner in the New York office of Hogan Lovells. A Queens native, Jason graduated from Boston University’s College of Communication with a bachelor’s in journalism and holds a J.D. from the University of Pennsylvania Law School. He has practiced law in Manhattan since 1993. Jason lives in Summit, New Jersey with his wife, Jennifer. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

It’s The Pop Culture Professors, and we continue our analysis of Pluribus, with our thoughts on episode 8, “Charm Offensive” and episode 9, “La Chico o El Mundo.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Screening Precarity integrates a cultural analysis of film texts and history, industry transformations, and the violence and crises of political economy infrastructures, to study post-liberalization shifts in the Hindi film industry in India. The book investigates Bollywood as a media system that has moved away from the glee and gusto of liberalization in the 1990s to an industry contending with the failures and inadequacies of neoliberalism’s promises, and the ascendency of the material-affective redressals offered by religious ethnonationalism. The monograph examines 19 Hindi-language films released post-2010 to study contemporary India’s precarious public sphere which has been characterized by a pervasive sense of professional-personal insecurity experienced by the vast majority. This is a book about the role of cinema, or cultural texts more generally, in a period marked by incredible insecurity, violence, and the absence of collective political alternatives. Screening Precarity is an intervention in the politics of representation, particularly, of how marginal identities are shaped, scripted, and screened in precarious times. It is also a cultural analysis of how the biggest film industry in the world is embedded in global media networks, and marshals state power and star power, national histories and transnational fantasies, structural impossibilities and individual agency. Megha Anwer is a theorist of literature and visual culture. Her research areas include contemporary postcolonial literature, global cinema, Victorian literature and visual culture. Anupama Arora is a professor of English and Communication, and Women’s and Gender Studies, at the University of Massachusetts, Dartmouth. Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website www.priyamsinha.com and you can follow her on https://x.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Frank Capra's It's a Wonderful Life is one of the best-loved films of Classical Hollywood cinema, a story of despair and redemption in the aftermath of war that is one of the central movies of the 1940s, and a key text in America's understanding of itself. This is a film that remains relevant to our own anxieties and yearnings, to all the contradictions of ordinary life, while also enacting for us the quintessence of the classic Hollywood aesthetic. Nostalgia, humour, and a tough resilience weave themselves through this movie, intertwining it with the fraught cultural moment of the end of World War II that saw its birth. It offers a still compelling merging of fantasy and realism that was utterly unique when it was first released, and has rarely been matched since. Michael Newton's study of the film, It's a Wonderful Life (British Film Institute, 2023), investigates the source of its extraordinary power and its long-lasting impact. He begins by introducing the key figures in the movie's production - notably director Frank Capra and star James Stewart - and traces the making of the film, and then provides a brief synopsis of the film, considering its aesthetic processes and procedures, touching on all those things that make it such an astonishing film. Newton's careful analysis explores all those aspects of the film that are fundamental to our understanding of it, particularly the way in which the film brings tragedy and comedy together. Finally, Newton tells the story of the film's reception and afterlife, accounting for its initial relative failure and its subsequent immense popularity. Michael Newton is Lecturer in English at Leiden University, Netherlands. He is the author of Savage Girls and Wild Boys: A History of Feral Children (2002), Age of Assassins: A History of Conspiracy and Political Violence, 1865-1981 (2012), and of Kind Hearts and Coronets (2003) and Rosemary's Baby (2020) in the BFI Film Classics series. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

John Boorman's Point Blank (1967) has long been recognized as one of the seminal films of the sixties, with its revisionary mix of genres including neo-noir, New Wave, and spaghetti western. Its lasting influence can be traced throughout the decades in films like Mean Streets (1973), Reservoir Dogs (1992), Heat (1995), The Limey (1999) and Memento (2000). Eric Wilson's compelling study Point Blank (British Film Institute, 2023) examines its significance to New Hollywood cinema. He argues that Boorman revises traditional Hollywood crime films by probing a second connotation of “point blank.” On the one hand, it is a neo-noir that aptly depicts close range violence, but, it also points toward blankness, a nothingness that is the consequence of corporate America unchecked, where humans are reduced to commodities and stripped of agency and playfulness. He goes on to reimagine the film's experimental style as a representation of and possible remedy for trauma. Examining Boorman's formal innovations, including his favoring of gesture over language and blurring of boundaries between dream and reality, he also positions the film as a grimly comical exploration of toxic masculinity and gender fluidity. Wilson's close reading of Point Blank reveals it to be a film that innovatively inflects its own generation and speaks powerfully to our own, arguing that it is this amplitude, which encompasses the many major films it has influenced, that qualifies the film as a classic. Eric Wilson is Professor of English at Wake Forest University, USA. His publications include Secret Cinema: Gnostic Vision in Film (2006) and The Strange World of David Lynch: Transcendental Irony from Eraserhead to Mulholland Dr (2007). His writing has featured in Psychology Today, L.A. Times, The New York Times and Huffington Post. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Previous guest Jacob Bricca (Documentary Editing: Principles and Practice) is a professional film editor and director, specializing in documentaries. In his new book, he breaks down the hidden conventions of the documentary film in accessible language for film students and documentary enthusiasts alike. Chapters on Narrative and Meaning show how documentaries use story constructions borrowed from fiction filmmaking and combine elements from disparate sources in order to prosecute their stories, while chapters on Flow and Time illuminate the precise mechanics of how the flow of information in a documentary is regulated to produce a specific result in the mind of the viewer. Other chapters like Titles, Music, and Sound break the documentary down into its component parts that can be analyzed independently.  Throughout How Documentaries Work (Oxford University Press, 2023), excerpts from interviews with documentary producers, directors and craftspersons help to illuminate the concepts and deliver behind-the-scenes insights. It contains examples from over 100 contemporary documentaries and covers a wide variety of contemporary non-fiction work, including docu-series, television documentaries, unscripted series, and contemporary avant-garde documentaries. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

What do technical renderings of plant cells in trees have to do with Disney’s animated opus Fantasia? Quite a bit, as it turns out: such emergent scientific models and ideas about nature were an important inspiration for Disney’s groundbreaking animated realism. In Drawn to Nature: American Animation in the Age of Science (University of Minnesota Press, 2025), Dr. Colin Williamson presents a vivid portrait of how developments in biology, physics, and geology between 1900 and the long 1960s influenced not just Disney but the American cartoon industry as a whole. Drawing on original research on the scientific appetites of animators and studios such as Winsor McCay, the Fleischer Brothers, Walt Disney, and United Productions of America, Dr. Williamson opens new avenues for understanding the history and aesthetics of cartoons. Interrogating the differences between art and science and reconsidering the realms of dream, magic, and fantasy as they pertain to pop culture, he yields novel proposals for bridging longstanding divides between animation, live-action cinema, and the history of science. Drawn to Nature not only illuminates the extent to which animators have drawn on scientific insights, it also considers seriously how commercial animations themselves participate in scientific discourse. It revises and revitalizes our existing narratives about the history of American animation to uncover the many ways science informs our collective cultural imagination. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Settler Attachments and Asian Diasporic Film (University of Minnesota Press, 2025) is an interdisciplinary examination of the stubborn attachment of Asian diasporas to settler-colonial ideals and of the decolonial possibilities Asian diasporic films imagine. Author Beenash Jafri uniquely addresses the complexities of Asian–Indigenous relationality through film and visual media, urging film scholars to approach their subjects with an eye to the entanglements of race, diaspora, and Indigeneity. Beenash Jafri is an associate professor of Gender, Sexuality and Women’s Studies at UC Davis. Her work engages longstanding debates on relationality and coalition across feminist and queer, Indigenous and critical ethnic studies. She is the co-editor of Cultural Studies in the Interregnum (Temple University Press, 2025), and of Amerasia's forthcoming special issue on Asian Settler Colonial Critique. Her writing has been published in academic venues such as GLQ: A Journal of Lesbian and Gay Studies, Feminist Studies, Settler Colonial Studies, American Indian Culture and Research Journal, Cultural Studies-Critical Methodologies, and Lateral: Journal of the Cultural Studies Association; and in public venues such as Reappropriate, Public Books, ASAP/J, Truthout, and Briarpatch Magazine. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Many Disney films adapt works from the Victorian period, which is often called the Golden Age of children’s literature. Animating the Victorians: Disney’s Literary History (University Press of Mississippi, 2025) explores Disney’s adaptations of Victorian texts like Alice in Wonderland, Oliver Twist, Treasure Island, Peter Pan, and the tales of Hans Christian Andersen. Author Patrick C. Fleming traces those adaptations from initial concept to theatrical release and beyond to the sequels, consumer products, and theme park attractions that make up a Disney franchise. During the production process, which often extended over decades, Disney’s writers engaged not just with the texts themselves but with the contexts in which they were written, their authors’ biographies, and intervening adaptations. To reveal that process, Fleming draws on preproduction reports, press releases, and unfinished drafts, including materials in the Walt Disney Company Archives, some of which have not yet been discussed in print. But the relationship between Disney and the Victorians goes beyond adaptations. Walt Disney himself had a similar career to the Victorian author-entrepreneur Charles Dickens. Linking the Disney Princess franchise to Victorian ideologies shows how gender and sexuality are constantly being renegotiated. Disney’s animated musicals, theme parks, copyright practices, and even marketing campaigns depend on cultural assumptions, legal frameworks, and media technologies that emerged in nineteenth-century England. Moreover, Disney’s adaptations influence modern students and scholars of the Victorian period. By applying scholarship in Victorian studies to a global company, Fleming shows how institutions mediate our understanding of the past and demonstrates the continued relevance of literary studies in a corporate media age. An audiobook will be available in January 2026. Patrick C. Fleming is a scholar of Victorian studies and children's literature. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

“Yes, the newspapers were right: snow was general all over Ireland.”  That line from James Joyce’s story is heard at the end of John Huston’s 1987 adaptation, a true family affair in which his son, Tony, wrote the screenplay and his daughter, Anjelica, played a major role.  Like Huston’s first film, The Maltese Falcon (1941), The Dead is a perfect adaptation that complements the source material and enriches our understanding of it.    “The Dead” is the final story in Dubliners, James Joyce’s 1914 collection, available here.  Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran’s substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla’s substack, The Grumbler’s Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In Appropriated Tales: Race and the Disney Fairy-Tale Mode (Wayne State UP, 2025), scholar Michelle Anya Anjirbag examines Disney's method of fairy-tale storytelling to determine how the corporation has shaped public understanding of what fairy tales are and who belongs within them. Covering a span of years "from mermaid to mermaid"—from the 1989 animated The Little Mermaid to the 2023 live-action remake starring Halle Bailey—she deconstructs and interrogates Disney's corporate commodification of multiculturalism and diversity, centering its impact on misrepresented people and cultures over the stated intentions of the producers. Further, Anjirbag demonstrates that Disney shapes childhood experiences and imagination in a way that strategically promotes American cultural imperialism. Through close film analysis, applied critical theory, and social analysis of the Disney corporation, Anjirbag unearths a new framework for studies of Disney fairy tales and how they shape popular culture. For a limited time, Wayne State University Press is offering a discount when customers use the code RHOLIDAY. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Tinsel and Rust: How Hollywood Manufactured the Rust Belt (Oxford UP, 2025) tells the story of Hollywood's role in the shaping of the Rust Belt in the United States. During the 1970s and 1980s, filmic representations of shuttered auto plants, furloughed millworkers, and decaying downtowns in the industrial heartland contributed to pervasive narratives of American malaise and decline--informing the wider cultural view of these cities and their people. Author Michael D. Dwyer (Arcadia University) untangles the complicated relationship between Hollywood and the Rust Belt, exploring how the sociocultural image of the region has become a tool to tell stories about America's mythic past, degraded present, and potential futures.Dwyer offers a reading in twofold: through the conventional lens of film and cultural studies, and through an interdisciplinary lens that pulls in elements of cultural geography and urban studies to understand the ways in which Americans learned to interpret the cities and towns of the industrial Midwest. Each chapter spotlights a different Rust Belt city--Johnstown, Chicago, Cleveland, Pittsburgh, and Detroit--and considers how films and filmmaking processes helped shape audiences' cultural understanding of those cities. Over the course of the book, Dwyer also examines several films which offer notable representations of the Rust Belt, including Slap Shot, The Blues Brothers, Major League, The Perks of Being a Wallflower, and It Follows. Finally, the volume highlights how in more recent years, cities like Pittsburgh, Detroit, and Cleveland have all attempted to remake their public image and revitalize their economies through film and media production. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Wings of Desire (1987) is a film that stays with the viewer; part of how it works is to flood the viewer’s mind with images that seem, at first, disconnected but which also take root and then resurface a day or week later when one isn’t suspecting to think about a trapeze artist or Peter Falk. More like a painting than a film, Wings of Desire flips the usual extolling of the spiritual world over the material one and asks what our lives could be like if we could see the material world as an angel. It’s a film universally loved for reasons that are difficult to articulate but certainly strong. The Pixels of Paul Cezanne is a 2018 collection of essays by Wim Wenders which he presents his observations and reflections on the fellow artists who have influenced, shaped and inspired him. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran’s substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla’s substack, The Grumbler’s Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

One Battle After Another, the spirited and controversial Oscar contender from Paul Thomas Anderson, premiered in September. That opening weekend featured a "Behind the Screen" premiere at the storied West Newton cinema. Why "behind"? Because Marisa Pagano and J.B. Sloan of the West Newton Cinema Foundation) invited RTB to oversee a fascinating post-mortem between authors of recent books about "PTA" and about Thomas Pynchon, whose scintillating 1990 novel Vineland inspired the film. If inspired does not seem the right word, the exact relationship between the two was one of many things examined by Ethan Warren (The Cinema of Paul Thomas Anderson: American Apocrypha, Columbia University Press, 2023)and Pete Coviello (Vineland Reread) pored over in some detail in what follows, a very unusual live Recall This Book conversation. Pete situates the inspirational novel as a pivot point ("funniest novel you've ever read") for Thomas Pynchon, a consolidation of the counter-insurgency ("drugs, sacrament of the 60's, Evil of the 80's) state from the post-1960's into the complacency of the Reagan era. Ethan, who defends practically everything PTA movie but Hard Eight (1996; despite John's affection for it) points out the significance of non-white characters, and applauds his "alarming" decision to confront white supremacy in its clarity and also the over-the-topness of the Christmas Adventurer's Club. Pete, who wishes that the film could be as funny as the novel, emphasizes that earlier Pynchon novels were founded on conspiratorial pushback against Manichean structures. By 1990, though, he no longer rejects the solidarity that the left might bring to bear against the fascist power of the Right. God bless the unrepudiated armed insurgents, says Pete. Camaraderie and solidarity define the essence of both book and film. Although Ethan, more skeptical of the politics of the novel, reminds us that they all lose; at the end of the day, he sees the film's overt message as less appealing than its visual energy. Audience questions, topping off the event, delve into the past and the world of Pynchon's commitments, in often surprising ways. The conversation wraps by celebrating a more than cameo by Tisha Sloan, who happens to be West Newton organizer J.B.'s sister! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Joan Micklin Silver's groundbreaking debut feature film, Hester Street (1975), vividly portrays the immigrant experience through the eyes of Gitl (Carol Kane), a young, Orthodox Jewish woman who arrives in New York City from Eastern Europe at the end of the nineteenth century. Reunited with her already-assimilated husband, Gitl finds they now have little in common and she is forced to adjust to a new way of life. Hester Street achieved international critical and commercial success, and Kane received a Best Actress nomination at the 1976 Academy Awards.  Marking the film's 50th anniversary, Dr. Julia Wagner's landmark book Hester Street (Bloomsbury, 2025) is the first to focus exclusively on Micklin Silver's film. Wagner examines how, despite the sexism and prejudice that Micklin Silver faced, a low-budget, black-and-white, female-led, independent production with Yiddish dialogue became an unexpected box-office hit. Through close analysis, Dr. Wagner highlights the importance of Hester Street as a milestone in cinema and affirms Micklin Silver's status as a unique voice in the history of American film-making.  This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Stefania Marghitu's Teen TV (Routledge, 2021)explores the history of television's relationship to teens as a desired, but elusive audience, and the ways in which television has embraced youth subcultures, tracing the shifts in American and global televisual and youth cultures. Organized chronologically, Teen TV starts with Baby Boomers and moves to Gen X, Millennials, and Gen Z as a way to contextualize and discuss cultural and historical contexts of teen television and television audiences. The book examines a wide range of historical and contemporary programming: from the broadcast bottleneck, multi-channel era that included youth targeted spaces like MTV, the WB, and the CW, to the rise of streaming platforms and global crossovers. It covers the thematic concerns and narrative structure of the coming-of-age story, and the prevalent genres of teen TV, and milestones faced by teen characters. The book also includes interviews with creators and showrunners of hit network television teen series, including Degrassi's Linda Schulyer, and the costume designer that established a heightened turn in the significance of teen fashion on the small screen in Gossip Girl, Eric Daman.  Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Sabrina Mittermeier's edited volume Fan Phenomena: Disney (Intellect Books, 2023) analyzes the fandom of Disney brands across a variety of media including film, television, novels, stage productions, and theme parks. It showcases fan engagement such as cosplay, fan art, and on social media, as well as the company’s reaction to it. Further, the volume deals with crucial issues—race and racism, the role of queerness, the impact of the COVID-19 pandemic, and the advent of the streaming service Disney+—within the Disney fandom and in Disney texts. The authors come from a variety of disciplines including cultural and media studies, marketing and communications, cultural history, theater and performance studies, and more. In addition to interviews with fan practitioners, the essays feature both leading experts in fan and Disney studies alongside emerging voices in these fields. A vital new addition to the growing subdiscipline of fan studies, it will be popular with scholars of cultural studies, cultural history, and media studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars. In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it. Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come. Chris Yogerst is the author of Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures and From the Headlines to Hollywood: The Birth and Boom of Warner Bros. He appeared on the New Books Network to discuss the book in 2020. His work has appeared in the Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television, and the Hollywood Reporter. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film