From her start playing paddle tennis on the streets of Harlem as a young teenager to her eleven Grand Slam tennis wins to her professional golf career, Althea Gibson became the most famous black sportswoman of the mid-twentieth century. In her unprecedented athletic career, she was the first African American to win titles at the French Open, Wimbledon, and the US Open. In this comprehensive biography, Ashley Brown narrates the public career and private struggles of Althea Gibson (1927-2003). Based on extensive archival work and oral histories, Serving Herself: The Life and Times of Althea Gibson (Oxford UP, 2023) sets Gibson's life and choices against the backdrop of the Great Migration, Jim Crow racism, the integration of American sports, the civil rights movement, the Cold War, and second wave feminism. Throughout her life Gibson continuously negotiated the expectations of her supporters and adversaries, including her patrons in the black-led American Tennis Association, the white-led United States Lawn Tennis Association, and the media, particularly the Black press and community's expectations that she selflessly serve as a representative of her race.  An incredibly talented, ultra-competitive, and not always likeable athlete, Gibson wanted to be treated as an individual first and foremost, not as a member of a specific race or gender. She was reluctant to speak openly about the indignities and prejudices she navigated as an African American woman, though she faced numerous institutional and societal barriers in achieving her goals. She frequently bucked conventional norms of femininity and put her career ahead of romantic relationships, making her personal life the subject of constant scrutiny and rumors. Despite her major wins and international recognition, including a ticker tape parade in New York City and the covers of Sports Illustrated and Time, Gibson endeavored to find commercial sponsorship and permanent economic stability. Committed to self-sufficiency, she pivoted from the elite amateur tennis circuit to State Department-sponsored goodwill tours, attempts to find success as a singer and Hollywood actress, the professional golf circuit, a tour with the Harlem Globetrotters and her own professional tennis tour, coaching, teaching children at tennis clinics, and a stint as New Jersey Athletics Commissioner. As she struggled to support herself in old age, she was left with disappointment, recounting her past achievements decades before female tennis players were able to garner substantial earnings. A compelling life and times portrait, Serving Herself offers a revealing look at the rise and fall of a fiercely independent trailblazer who satisfied her own needs and simultaneously set a pathbreaking course for Black athletes. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Queerness remains one of the most stigmatized and overlooked aspects of Holocaust history, often erased due to the lingering homophobia of survivors. People Without History Are Dust: Queer Desire in the Holocaust (U Toronto Press, 2025) challenges this silence, weaving together compelling stories of German, Dutch, Czech, and Polish Jewish Holocaust victims and survivors – including Anne Frank, Molly Applebaum, Margot Heuman, and Gad Beck – whose experiences help illuminate the hidden history of queerness in a time of genocide. Drawing on extensive archival research, this groundbreaking book uncovers the lives of those who were doubly marginalized, not only persecuted as Jews but also as queer individuals. In doing so, it confronts the ways in which history has excluded or minimized their experiences, urging us to question normative accounts of the Holocaust. By shedding light on these long-overlooked stories, People Without History Are Dust deepens our understanding of identity, survival, and memory, reminding us why an inclusive and complex approach to history is essential – not just for the sake of the past, but in service to the present and the future as well. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Shifting the focus of AIDS history away from the coasts to the Twin Cities of Minneapolis and St. Paul, this impressive book uncovers how homonormative political strategies weaponized the AIDS crisis to fuel gentrification. During the height of the epidemic, white gay activists and politicians pursued social acceptance by assimilating to Midwestern cultural values. This approach, Dr. René Esparza argues in From Vice to Nice: Midwestern Politics and the Gentrification of AIDS (UNC Press, 2025), diluted radical facets of LGBTQ activism, rejected a politics of sexual dissidence, severed ties with communities of color, and ushered in the destruction of vibrant queer spaces.Drawing from archival research, oral histories, and urban studies from the 1970s through the 1990s, Dr. Esparza illustrates how the onset of the AIDS epidemic provided a pretext for further criminalization of perceived sexual deviance, targeting sex workers, “promiscuous” gay men, and transgender women. More than the criminalization of people and behaviors, this time period also saw increased targeting of urban venues such as bathhouses, adult bookstores, and public parks where casual, anonymous encounters occurred. Cleansing the city of land uses that undermined gentrification became a protective measure against AIDS, and the most marginalized bore the brunt of the ensuing surveillance and displacement. From Vice to Nice illuminates how, despite purporting seemingly progressive values, LGBTQ Midwestern politics of conformity leveraged the AIDS crisis to further instigate racial and sexual exclusion and fundamentally alter the urban landscape. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

“Create A More Positive Rehoboth” was a decades-long goal for progress and inclusiveness in a charming beach town in southern Delaware. Rehoboth, which was established in the 19th century as a Methodist Church meeting camp, has, over time, become a thriving mecca for the LGBTQ+ community. In Queering Rehoboth Beach: Beyond the Boardwalk (Temple UP, 2024), historian and educator Dr. James Sears charts this significant evolution. Dr. Sears draws upon extensive oral history accounts, archival material, and personal narratives to chronicle the "Battle for Rehoboth,” which unfolded in the late 20th century, as conservative town leaders and homeowners opposed progressive entrepreneurs and gay activists. He recounts not just the emergence of the gay and lesbian bars, dance clubs, and organizations that drew the queer community to the region, but also the efforts of local politicians and homeowners, among other groups who fought to develop and protect the traditional identity of this beach town. Moreover, issues of race, class, and gender and sexuality informed opinions as residents and visitors struggled with the AIDS crisis and the legacy of Jim Crow. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Timothy Gitzen's Unscripting the Present (SUNY Press, 2025) interrogates contemporary sex panics in the United States, looking especially at popular culture texts to conceptualize queer youth survival strategies. Sex panics saturate contemporary discourse and politics in the United States. While such panics have a long history, they are now infused with rhetoric, logics, and methods of security that turn queer sexuality into an existential crisis. Queer youth bear the brunt of this crisis, with their presumed innocence always in danger of being lost. Unscripting the Present interweaves analysis of laws and lawsuits, news media, sociological studies, and popular culture both to understand contemporary sex panics and to highlight how queer youth find ways to survive in the here and now. Developing a novel technique of "unscripting," Gitzen focuses our attention on those impromptu moments when things go awry in representations of queer youth-moments that disrupt securitization's social "scripts." Foregoing well-worn promises of things getting better, texts such as Netflix's "Sex Education", the film "Love, Simon", and the multimodal show "Skam" upend the anxious hyperfocus on what's to come in favor of a hopeful present. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Archival collections are political spaces: the decisions that govern whose histories are preserved, when, and by whom are not neutral. They reflect the communities that make them. For most of western history queer, trans, and gender non-conforming people were excluded from such communities. Premodern trans experiences went largely unreported and reconstructing such histories relies on the piecing together of ephemeral glimpses. Literary scholars developed tactics and tools to read through the traces, with hugely generative results that highlight the richness of non-normative premodern genders. But how do we move beyond the limits of the trace to uncover a more expansive history of premodern gender non-conformity? In Trans Histories of the Medieval Book: An Experiment in Bibliography (Arc Humanities Press, 2025), J.D. Sargan takes a methodological approach to that question. Sargan explores how experiment in applying trans approaches to the study of the premodern book offers alternatives both for trans histories and for book historical methods. J. D. Sargan is a book historian. He was educated at Queen Mary University of London and the University of Oxford. He is an Assistant Professor in the Department of English at the University of Georgia and teaches a course in Queer Bibliographies for California Rare Book School. He researches the social dynamics of book use.  Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom (2022) and The Social Movement Archive (2021), and co-editor of Armed By Design: Posters and Publications of Cuba’s Organization of Solidarity of the Peoples of Africa, Asia, and Latin America (2025). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Drag: A British History (University of California Press, 2023) is a groundbreaking study of the sustained popularity and changing forms of male drag performance in modern Britain. With this book, Jacob Bloomfield provides fresh perspectives on drag and recovers previously neglected episodes in the history of the art form. Despite its transgressive associations, drag has persisted as an intrinsic, and common, part of British popular culture--drag artists have consistently asserted themselves as some of the most renowned and significant entertainers of their day. As Bloomfield demonstrates, drag was also at the center of public discussions around gender and sexuality in the nineteenth and twentieth centuries, from Victorian sex scandals to the "permissive society" of the 1960s. This compelling new history demythologizes drag, stressing its ordinariness while affirming its important place in British cultural heritage. Jacob Bloomfield is a Zukunftskolleg Postdoctoral Fellow at the University of Konstanz and an Honorary Research Fellow at the University of Kent. His research is situated primarily in the fields of cultural history, the history of sexuality, and gender history. Jacob is the author of Drag: A British History (2023). His second monograph will be about the historical reception to, and cultural impact of, musician Little Richard. Isabel Machado is a cultural historian whose work often crosses national and disciplinary boundaries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

At the center of 1970s New York's most iconic clubs—from the celebrity-studded Studio 54 to the premiere lesbian discotheque Sahara—stood a queer Black woman on the turntables: Sharon White. With a sound she describes as "edgy, deep, aggressive, tech, synthy, percussive and lush," White became the first woman resident DJ at the Saint and the only woman to ever play Paradise Garage, breaking barriers in spaces where women were told they didn't belong. Her five-decade career didn't just challenge disco's male-dominated DJ culture; it redefined it, paving the way for future generations of women behind the decks. In this season finale, we explore how one visionary artist carved out space in disco's inner sanctum and what her trailblazing journey reveals about women—especially queer Black women—who shaped the sound and culture of an era from behind the booth. In the Season 2 Finale, hosts Ryan Purcell and Kristie Soares talk with legendary DJ Sharon White. Born in West Babylon, New York, White studied music at the New York School of Music before becoming a radio disc jockey. In 1975, she transitioned to club DJing, finding near-instant success at legendary venues including Studio 54, the Saint, Paradise Garage, Sahara, Limelight, and the Warehouse. She has been credited by several other women DJs, including Lizzz Krizer and Wendy Hunt, for helping them break onto the scene. White is still DJing today, and you can find her mixes on SoundCloud and Mixcloud. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

A transcript of this interview is available [here] A queer disabled love song to trees and beavers, tremors and dreams, Unfurl: Survivals, Sorrows, and Dreaming (Duke UP, 2025) explores the pulsing core and porous edges of survival, sorrow, and dreaming. Blending poetry and creative nonfiction, emotion and activist thinking, Eli Clare invites us to unfurl ourselves into the lovely multitude of genders beyond the binary of woman and man, the fierceness of street protest, and the long slow time of granite. He sings to aquifers. Wrestles with the aftermath of child abuse and his family’s legacy as white settlers occupying Dakota homelands. He leans into history. Calls the names of the living and the dead. Connects his own tremoring body to a world full of tremors—earthquakes, jackhammers, quaking aspens. Unfurl reveals deep queer kinships between human and more-than-human, sentient and nonsentient. At every juncture, these poems and essays embrace porousness and the power of dreaming. Ultimately, Unfurl is an invitation to rebellion and joy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

“We know what we want, and one day, our prince will come,” says Toby, the bicycle-shorts-wearing, double ententre-making, unacknowledgely-gay neighbor in RTE’s Upwardly Mobile. Though the first queer characters in Irish entertainment television were tropes and stereotypes, they represented an important shift in LGBTQ visibility in Irish media. The road to early representations in entertainment media was a hard road paved by gay rights activists, AIDS stigma, and production teams looking for sensationalism. In LGBTQ Visibility, Media, and Sexuality in Ireland, Páraic Kerrigan explores the dynamics of queer visibility and sexuality in Ireland through televised media between 1974 and 2008. Tune in for our chat about Gay Byrne and the Late Late Show, queer soap stars, the AIDS crisis and globalization of Ireland, and the LGBTQ rights tug-of-war that played out in turn-of-the-century television. Avrill Earls is the Executive Producer of Dig: A History Podcast (a narrative history podcast, rather than interview-based), and an Assistant Professor of History at Mercyhurst University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

In the penultimate episode of season 2 of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with acclaimed historian Alice Echols, author of Hot Stuff: Disco and the Remaking of American Culture. Echols—who holds the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California—unpacks how disco not only mirrored but actively shaped the social, racial, and sexual revolutions of 1970s New York City. Echols is the author of several books that have framed the way we understand the history of the 1960s and 1970s, and particularly the way music has shaped society at the intersection of gender, sexuality, and race. The conversation begins with Echols’ newest research, drawn from her forthcoming book Black Power, White Heat: From Solidarity Politics to Radical Chic, which reexamines interracial activism and allyship during the Black Freedom Movement. From the Angela Davis trial to the alliances formed within SNCC and the Black Panther Party, Echols traces how solidarity both flourished and fractured across the era. Turning to disco, she considers disco’s uneasy place in Black and queer cultural history. She notes how disco was created by and for Black audiences, while also being rejected by many in the Black music industry, like James Brown, for being “politically empty.” Through figures like Nile Rodgers, Grace Jones, and Sylvester, Echols argues that disco’s lush orchestration and sensual performances reflected radical redefinitions of gender, sexuality, and Black masculinity. With musical excerpts woven throughout, Purcell and Soares guide listeners through the sonic textures of disco—its roots in funk and soul, its resistance to genre boundaries, and its capacity to move bodies and politics alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

In the wake of Disco Demolition Night in 1979—a cultural bonfire that seemed to signal the end of disco—something unexpected began to rise from Chicago’s underground. This episode traces the story of Frankie Knuckles, the Bronx-born DJ who became known as the “Godfather of House.” After the backlash against disco pushed the genre out of the mainstream, Knuckles found refuge in Chicago’s Black, Latinx, and queer nightlife scenes, most famously at a club called the Warehouse. There, he pioneered a new sound: blending disco’s heartbeat with gospel, soul, electronic drum machines, and experimental edits. What emerged was “house music,” named after the Warehouse itself, a genre that spoke directly to marginalized communities while later exploding into a global phenomenon. We’ll explore how Knuckles’s artistry and innovation not only kept dance floors alive after disco’s so-called death but also transformed music history. By tracing the arc from the ruins of Disco Demolition to the rise of house, this episode reveals how moments of cultural rejection can spark radical creativity. Frankie Knuckles didn’t just keep the party going—he built a new world of sound that would change the way the world dances. In this eighth episode of season two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares discuss the life and work of Frankie Knuckles with Micah Salkind, author of Do You Remember House?: Chicago’s Queer of Color Undergrounds (Oxford University Press, 2018). Micah Salkind is the Director of Civic and Cultural Life at the Rhode Island Foundation. Prior, in his roles as Deputy Director and Special Projects Manager at the City of Providence Department of Art, Culture and Tourism, he managed large grants and strategic artist initiatives for the City, collaborating with non-profit cultural institutions as well as its emerging artists, designers, and creative entrepreneurs. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

In the first major biography of Baldwin in more than a decade, James Baldwin: Living in Fire (Pluto Press, 2019), Bill V. Mullen celebrates the personal and political life of the great African-American writer who changed the face of Western politics and culture. As a lifelong anti-imperialist, black queer advocate, and feminist, Baldwin (1924-1987) was a passionate chronicler of the rise of the Civil Rights Movement, the U.S. war against Vietnam, Palestinian liberation struggle, and the rise of LGBTQ rights. Mullen explores how Baldwin's life and work channel the long history of African-American freedom struggles, and explains how Baldwin both predicted and has become a symbol of the global Black Lives Matter movement. Bill V. Mullen is Professor of English and American Studies at Purdue University. His specializations are American Literature and Studies, African American Studies, Cultural Studies, Working-Class Studies, Critical Race Theory and Marxist Theory. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Democratic backsliding, culture wars and partisan politics in the past two decades has seen the regression of human rights protections in the courts and across societies. However, having made incremental gains in constitutional courts, LGBTQ+ rights operate as somewhat of a paradox. In this pivotal work, Professor Rehan Abeyratne makes an argument that the progress made in LGBTQ+ rights protection obscures an increased shift towards authoritarian legality in the courts and beyond. Case studies of three apex courts - the U.S. Supreme Court, the Supreme Court of India, and the Hong Kong Court of Final Appeal - provide insight into the erosion of democracy and the rule of law across these jurisdictions. Courts and  LGBTQ+ Rights in an Age of Judicial Retrenchment (Oxford UP, 2025) is an important work and should serve as a warning sign to constitutional lawyers, human rights scholars and anybody interested in the values that underpin liberal democracy as to the the limited ability of constitutional courts to protect rights in the current climate.   Professor Rehan Abeyratne is is Professor and Associate Dean (Higher Degree Research) at Western Sydney University School of Law, where he teaches Government and Public Law, Legal Research and Methodology, and Comparative Law: Legal Systems of the World. He also coordinates the School of Law's Honours Program. Professor Abeyratne holds a PhD from Monash University, a JD from Harvard Law School, and a BA (Hons.) in Political Science from Brown University. He researches comparative constitutional law and has published several books and articles in world leading journals. Most of Prof. Abeyratne's research can be freely accessed on SSRN, Academia, and Google Scholar. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Queer Correctives: Discursive Neo-homophobia, Sexuality and Christianity in Singapore (Bloomsbury Academic, 2025) explores Christian discourses of sex and sexuality in Singapore to argue that metanoia, the theological concept of spiritual transformation, can be read as a form of neo-homophobia that coaxes change in the queer individual. In Singapore, Christian discourses of sex and sexuality have materialised in the form of testimonials that detail the pain and suffering of homosexuality, and how Christianity has been a salve for the tribulations experienced by the storytellers. This book freshly engages with Michel Foucault's posthumous and final volume of The History of Sexuality by revitalising his work on biblical metanoia to understand it as a form of neo-homophobia. Drawing on Foucauldian critical theory and approaches in discourse studies, it shows how language is at the centre of this particular iteration of neo-homophobia, one that no longer finds value in overt expressions of hate and disdain for those with non-normative sexualities, but relies extensively on seemingly neutral calls for change and transformation in personal lives.Queer Correctives takes Singapore as a case study to examine neo-homophobic phenomena, but its themes of change and transformation embedded in discourse will be relevant for scholars interested in contemporary iterations of Foucault's concepts of discipline and technologies of the self. Together with interview data from religious sexual minorities in Singapore, it captures a burgeoning form of homophobic discursive practices that eludes mainstream criticism to harm through change and transformation. About Vincent Pak: Vincent Pak is Assistant Lecturer at The University of Hong Kong. His work is located in the fields of sociocultural linguistics and linguistic anthropology, where he’s interested in matters of gender, sexuality, and race. His monograph, Queer Correctives, considers the emergence of neo-homophobia in Singapore. About Pavan Mano: Pavan Mano is Lecturer in Global Cultures in the Department of Interdisciplinary Humanities at King's College London. He works at the intersections of critical & literary theory, politics and culture. His first monograph, Straight Nation (Manchester UP, 2025), interrogates postcolonial nationalism and the governance of sexuality in Singapore. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

On July 12, 1979, Chicago’s Comiskey Park erupted into chaos during what was supposed to be a quirky baseball promotion. Shock radio jock Steve Dahl’s “Disco Demolition Night” incentivized listeners to bring disco records to a White Socks doubleheader, where, between games Dahl promised to blow them up in center field. Instead, the event descended into a riot, forcing the team to forfeit. On the surface, the incendiary event looked like a wild publicity stunt gone wrong — but in hindsight, it was tantamount to a book burning. In retrospect, the destruction of thousands of disco records was a symbolic rejection of the social meanings the sounds held, particularly for queer communities of color. The night marked not just the literal destruction of vinyl but a cultural turning point when disco’s dazzling reign collapsed under backlash. Or did it? In this episode, we explore how a stadium stunt revealed the deeper racial, sexual, and generational tensions shaping American music at the dawn of the 1980s. In episode seven, host Ryan Purcell and Kristie Soares talk with Gillian Frank is a historian of gender, sexuality, religion, and politics in the twentieth-century United States at Trinity College, Dublin. He is a managing editor of NOTCHES: (re)marks on the history of sexuality and co-host of the podcast Sexing History, which explores how the past shapes contemporary debates about sex. Frank’s scholarship has appeared in leading academic journals and edited volumes, and he has held research fellowships at Princeton and other institutions. His current book project examines the history of child adoption and foster care in the U.S., tracing how religion, race, and politics shaped family formation in modern America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Edited by Todd A. Henry, Queer Korea (Duke UP, 2020) offers a vital and long-overdue examination of this subject. More than an academic text, it is a powerful collection that brings to light the hidden histories of non-normative sexuality and gender expression on the Korean Peninsula. The book challenges the notion that queerness is a recent, Western import. Instead, it uncovers a rich and complex history of same-sex unions and diverse identities—stories that have too often been silenced or strategically used to reinforce nationalistic and patriarchal ideals. It also explores how media and society, from the colonial era to the present day, have deployed discourses of deviance as a means of control and assimilation. What makes Queer Korea especially compelling is that it is not the work of one voice alone, but a union effort of many dedicated scholars who have each contributed their expertise to the field. Together, they create a multidimensional picture of queer life in Korea, bridging personal narratives, historical analysis, and cultural critique. Queer Korea is essential reading for anyone seeking a fuller understanding of Korean history. It highlights struggles for visibility, the quiet resilience of “under-the-radar” communities, and the surprising ways queer lives have helped shape the nation’s cultural and social landscape. Above all, it reminds us that queer history is not separate, but deeply woven into the very fabric of a country’s past. A Personal Journey Behind the Book The project grew not only out of academic curiosity, but also from Henry’s personal encounters and experiences in South Korea. These moments became the spark that inspired him to unearth stories too often overlooked. The journey of bringing the book to life was not without challenges, yet his determination to make these histories visible remained a powerful driving force. That personal investment—combined with the collective commitment of the contributing scholars—infuses the work with a depth and authenticity that makes Queer Korea resonate even more strongly. Dr Todd A. Henry (PhD, UCLA, 2006; Assistant/Associate Professor, UCSD, 2009-Present) is a specialist of modern Korea with an interest in the period of Japanese rule (1910-1945) and its postcolonial afterlives (1945-). A social and cultural historian attuned to global forces that (re) produce lived spaces, he studies cross-border processes linking South Korea, North Korea, Japan, and the US in the creation of “Hot War” militarisms, the transpacific practice of medical sciences, and the lived experiences of heteropatriarchal capitalism. Also a historian of gender, sex, and sexuality, Dr. Henry seeks to expand Euro-American-centric approaches to queerness, transgenderism, and intersexuality through a sustained focus on Asian forms of embodiment that center the geopolitics of imperialism/colonialism, military occupation, and diasporic mobility. Bing Wang receives her PhD at the University of Leeds in 2020. Her research interests include the exploration of overseas Chinese cultural identity and critical heritage studies. She is also a freelance translator. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

How is it possible to be a subject when faced with oppression? The revolutionary thought and work of French novelist and lesbian thinker Monique Wittig are today in dialogue with feminist and LGBTQIA+ analyses and politics. Her materialist theorization of lesbianism subfuses contemporary feminism and queer political and social movements. By proposing a detailed analysis of heterosexuality as a total political regime, Wittig as a theorist, writer, and activist opens up the possibility of a world beyond the categories of sex and gender, founded on a new definition of the human. This book acts as a roadmap to help us reach such a horizon. Sara Garbagnoli and her co-author Natacha Chetcuti-Osorovitz situate Wittig within array of feminist movements of the 20th century and explain why her theories are so pertinent in today's political landscape. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Headstrong: Women Porters, Blackness, and Modernity in Accra (U Pennsylvania Press, 2025) explores the experiences of women porters, called kayayei, in Accra, Ghana. Drawing on a decade of fieldwork, anthropologist Laurian R. Bowles shows how kayayei navigate precarity, bringing into sharp relief how racialization, rooted in histories of colonialism and enslavement, undergirds capital accumulation in Ghana. Bowles's ethnographic storytelling follows these women through their work as human transporters at Ghanaian markets. In creatively reappropriating public spaces as private sanctuaries, and in reimagining expected social relations through the cultivation of liberatory same-sex intimacies, kayayei develop ways to cope with the demands of their arduous labor while refusing narratives of victimhood projected on African women. Bowles's analysis of the emotional labor of the gig economy in Africa shows how the infrastructure anxieties of a modernizing city intersect with the complexities of blackness in a racially homogeneous nation, uncovering how antiblackness emerges in everyday public discourse, development agendas, and privately expressed anxieties about labor, gender, and sexual politics in Accra. Illustrating how race, sexuality, and gender manifest in daily life, Bowles centers kayayei, often perceived to be obstacles to progress and modernity, at the forefront for understanding urban Ghana's aspirations and anxieties about what it means to be a modern African country. Grounded in African feminist theory and Black feminist ethnography, Headstrong uses women's narratives as the central analytic for understanding the look and feel of modernity in Accra, challenging long-standing notions of gender, race, and desire in Africa. Laurian Bowles is the Vann Professor of Racial Justice and Associate Professor & Chair of the Anthropology Department at Davidson College. Jessie Cohen earned her Ph.D. in African History from Columbia University and is Assistant Editor at the New Books Network Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Twice Blessed (Fordham University Press, 2025) is a memoir that explores the depths of love, resilience, and the true meaning of family. Stefanie Mercado Altman, Claire Altman, and Stan Altman share an inti­mate and inspiring story about the bonds that define us, from adoption to caregiving and beyond. When Stefanie was adopted by Claire and Stan, their family was built on love and trust rather than biology. As they navigated the joys and struggles of parenting, they faced challenges that tested their resilience, including Stefanie’s search for identity and connection with her birth mother, Rosa, a gifted artist whose struggles with AIDS cast a long shadow.From the highs of new beginnings to the heartbreak of loss, Twice Blessed captures the com­plexities of relationships and the sacrifices made in the name of love. The story unfolds with warmth, humor, and honesty, offering a powerful perspective on what it means to belong. Through Stefanie’s journey of self-discovery and the family’s steadfast devotion, the book paints a vivid portrait of compassion and perseverance.To learn more about Twice Blessed visit TwiceBlessed.org.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies