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Hosted on Acast. See acast.com/privacy for more information.
Hosted on Acast. See acast.com/privacy for more information.
Hosted on Acast. See acast.com/privacy for more information.
Hosted on Acast. See acast.com/privacy for more information.
Hosted on Acast. See acast.com/privacy for more information.
Hosted on Acast. See acast.com/privacy for more information.
Hosted on Acast. See acast.com/privacy for more information.
Hosted on Acast. See acast.com/privacy for more information.
Hosted on Acast. See acast.com/privacy for more information.
Hosted on Acast. See acast.com/privacy for more information.
Hosted on Acast. See acast.com/privacy for more information.
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In this episode, Jonathan Evens takes us to Union Chapel where Natalie Bergman's soul-soaked set turned personal tragedy into communal celebration; George Pitcher evokes historical precedent for why Sarah Mullally’s appointment as Archbishop of Canterbury is about more than just breaking the stained-glass ceiling and Belle Tindall passionately suggests that “Defending our girls” is less about safety, more about scapegoating (please be aware of potentially triggering content in this last article).
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In this week's episode, Jonathan Rowlands explores the relationship between trauma and sacraments as he visits Anfield; Graham Tomlin asks whether a loss of an "ultimate" is the reason behind the recent behaviour at the Ryder Cup and Joshua Nurcombe-Pike explores the big thinking that goes on in the midst of cafe culture.
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This week, Thomas Sharpe gives us an on-the-ground view of the protests against the protests in Trafalgar Square; Gabrielle Thomas asks whether AI chatbots are demonic and Graham Tomlin dives deep into the event of Charlie Kirk's murder.
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In this episode, Steve Dew-Jones finds his new favourite film in The Ballad of Wallis Island; Theodore Brun traces our obsession with cosy crime from Dostoyevsky to the Thursday Murder Club and Graham Tomlin reckons adolescence should be a safe space to be daft, not voting in elections.
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