The Rev. H.B. Crum and His Mighty Golden Keys, “I Can Feel Him” is an exciting example of gospel’s transition from traditional doo-wop harmonies to a more soulful sound.
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The Rev. H.B. Crum and His Mighty Golden Keys, “I Can Feel Him” is an exciting example of gospel’s transition from traditional doo-wop harmonies to a more soulful sound.
The Rev. H.B. Crum and His Mighty Golden Keys, “I Can Feel Him” is an exciting example of gospel’s transition from traditional doo-wop harmonies to a more soulful sound.
At age 14, Willie Webb was asked by gospel legend Roberta Martin to sing and play keyboards with the Roberta Martin Singers, one of the greatest quartets of all time.
Mahalia Jackson, properly and respectfully called the queen of gospel music, is the voice and face of gospel music for most people around the world, even decades after her death.
Early Motown pioneer Marv Johnson recorded a gospel LP in 1962, which featured this up tempo version of the old COGIC chant/song, “Every Time I Feel the Spirit.”
The Rev. H.B. Crum and His Mighty Golden Keys, “I Can Feel Him” is an exciting example of gospel’s transition from traditional doo-wop harmonies to a more soulful sound.
