Talking with Belinda Jenkin on Showtime was a reminder of how much passion and imagination sit behind great musical theatre. Belinda is an actor, singer, writer and composer who has spent more than a decade creating, performing and teaching across Australia and New York. Her path began in primary school when she choreographed routines for her friends, and grew through community theatre, visual arts studies, contemporary music training and ultimately NIDA and CAP21 in New York.   Belinda spoke about the feeling of flow she experiences on stage, a sense of pure presence where everything else disappears. That connection anchors her work, especially in parody musicals. She has performed in Top Gun, Gilligan’s Island, Fifty Shades, Friends and Thrones, and explained how parody relies on balancing sincerity with playful exaggeration. Audience interaction is crucial, and each performance shifts based on the energy in the room.   In Love Actually the musical parody she plays nine characters, using specific physical and vocal markers to switch roles quickly and cleanly. She loves the humour of the show, which celebrates everything people adore and debate about the original film. Whether audiences love the movie or have never seen it, the parody offers nostalgia, surprise and plenty of laughs.   🎭 Love Actually? The Musical Parody🗓️ 5 Dec to 23 Dec📍 Athenaeum Theatre One🎟️ loveactuallymusicalparody.com/melbourne   Love Actually the musical parody is a fast paced, laugh out loud send up of the beloved Christmas movie. It reimagines nine chaotic stories of love, heartbreak and festive madness through clever comedy, original songs and cheeky twists on the film’s most iconic moments. The show follows the Prime Minister falling for his secretary, the best friend confessing his love with cue cards, the husband in trouble with Emma Thompson, and a collection of wonderfully odd characters who stumble through the holiday season with questionable judgment and even more questionable grand gestures.   The parody heightens everything people adore and roll their eyes at from the movie, leaning into nostalgia while adding new jokes, surprises and pop culture nods. It celebrates the messy, sentimental and ridiculous spirit of Christmas, offering a night of festive fun for those who love the film, love to hate it, or have never seen it at all.   BELINDA JENKIN is an accomplished actor, singer, writer and composer with a career that spans musical theatre, parody, cabaret and screen. A graduate of NIDA’s Diploma of Musical Theatre and CAP21 in New York, she has become a versatile and well loved performer known for her sharp comedic timing and expressive storytelling. Her stage credits include Friends the Musical Parody, Thrones, Top Gun the Musical, Gilligan’s Island the Musical, Fifty Shades the Musical Parody, Motor Mouth Loves Suck Face, Anyone Can Whistle, Chronic at La Mama and The Musical of Musicals. On screen she has appeared in Summer Heights High, the Space Jam Experience, Baz Luhrmann’s Elvis and educational sketches for NTC.   As a writer she has created original cabarets and co written musicals such as Until Tomorrow and The Gathering with William Hannagan. Belinda also teaches acting and musical theatre, sharing more than a decade of professional experience with emerging performers.

Get ready to rediscover what happiness really means,  this is not your typical theatre talk. In The Good Life Episode, British actor Nicolas Ancelin shares his journey from the streets of Nottingham to the stages of Melbourne, and how a play about contentment, community, and laughter has reshaped the way he sees the world. What began as a backpacking adventure soon became a story about art, purpose, and finding joy in the simplest things.   🎭 The Good Life 📍 Bayside Arts and Cultural Centre 🗓️  7 November to 22 November 🎟️ https://brightontheatre.com.au/project/season-4-the-good-life/    Their conversation explores what The Good Life truly means in a world that often equates success with busyness. Nicolas reflects on his time in Australia, the lessons learned from the theatre community, and the importance of slowing down to laugh, listen, and live. At its heart, The Good Life Play is about simplicity,  the courage to choose meaning over noise, joy over pressure, and storytelling over spectacle. Nicolas reminds us that comedy isn’t just about punchlines; it’s about empathy, timing, and truth. Warm, witty, and full of heart, this episode celebrates art, purpose, and the performers who remind us that happiness isn’t something you chase, it’s something you create. 🤠 For the latest theatre updates and behind-the-scenes insights, follow Andrew G on Instagram: @AndrewGShowtime  NICOLAS ANCELIN was born in Longjumeau, France and raised in Nottingham, England. He attended Nottingham’s Television Workshop from 2011-2014 before graduating from the Manchester School of Theatre in 2017. He arrived in Australia 3 years ago as a backpacker and unfortunately, will have to return home next year. The Good Life will be Nic’s theatrical debut in the southern hemisphere, this will also be the play's Australian premier. He was taught improvisation and clowning by the legendary Mick Barnfather and stage craft by the RSC's Andrew Jarvis. On his return to Europe, he hopes to attend the Philippe Gaulier School, a mecca for comic actors and clowns. His credits include Noise, Thomas Moran, Cloud Street adapted from Tim Winton, David Copperfield adapted from Charles Dickens, It Can’t Happen Here, Sinclair Lewis, and Dolly West’s Kitchen, Frank McGuinness. He has directed The Red Lion, Patrick Marber, Lemons Lemons Lemons Lemons Lemons, Sam Steiner and co-directed Things We Want, Jonathan Marc Sherman. His dream role would be Henry V. He’d love to direct anything written by Harold Pinter, Annie Baker, or David Mamet, particularly Glengarry Glen Ross.

Get ready to let the sunshine in because Hair the Musical is back and bolder than ever. At Melbourne’s Athenaeum Theatre, Alex Cooper and Maverick Newman lead a fearless new production of the groundbreaking rock musical that defined a generation. More than 50 years after it first shocked audiences, Hair continues to challenge, provoke, and inspire asking what freedom, identity, and rebellion really mean in 2025. 🎭 Hair the Musical📍 Athenaeum Theatre, Melbourne🗓️25 October to 22 November🎟️www.hairthemusical.com.au Directed with a fresh eye and a big heart, this revival doesn’t just revisit the counterculture movement — it reimagines it for a new era. Alex and Maverick bring electric energy and emotional depth to their roles, exploring themes of peace, protest, and personal awakening. From the iconic number “Let the Sunshine In” to the haunting “Where Do I Go”, every song becomes a mirror held up to today’s world where questions of war, race, gender, and freedom still burn bright. In conversation with host Andrew G on Showtime, the pair reflect on the show’s raw honesty and enduring relevance. They share how rehearsals sparked tough but necessary conversations about identity, inclusion, and truth proving that the real magic of Hair lies in its ability to unite people through empathy and understanding. 🤠 For the latest theatre updates and behind-the-scenes insights, follow Andrew G on Instagram: @AndrewGShowtime  ALEX COOPER is a core member of the Australian Shakespeare Company for the past five years, performing in a wide range of beloved productions. His stage credits include Otter, Cop, Judge, and Weasel in The Wind in the Willows; Bagheera in Jungle Book: The Next Chapter; and Major Minor Key in Captain Jack’s Pirate Party. Within the ASC’s Shakespeare repertoire, Alex has portrayed Claudio in Much Ado About Nothing and Benvolio in Romeo & Juliet, both featured in the 2023 summer season. Beyond his extensive stage work, Alex’s theatre appearances also include Leske’s Method (Cameron Sievers) and Second Coming (Andrew R. Kelly). On screen, Alex is best known for his role as Cody in Chris Lilley’s Ja’mie: Private School Girl, and has also appeared in Please Like Me (Josh Thomas, ABC Network) and The Newsreader (Emma Freeman, ABC Network). His portrayal of Claude in Hair the Musical marks a defining moment in his artistic journey — one that blends his passion for storytelling with his belief in the power of theatre to inspire empathy and self-discovery. MAVERICK NEWMAN is a graduate of the Western Australian Academy of Performing Arts (BA in Music Theatre), Maverick was most recently seen as Willard in Footloose The Musical and as Michael in The Boys in the Band (JTC). In 2023, Maverick was nominated for a Sydney Theatre Award for Best Actor in a Leading Role in a Musical for his dynamic performance playing twelve characters in the smash-hit Murder for Two (Hayes Theatre Co.), which enjoyed multiple return seasons, including critically acclaimed runs at Arts Centre Melbourne and Riverside Parramatta. Other notable stage credits include Emilia in The Comedy of Errors (Australian Shakespeare Company); Britt Craig in Parade (Soundworks Productions); Donny/Junee in A Model Murder (Sydney Festival/LPD); Chandler/Janice in Friends! The Musical Parody (SK Entertainment); and Mr. Toad in The Wind in the Willows (Australian Shakespeare Company). An award-winning writer, Maverick’s creative works include Tis The Season… (recipient of the Green Room Award for Best Original Songs), Finding Felix: A Memoir (nominated for four Green Room Awards), and Maverick Newman in Conversation with Maverick Newman (Hayes Theatre Co. & Athenaeum Theatre). Maverick is proudly represented by Sue Barnett & Associates.

Get ready to crank up the volume because School of Rock is more than just kids with guitars, it’s a celebration of passion, purpose, and the power of music to bring people together. Onstage, John Yanko and Anna Dinyés rock out as part of the electrifying cast, but behind the amps and anthems is a story of rediscovery, growth, and pure joy. Their shared love for performing fuels every riff and lyric, proving that music isn’t just what they do, it’s who they are. 🎸 School of Rock 📍 National Theatre St Kilda 🗓️ 1 to 15 November 🎟️ booktickets.com.au Based on the hit film, School of Rock follows Dewey Finn — a wannabe rock star who turns a class of straight-A students into a mind-blowing band that learns what it really means to find your voice. With powerhouse performances, infectious energy, and heart-thumping music, this production captures the spirit of rebellion and the magic of self-expression that only rock ’n’ roll can deliver. From explosive ensemble numbers to quiet moments of reflection, School of Rock strikes every chord, humour, hope, and heart. Audiences of all ages are cheering for its unstoppable mix of fun, emotion, and authenticity, reminding us all that it’s never too late to chase your dreams or pick up a guitar. 🎧 For the latest theatre stories, behind-the-scenes insights, and interviews with the stars of Australia’s musical scene, follow @AndrewGShowtime. JOHN YANKO is a Melbourne-based singer, songwriter, and performer whose artistry bridges storytelling and soul. He made his television debut on ABC’s The Piano, where he was handpicked by Harry Connick Jr. and Andrea Lam to perform at Sydney’s City Recital Hall. John’s musical theatre credits include leading roles in We Will Rock You, Seussical, Shrek the Musical, and now School of Rock. His passion for performance is rooted in connection — using music to inspire joy, courage, and authenticity both on and off stage. ANNA DINYÉS is a Hungary-born, Melbourne-based artist with a background in classical voice and piano. She is currently completing her Bachelor of Music (Musical Theatre) at the Australian Institute of Music and has appeared in productions such as Urinetown, The Mystery of Edwin Drood, and Pippin. Anna toured internationally as a lead vocalist in a professional ABBA tribute show and has lent her voice to the award-winning video game Elden Ring and Marvel’s Loki soundtrack. Blending discipline with playfulness, Anna continues to carve her path as a bold and versatile performer in the Australian theatre scene.

Get ready to crank up the volume because this is not your average school story. In School of Rock the Musical, Dylan Crawley and Imogen Alexander prove that following your dreams never goes out of tune. What starts as a conversation about returning to the stage quickly turns into a reflection on passion, purpose, and the power of music to bring people together. 🎭 School of Rock the Musical📍 National Theatre, St Kilda🗓️ 1 to 16 November🎟️ Tickets available at theatricals.com.au Based on the hit film, School of Rock is an electrifying stage adaptation that follows wannabe rockstar Dewey Finn as he turns a group of straight-A students into a mind-blowing rock band. Packed with high-energy performances, heart, and hilarious moments, this production hits all the right notes. In this episode, Dylan Crawley and Imogen Alexander open up about their creative journeys from childhood inspirations to navigating the leap from classroom to stage. Dylan shares how a love for performance never really fades, even after years in cyber security, while Imogen reflects on growing up across five countries and how that global upbringing shaped her artistry. Together, they explore what it means to chase your passion fearlessly, rediscover joy, and embrace the thrill of live theatre once more. For Dylan, School of Rock has always been a source of inspiration. Returning to the stage as Ned Schneebly feels like coming home,  a full-circle moment that reminds him why he fell in love with performing in the first place. School of Rock the Musical is a loud, feel-good celebration of friendship, second chances, and the unstoppable energy of doing what you love. Whether you’re a lifelong fan of the film or seeing it for the first time, this production will remind you why live theatre still rocks. 🎧 For the latest theatre stories, behind-the-scenes insights, and interviews with the stars of Australia’s musical scene, follow @AndrewGShowtime. DYLAN CRAWLEY is appearing on stage for the first time since high school. After being cast as Wilbur in the 2016 Hairspray production at Saint Ignatius College Geelong, Dylan knew musical theatre filled his soul. He later pursued a cyber security degree and worked in the field for several years before returning to his first love — performing. With past experiences at Walt Disney World and the Geelong Arts Centre, Dylan decided it was time to stop watching others live their dreams and start living his own. Now, as Ned Schneebly in School of Rock, he’s thrilled to bring his comedic energy and heart to the stage. IMOGEN ALEXANDER is an emerging musical theatre performer who grew up across five countries, fostering a deep love for the arts. A graduate of Showfit and Griffith University’s Queensland Academy of Excellence in Music Theatre, Imogen’s credits include Legally Blonde (Enid Hoopes) and I Love You, You’re Perfect, Now Change (Betty/Noah). She has also performed in Bluey’s World and as the featured Mandarin singer for Amway’s 30th Anniversary with Kermond Entertainment. When she’s not performing, Imogen enjoys F45 workouts, teaching swimming, and spending time with her cat — also named Dylan.

Get ready to see motherhood in a new light — this is not your average “mum influencer” story. In The Mum and Bubba Episode, content creator Althea Cayton opens up about raising her daughter in a digital world, balancing authenticity with privacy, and how the magic of theatre and storytelling is shaping their everyday life. What began as a creative outlet soon grew into a heartfelt community for parents who value connection, curiosity, and kindness. 🎧 The Mum and Bubba Episode 📍 In-Studio — Melbourne 🗓️ 21 October 2025 🎟️ instagram.com/mum.and.bubba Through candid reflections, Althea shares how @mum.and.bubba became a space for genuine storytelling not picture-perfect posts. She talks about finding joy in the simple things, choosing collaborations that feel real, and showing up online as both a creator and a mum. For her, authenticity isn’t a strategy,  it’s a way to stay grounded while navigating the noise of social media. Their conversation explores what it means to nurture creativity in a child and why the arts matter more than ever. From live theatre to storytime at home, Althea believes that imagination builds empathy and that every performance, every book, every melody helps children see the world with wonder.  She shares how Melbourne’s vibrant arts scene has become part of her family’s rhythm, turning weekends into moments of laughter, curiosity, and connection. At its heart, The Mum and Bubba Episode is about time, the time we give, the moments we make, and the love we model. Althea reflects on how her daughter taught her to slow down, have fun, and lead with kindness, lessons that have shaped both her parenting and her platform. Honest, tender, and full of warmth, this episode celebrates creativity, motherhood, and the stories that make us who we are. ALTHEA CAYTON is a Melbourne-based content creator and the voice behind @mum.and.bubba, a digital space celebrating family life, creativity, and the joy of shared experiences. A lifelong writer with a background in marketing, Althea started the page six years ago to connect with other parents and share useful finds, local events, and imaginative adventures.  Inspired by her daughter, she continues to use her platform to encourage families to explore the arts, discover live theatre, and embrace the beauty of everyday moments.

Vidya Makan is back on the Showtime podcast, this time in the Melbourne studio, to talk about the momentous success of her groundbreaking original Australian musical, The Lucky Country, following its ARIA nomination for Best Original Soundtrack or Musical Theater Album.   Vidya dives deep into the painstaking, nearly two-year-long process of creating the Original Cast Recording, detailing how she and her collaborators, producer Michael Tan and music director Heidi Maguire, translated the show's vision—an "Aussie radio dial" of sounds—for the listener's ear. She notes that a cast album is a separate, highly controlled art form, revealing the "luxury" of being able to craft the music like a "detailed painting."   She discusses the immense shock and honor of the ARIA nomination, sharing what this top-level recognition means for a show created by and featuring minority voices that is meant to serve as "a mirror as to who we are" as a nation. Vidya gets emotional about the powerful meaning behind the newly rewritten finale track, "Rise," which includes the Indigenous language Gugu Yalanji, and the feeling of gratitude to be part of such a sacred moment.   Finally, she expresses her excitement about bringing the show back to Melbourne, the city where she first discovered her artistry and wrote the musical. She is thrilled to share a contribution to the national dialogue that is meaningful, doesn't shy away from tricky conversations, but is also "a lot of fun."   Don't miss the show or the ARIA-nominated album!   🎭 The Lucky Country 🗓️ 13 October to 18 October 📍 Lawler Theatre 🎟️ http://mtc.com.au/   VIDYA MAKAN is one of Australia's most exciting multi-hyphenates, renowned as a composer and a leading lady. Her acting credits include Eliza in Hamilton, Catherine Parr in SIX, and Dot/Marie in Sunday In The Park With George, all of which earned her major industry nominations. Her critically acclaimed original musical, The Lucky Country, opened to rave reviews in 2023 and is currently touring. The Original Cast Album has been nominated for a 2025 ARIA Award for Best Original Soundtrack or Musical Theater Album. She is currently working with Queensland Theatre on a new musical exploring the lives of South Asian Australians.

Louisa Mignone joined the Showtime podcast to share her journey from growing up in a lively household of five siblings to becoming one of Australia’s most versatile actors in theatre, film, and television. With a career spanning acclaimed theatre productions and standout screen roles, Louisa spoke about what it takes to sustain a creative career, navigating the challenges of the industry, and staying true to storytelling that resonates.   Growing up inventing worlds with her siblings and a cupboard full of dress-up clothes, Louisa discovered her love for performance early. After exploring arts and cinematography at Flinders University, she stumbled into drama school — a decision that set her on a path of theatre company creation, bold stage roles, and screen performances that challenge her and expand her craft.   She reflected on the realities of being a performer in Australia today: financial instability, creative risk-taking, and the changing patterns of audiences post-COVID. Louisa shared her experiences balancing stage and screen, discussing how live theatre offers immediate feedback and evolving performances, while screen work requires precision, collaboration with directors, and trust in the editing process.   Currently, Louisa appears in Melbourne Theatre Company’s bold new adaptation of Rebecca, a limited season running until 5 November at Southbank Theatre’s The Sumner. She shared insights into the development process, working with a small cast in multiple roles, and exploring the complex moral and psychological themes of the story, which remain strikingly modern.   🎭 Rebecca 🗓️ 30 September to 5 November 📍 Southbank Theatre, The Sumner 🎟️ https://www.mtc.com.au/plays-and-tickets/whats-on/season-2025/rebecca/   Rebecca, a reimagined stage adaptation of the classic 1938 novel, follows a woman navigating obsession, secrecy, and identity in a morally complex world. With only four actors portraying multiple roles, audiences are taken on a thrilling journey through a story of desire, power, and choice — as relevant today as it was decades ago.   🤠 For the latest theatre updates and behind-the-scenes insights, follow me on Instagram https://instagram.com/AndrewGShowtime    LOUISA MIGNONE is a Melbourne Theatre Company debut alumna with credits including The Almighty Sometimes, Death of a Salesman (GWB Entertainment/Red Line Productions), The Fence (Darebin Arts/29 Scenes), Anna K (Malthouse Theatre), Mortido (Belvoir), The Club (State Theatre Company South Australia), Antigone (Sport For Jove), The Pork Stiletto (The Old Fitzroy), The Boys (Griffin Theatre Company), and Fugitive, Boom Bah! (Windmill Theatre). She is a founding member of Adelaide-based theatre company isthisyours?, whose original works have toured nationally and received numerous awards.   Her television and film credits include The Mongoose, Fake, The Twelve (S1), Scrublands, Australian Gangster, Ms Fisher’s Modern Murder Mysteries (S1–2), Wentworth (S8–9), Halifax Retribution, Secret City: Under the Eagle, Rake (S2–4), How to Stay Married (S2), Miss Fisher’s Murder Mysteries, Fat Tony & Co, My Place, East West 101, Infini, Two Fists One Heart, and Latte e Miele, which she also created.

Ruth McGurk and Katie Loxston joined the Showtime podcast to share the irresistible joy of bringing the iconic musical Mamma Mia! to Geelong. Playing the mother-daughter duo Donna and Sophie, they dive into what makes this show a timeless, global phenomenon.   The infectious music of ABBA is the heart of the production, with the cast highlighting how the familiar songs instantly create a ripple of excitement and nostalgia through the audience. They discuss how Mamma Mia! brilliantly weaves ABBA's back catalogue into the narrative, making it feel less like a "jukebox musical" and more like a story perfectly crafted for the music—a connection they feel is key to its lasting appeal.   As Geelong locals, Ruth and Katie talk about the excitement of performing an iconic show for their hometown audience, noting that Mamma Mia! is exactly the "party" the community needs. They reveal the "infectious" and "safe" energy of the rehearsal room, where cast and crew have developed deep, real-life friendships, especially within their on-stage trios (Donna/Tanya/Rosie and Sophie/Ali/Lisa).   They share their favourite emotional moments on stage, including the powerful connection in "Slipping Through My Fingers," and touch on the value of theatre training. Ruth reflects on how her background in cabaret and writing has given her the confidence to "keep the show moving" if things go wrong, while Katie praises her Queensland Conservatorium training for teaching her "everything in the kitchen sink." Don't miss the party! 🎭 Mamma Mia! 🗓️ 3 Oct to 19 Oct 📍 Geelong Arts Centre, The Story House 🎟️ geelonglyric.com   RUTH McGURK is a Geelong mum, teacher, and an accomplished multi-hyphenate. Playing Donna, this is her second time on stage in Geelong. She is an internationally published children’s author whose debut solo show won Best Cabaret at Melbourne Fringe. Her theatre credits include Crissy in HAIR and Cinderella in Into the Woods.   KATIE LOXSTON is a Queensland Conservatorium graduate, where she trained in Musical Theatre and took on roles like Peggy Sawyer in 42nd Street. Playing Sophie, she is a familiar face in Geelong theatre, recently appearing as Patty Simcox in Grease. Offstage, she teaches performing arts at Stage Arts Geelong and Infinite Dance Studios.

Vidya Makan joined the Showtime podcast to share her journey from soccer hopeful to one of Australia’s most exciting musical theatre voices. Growing up in Brisbane she dreamed of playing for the Matildas and even trained at Manchester United’s summer school. A trip to London changed everything when she saw Wicked on the West End and realised theatre could be a space where she belonged. Since then Vidya has played major roles including Eliza in Hamilton and Katherine Parr in Six. She spoke about keeping roles truthful, bringing her own perspective to iconic characters, and the thrill of performing with an audience that feels part of the show. Alongside performing she has always written music, inspired by artists like Lin-Manuel Miranda to tell stories that reflect minority voices. Her own musical The Lucky Country grew from that passion. Written over five years, it mixes humour, camp, and sharp commentary on what it means to be Australian from diverse perspectives. The score is a patchwork of sounds from Baker Boy to Cold Chisel to Kylie, shaped with collaborators Sonia Suarez and Heidi Maguire. Vidya also worked closely with First Nations artists like Shoa Demal to ensure cultural truth and respect. Audiences have responded with reflection and gratitude, and the recent original cast album further amplifies voices rarely heard in mainstream theatre. For Vidya, Australian theatre needs more authentic, daring stories that reflect our diversity. The Lucky Country, opening at Melbourne Theatre Company, is her answer to that call. 🎭The Lucky Country🗓️  13 to 18 October📍 Lawler, Southbank Theatre 🎟️ mtc.com.au The Lucky Country, a bold new musical about what it means to be Australian, today revealed its cast for the Melbourne and Brisbane seasons. Leading the ensemble are Garret Lyon as Boy, Naarah Barnes as Teacher, Vidya Makan as Cindy, Phoenix Jackson Mendoza as Sexy Australia, Jeffrey Liu as Waiter, and Karlis Zaid as Veteran. They are joined by Anusha Thomas and Tainga Toa in swing and understudy roles. The show premieres on Monday 13 October at Melbourne Fringe Festival as part of the Guarantee program, before heading to Brisbane Powerhouse for MELT Festival. With a score inspired by Australian icons from Baker Boy to Kylie, the 60-minute production blends humour, heart and music to explore identity and belonging. Created by Vidya Makan and Sonya Suares, The Lucky Country is a joyful, moving, and unapologetically Australian celebration of who we are and who we can become.   🤠For the latest theatre updates and behind-the-scenes insights, follow me on Instagram    VIDYA MAKAN is one of Australia’s most exciting multi-hyphenates in the entertainment industry. As a leading lady she has captivated audiences nationwide with her powerhouse performances, including Eliza in Hamilton, Catherine Parr in SIX, Ruby in Bloom and Dot/Marie in Sunday in the Park with George. These roles have earned her major industry award nominations and cemented her as a standout talent. Her television appearances include ABC and Michael Cassel Group’s A (Very) Musical Christmas in 2024 and a guest spot as quiz master on Channel 10’s Have You Been Paying Attention in 2023. As a composer and lyricist Vidya is making her mark with original musicals. Her debut work The Lucky Country premiered to rave reviews in Sydney in 2023 and will be presented this October at Melbourne Theatre Company’s Southbank Theatre before moving to Brisbane’s MELT Festival. The original cast album, released with Origin Music, drops on August 14. She is also developing a new musical with Queensland Theatre alongside collaborator Tasnim Hossain. Brisbane-born, Vidya first dreamt of being a Matilda before finding her passion in theatre. A skilled pianist and cellist, she graduated from Queensland Conservatorium’s Bachelor of Musical Theatre in 2015.

Ash Murdica’s rise in Australian musical theatre is the kind of story that grabs your attention from the very first note. From a small town in regional Victoria to performing in blockbuster shows like Rent, Six and Dear Evan Hansen, Ash has turned a teenage spark of curiosity into a professional career many dream of but few achieve. Their journey is a mix of raw talent, relentless dedication and the ability to adapt across styles from classical piano to contemporary guitar and now country in the upcoming Dolly Parton musical Here You Come Again. Ash’s love of music began in high school when a friend suggested starting a band after complimenting Ash on their hair. That light hearted moment set off a passion that grew through years of playing rock covers, learning piano chords by ear and eventually studying at the Melbourne Conservatorium of Music. The turning point came in 2021 with a role in the orchestra for Wicked, which showed Ash that musical theatre could be more than a pastime. Since then Ash has navigated the pressure and joy of professional productions, managing nerves with quirky rituals like pep talks, sentimental trinkets on their music stand and journaling before performances. Alongside mentors and supportive peers they have built a career marked by both resilience and achievement. Ash’s story is not just about individual success but about showing young musicians, especially those from regional backgrounds, that with commitment and courage it is possible to make it to the big stage.   🎭 Here You Come Again🗓️  23 October to 2 November📍 Comedy Theatre, Melbourne🎟️  hereyoucomeagain.com.au   Here You Come Again is a warm and funny new musical built around the songs and spirit of Dolly Parton. It tells the story of Kevin, a man in his forties who finds himself back in his childhood bedroom after a tough breakup and the isolation of the Covid lockdown. Surrounded by old posters of Dolly on the walls, Kevin feels stuck until Dolly herself magically appears, offering guidance, humour and plenty of songs to help him find a way forward. The show features many of Dolly’s most loved hits, including Jolene, 9 to 5, Islands in the Stream, I Will Always Love You and of course Here You Come Again. Each song moves the story along as Kevin learns to face heartbreak, self doubt and new beginnings with courage and hope. Dolly is both mentor and comic relief, encouraging Kevin to see his struggles in a new light and even inspiring him to chase dreams he had long buried. More than just a jukebox musical, Here You Come Again is about the way music can carry us through our darkest moments. It celebrates fandom, resilience and the magic of a voice that has inspired millions. Audiences can expect plenty of laughs, touching moments and a joyful reminder that even when life feels uncertain, a good song and a little Dolly wisdom can help you dust yourself off and keep going.   🤠For the latest theatre updates and behind-the-scenes insights, follow me on Instagram https://instagram.com/AndrewGShowtime ASH MERDICA began her journey in community theatre before quickly stepping into the professional arena with deputy guitar and keys roles in Mamma Mia! (Louise Withers and Associates, 2023), Rent (LPD Productions, 2024) and Six (Louise Withers and Associates, 2024). Most recently she held the Guitar 2 chair for the Melbourne season of Dear Evan Hansen (Michael Cassel Group, 2024–25). A graduate of the Melbourne Conservatorium of Music with a Bachelor of Music Performance in Contemporary Guitar, Ash also holds a Grade 8 Pianoforte certificate with distinction, reflecting her versatility across instruments and styles.

In the latest episode of Showtime, host Andrew G  chats with Justine Garnes and Danny Gibbons from Little Lamington Productions about their upcoming comedy series Amateurs. The mockumentary celebrates the unpredictable, heartfelt and hilarious world of community theatre, capturing the chaos, camaraderie and quirks that define this cultural space. The idea for the series grew out of Justine and Danny’s own experiences in amateur theatre, where they first met performing in Clue. Car rides to rehearsals sparked conversations about the eccentric characters and relatable moments that fill rehearsal rooms, and from these stories came the concept for Amateurs. The show uses a mockumentary format, inspired by series like The Office and Modern Family, to highlight authentic behind-the-scenes moments such as audition mishaps, forgotten lines and costume disasters. The tagline “all passion, no payday” reflects the dedication of community theatre participants who devote their time and energy purely for love of the craft. The characters in Amateurs are drawn from real-life archetypes, from the returning parent trying to balance family with performance, to the diva who treats local productions like Broadway. These portrayals balance comedy with empathy, showing the humanity behind the quirks. The episode also highlights the importance of community theatre as a social hub where friendships and acceptance flourish. To support production, Little Lamington Productions is hosting a trivia and karaoke fundraiser, reflecting the spirit of volunteerism and grassroots creativity that fuels amateur theatre. Amateurs promises to be both affectionate satire and a love letter to the theatre community.   🎟️  Support Amateurs on Kickstarter   Amateurs is a new mockumentary comedy series from Little Lamington Productions that shines a light on the unpredictable world of community theatre. Created by Justine Garnes and Danny Gibbons, it draws on their experiences performing in local productions and captures the quirks, chaos and camaraderie that make amateur theatre unique. The show embraces the tagline “all passion, no payday”, celebrating volunteers who pour time and energy into productions purely for love of the craft. With a mockumentary style inspired by favourites like The Office, Amateurs finds humour in behind-the-scenes moments such as audition mishaps, costume disasters and personality clashes. Both affectionate and satirical, Amateurs balances comedy with empathy, portraying relatable characters while highlighting the friendships and sense of belonging that community theatre fosters. It is a tribute to the resilience and joy of making theatre together.   🤠For the latest theatre updates and behind-the-scenes insights, follow me on Instagram https://instagram.com/AndrewGShowtime   DANNY GIBBINS is a writer, director, producer and performer with a strong background in community and independent theatre. He began his creative journey at Firbank Grammar School, where he performed leading roles in musicals, wrote original productions, and toured England with the Madrigal Choir. Over the years Danny has developed a diverse writing portfolio, creating works for festivals and theatres including Matilda’s Project at Midsumma, Bristleface, A Prince’s Quest, Beyond the Barriers, The Staffroom and The Sneeches. His achievements include recognition at the Malvern Theatre Writers competition and mentoring roles in the Malvern Theatre Emerging Leaders program. Danny has directed and produced a range of independent works such as A Prince’s Quest and The Staffroom, and continues to be active as a festival producer and mentor. As a performer, he has appeared in productions including Clue and Beyond the Barriers, and most recently as a host and entertainer, embracing his role as the “Ringmaster of Fun.” JUSTINE GARNES is a versatile performer with extensive experience in musical theatre, live entertainment and children’s performance. Originally from Esse

Darren Gilshenan has built one of the most versatile careers in Australian performance, moving between theatre and television with equal success. A graduate of NIDA in 1988, he credits his training with giving him the discipline and adaptability to take on a wide range of roles. He spent a decade with Bell Shakespeare, describing Shakespeare as the ultimate training ground where stamina, clarity and emotional truth were constantly tested. Comedy became another defining part of his career. His award-winning role as Truffalino in The Servant of Two Masters demanded physical energy, improvisation and a fearless connection with audiences. That same versatility carried into television, where he became widely recognised on the sketch program Full Frontal. The quick turnover of characters and material required him to draw on his stage training to deliver performances with speed and conviction. Not all roles were light. His portrayal of Davies in Harold Pinter’s The Caretaker coincided with personal grief, leaving him physically affected by the demands of the character. It revealed both the risks and the value of acting, showing how performance can help process pain but also weigh heavily on the performer. Gilshenan’s current project, Job at Red Stitch, explores the mental toll on internet content moderators. The two-hander is intense and confronting, but he sees it as one of the most important plays of his career. He relates its themes to the generational shift between his own outdoor childhood and his son’s online world. What he values most in Job is its ambiguity, which forces audiences to reflect rather than accept easy answers. For Gilshenan, theatre’s power lies in sparking dialogue and exposing hidden truths, and his career continues to demonstrate that commitment to challenging and meaningful work. 🎭 Job🗓️  17 September to 12 October📍 Red Stitch Actors’ Theatre 🎟️  redstitch.net Job is a taut psychological drama that pits patient against practitioner in a battle of power, truth and survival. Jane, reeling after a viral workplace incident, is desperate to return to her Big Tech job and regain her sense of control. The decision lies with her therapist, Loyd, whose responsibility is to judge whether returning will heal her or drive her deeper into harm. As their sessions unfold, the balance of power shifts unpredictably, exposing hidden motives, blurred ethics and the fragile line between care and control. What begins as a routine evaluation spirals into a gripping contest of wits and wills, probing the toll of digital culture and the human cost behind corporate ambition. Following its acclaimed Broadway season, Job makes its Australian premiere at Red Stitch, starring Jessica Clarke and Darren Gilshenan in a two-hander that promises intensity, provocation and theatrical electricity.   🤠For the latest theatre updates and behind-the-scenes insights, follow me on Instagram https://instagram.com/AndrewGShowtime   DARREN GILSHENAN graduated from NIDA in 1988 before spending a decade performing with the Bell Shakespeare Company, followed by three years on the sketch comedy Full Frontal. His television credits include Sunny Nights, Ten Pound Poms (Series 2), Bay of Fires (Series 2), Thou Shalt Not Steal, Colin from Accounts (Series 1 and 2), Population 11, Nautilus, Upright, Harrow and Stateless, for which he won the 2020 AACTA Award for Best Supporting Actor in a Television Drama Series. On film he has appeared in Pickpockets, Audrey, Take My Hand, The Appleton Ladies’ Potato Race and A Savage Christmas. He also starred in the web series Plausible Deniability produced by Random Pictures, earning Best Actor at the IndieX Film Festival, where the series also received the award for Outstanding Achievement: Best Web Series / TV Pilot. His stage work includes acclaimed performances in The Caretaker, The Hypochondriac and Who’s Afraid of Virginia Woolf?, the latter earning him a Best Actor nomination at the Sydney Theatre Awards

What do you get when a marine biology student accidentally walks into a musical theatre audition? In Leighton Garwin’s case, you get nearly fifty shows, a voice that can jump from pop to opera, and now a starring role in the powerhouse musical Chess. On the latest episode of Showtime, Leighton reveals how a twist of fate turned into a lifelong passion for performing. He opens up about struggling to communicate as a kid and how music became his way of saying what words could not. From the dark intensity of Jacqueline Hyde to the golden glow of 42nd Street, every role has pushed him further, shaping the versatile performer he is today. Now, as he takes on the complex character of Anatoli, Leighton faces one of his toughest challenges yet. Chess is not only a demanding score but also a story of Cold War politics, love, and loyalty that still feels razor-sharp in today’s world. This is a conversation about chance, passion, and the power of theatre to hold up a mirror to our lives. If you think musicals are just about catchy tunes, Leighton Garwin is here to prove you wrong. 🎭 Chess🗓️  12 September to 21 September📍 The Round, Nunawadding 🎟️  theround.com.au  Few musicals hit as hard as Chess. With a score that soars from rock anthems to heart-wrenching ballads, this Cold War drama throws love, politics, and ambition onto the same board and lets them collide. Set during an international chess championship at the height of East–West tensions, the show follows the explosive rivalry between an American chess superstar and a Soviet grandmaster. What begins as a battle of intellect quickly spirals into a struggle for power, fame, and control, with governments pulling the strings behind the scenes. But amid the political manoeuvring lies a love triangle that raises the stakes even higher. When Florence, caught between loyalty and desire, is forced to choose sides, every move on the board comes loaded with personal and political consequence. With music by ABBA legends Benny Andersson and Björn Ulvaeus, and lyrics by Tim Rice, Chess delivers some of musical theatre’s most iconic numbers, blending passion with razor-sharp storytelling. It is a tale of power plays and human vulnerability, of games that reach far beyond the chessboard. Chess is not just a musical. It is a high-stakes thriller set to unforgettable music, daring audiences to question where loyalty ends and love begins.   🤠For the latest theatre updates and behind-the-scenes insights, follow me on Instagram @AndrewGShowtime Leighton is no stranger to the stage, with close to 50 productions to his name. Favourite roles include Danny in Grease, Warner in Legally Blonde, Jesus in Godspell, and Roger in RENT. Outside of performing, Leighton works in medical administration and as a freelance writer. He holds a degree in Contemporary Music from JMC Academy and a diploma in Professional Writing and Editing from NMIT, combining his love of music, theatre, and storytelling.

In this episode of Showtime I sit down with the incredible Carissa Lee, an actor, writer and cultural researcher whose work bridges theatre, television and academia. Carissa takes us back to her early days growing up in a small South Australian town where a passionate drama teacher first introduced her to Shakespeare and professional training. That encouragement lit a spark that has never gone out. She shares the thrill and nerves of stepping on stage, the profound impact of seeing her first professional play, and how discovering diverse playwrights, especially Indigenous voices like Jack Davis, expanded her view of what theatre could be. We talk about the creative risks she has taken, from playing Charles Manson in a four hour play to balancing the emotional intensity of her latest role in What’s Yours? at Red Stitch Actors Theatre. Carissa opens up about portraying fertility struggles, the importance of community in theatre, and the power of shared laughter and tears with an audience. This conversation is about more than acting. It is about empathy, resilience and the way stories connect us. 🎭 What’s Yours🗓️  1 August to 24 August📍 Red Stitch Actors’ Theatre 🎟️  redstitch.net Red Stitch Actors’ Theatre will present the world premiere of What’s Yours, a funny, heart breaking and hopeful new play by Melbourne playwright Keziah Warner. Opening Friday 1 August 2025, the production is directed by Isabella Vadiveloo (Wolf Play) and is the second work in the 2025 season to be developed through the company’s INK new writing program. Written for ensemble member and Helpmann Award winner Christina O’Neill (Hour of the Wolf, Bloom, My Brilliant Career, Calamity Jane), What’s Yours explores the fallout from a single, impossible request. Jo and Simon were in love for eight years before their relationship ended. Simon then fell for Jo’s best friend, Lia. A decade later, after several failed IVF attempts, Simon and Lia ask Jo, who has happily chosen a life without children, to donate her eggs. The request forces each of them to confront what they want, what they can give and what they owe to one another. With warmth and wit, Warner has crafted a moving portrait of fractured friendship and complicated love. What’s Yours offers a fresh perspective on the childfree by choice movement while celebrating resilience, autonomy and the enduring power of women’s connection. 🤠For the latest theatre updates and behind-the-scenes insights, follow me on Instagram  CARISSA LEE is a Noongar actor, writer and cultural researcher whose work spans theatre, film, television and academia. Born on Wemba Wemba Country, she has built a career that reflects both artistic excellence and a strong commitment to cultural storytelling. Carissa has performed with some of Australia’s most respected companies including Melbourne Theatre Company, Malthouse Theatre, Ilbijerri Theatre and State Theatre Company of South Australia. Recent highlights include performing in Maurial Spearim’s comedy Inside Out at the Yirramboi Festival and Nazaree Dickerson’s moving Noongar family play Ngarngk. Her screen work is equally diverse, with appearances in ABC programs Planet Lulin and Sammy J, the web miniseries Behind the Seams, and the independent horror film The Dysphoria. Known for her versatility and presence, Carissa brings depth and authenticity to every role whether comedic, dramatic or experimental. Beyond the stage and screen Carissa holds a PhD from the University of Melbourne and works as a cultural safety researcher, dramaturg and editor through her fellowship at Swinburne University of Technology. Her practice weaves together performance and research with a strong focus on creating work that honours Indigenous perspectives and fosters greater cultural understanding.

In this episode of Showtime, Andrew G speaks with Annie Blood, someone whose connection to Australian theatre spans more than six decades. Annie’s love for the stage began backstage at the Alfred Hospital revue in the 1960s, sparking a lifelong passion for live performance. Over the years she has worked as a director, stage manager, production manager and actor, embracing the collaborative spirit of theatre. Annie reflects on her approach to honouring a playwright’s vision while keeping productions relevant for modern audiences, sharing insights from challenging works like The Shadow Box and the evolving professionalism of community theatre. She also discusses her current project, Noël Coward’s Fallen Angels, marking its 100th anniversary with wit, authenticity and social commentary. Annie’s story is one of dedication, adaptability and love for the art form, offering a heartfelt reminder that theatre’s magic lies in its ability to bring people together through shared human stories. 🎭 Fallen Angles🗓️  15 August to 30 August📍 Brighton Theatre Company, Brighton🎟️  brightontheatre.com.au Set in the dazzling world of the 1920s, Fallen Angels is a sparkling Noël Coward comedy about love, temptation and friendship under pressure. Julia and Jane are two best friends who believe they are happily married, until news arrives that Maurice, a charming former lover to them both, is returning to town. What begins as mild curiosity quickly spirals into a champagne-fuelled storm of anticipation, jealousy and self-reflection. As they prepare for his arrival, the women’s petty squabbles and rekindled passions lead to hilarious misunderstandings and escalating chaos. When Maurice finally appears, their carefully composed lives unravel in a flurry of razor-sharp banter and social satire. First performed in 1925, the play was groundbreaking in its frank exploration of female desire and agency. A century later, Fallen Angels still sparkles with wit, delivering a cheeky, fast-paced look at relationships that is as fresh and funny today as it was on its debut. 🤠For the latest theatre updates and behind-the-scenes insights, follow me on Instagram @AndrewGShowtime ANNIE BLOOD’S involvement in community theatre began in the early 1960s as an inexperienced stage crew member and performer in the Alfred Hospital Revue. While working in the Physiology Department and studying English and Psychology at Monash University, she joined The Monash Players, sparking a lifelong passion for theatre, particularly backstage roles. After time spent in the UK and Europe, she settled in South Australia in 1976, where the vibrant community theatre scene became her creative home. Over the next three decades, Annie embraced almost every aspect of theatre, serving as President of Burnside Players, Artistic Director of Mayfair Theatre Company, and Production Manager for Matt Byrne Media. She also acted in memorable character roles, stage managed numerous productions, and directed plays for companies including Burnside, Elizabeth, The Hills, and Mayfair. Her career reflects deep dedication, versatility, and a love for the collaborative spirit that defines community theatre.

Dawn Riddale, once a musical theatre performer, is the founder of Melbourne Theatre News and Just Auditions, two platforms that have transformed how Melbourne’s community theatre scene connects. Before they existed, show and audition details were scattered and hard to find. Dawn and her fiancé Craig created centralised hubs where performers, theatre companies and audiences could easily share and access information. Just Auditions Victoria now has over 13,000 followers and has expanded to other states with varying success, depending on local participation. Dawn stresses that active community involvement is essential to keep the platforms vibrant and up to date. She also values Melbourne’s unique theatre culture, including traditions like sharing a “sherry” before a show, which she believes helps strengthen connections. Marketing remains a challenge for many community and independent theatre groups, and Dawn advocates for clear, timely promotion that includes all the essential details. Run entirely by volunteers and free to use, these platforms are a labour of love. Dawn hopes more people will help manage them so they can continue supporting and connecting theatre lovers for years to come.   http://justauditions.com/ https://www.facebook.com/justauditions/ https://www.facebook.com/groups/melbournetheatrenews/ 🤠For the latest theatre updates and behind-the-scenes insights, follow me on Instagram https://instagram.com/AndrewGShowtime DAWN RIDSDALEDawn Ridsdale is an accomplished performer, director, and theatre maker with over 20 years in Australian community theatre. She has appeared in productions including The Wiz, Don’t Dress for Dinner, David Copperfield, Cosi, A Murder is Announced, It’s My Party (And I’ll Die If I Want To), The Odd Couple (female version), and Waiting for God. Her directing and production credits include Don’t Dress for Dinner, Dimboola, and That Scottish Play. Dawn has also worked as a stage manager and production coordinator, bringing a wealth of skills to every project. Her passion, versatility, and dedication make her a valued member of the theatre community.

The Forgotten Song Book is a bold new Australian musical that brings the lost legacy of Broadway composer Wilbur Weissman back to life. Created by 23-year-old talents Dylan McBurnie and Emerson Hurley, the show is part concert, part biography and all heart. Set to live piano and performed by two captivating singers, it resurrects Weissman’s long-forgotten songs from the 1930s and 40s while exploring timeless themes of artistic legacy and the fear of being forgotten. With a sharp eye for historical detail and a deep love for classic musical theatre, Dylan and Emerson craft a powerful and intimate experience that connects past and present. Their creative chemistry and stripped back production style make the show raw, honest and unmissable. The Forgotten Song Book is more than a tribute. It is a reminder that every artist, no matter how overlooked, has a story worth telling. It is nostalgic, fresh and deeply moving. 🎭The Forgotten Songbook🗓️  25 July to 27 July EXTREMELY LIMITED SEASON📍 Chapel Off Chapel 🎟️  chapeloffchapel.com.au When twenty three year old historian and composer Emerson Hurley first discovered the music of Broadway composer Wilbur Weissman, he was surprised to find that almost nothing remained of Weissman’s once celebrated legacy. A prolific figure during the 1930s and 40s, Weissman had written songs that were performed alongside the greats of Tin Pan Alley. Yet, like so many artists of his era, his name and work had vanished into obscurity. Determined to change that, Hurley embarked on a passionate research project, combining his twin loves of music and history to uncover the life and work of this forgotten composer. The Forgotten Song Book is the result, a heartfelt and entertaining tribute that brings Weissman’s songs back to the stage for the first time in decades. With a newly written script shaped by meticulous historical research, the show blends humour, nostalgia and emotional insight to share Weissman’s story through his own words and music. Performed by Melbourne theatre favourites Karla Hillam and Jonathan Guthrie Jones, and accompanied live on piano by Hurley himself, the show is directed by Mikey Halcrow. Together, they bring to life a charming and moving musical revue that captures both the spirit of Broadway’s Golden Age and the enduring power of song. Whether you are a lover of classic show tunes or simply curious about the forgotten stories behind the spotlight, The Forgotten Song Book is a fresh and deeply human journey into the past. It is more than a revival. It is a celebration of creativity, resilience and the legacy of an artist whose voice deserves to be heard once again. 🤠For the latest theatre updates and behind-the-scenes insights, follow me on Instagram https://instagram.com/AndrewGShowtime DYLAN MCBURNIEDylan is a Melbourne-based stage manager, producer and sound engineer with experience spanning Australia and Europe. A graduate of Adelaide College of the Arts, they completed secondments with both the Adelaide Festival and State Opera South Australia. In Melbourne, their musical theatre credits include Urinetown and Songs for a New World with Soundworks Productions, Dogfight with Theatrical, Ruthless with Stagebugs Productions and the upcoming American Psycho. Dylan is also the resident stage manager at Home Grown Musicals. Beyond the world of theatre, they produce stand-up comedy and are a Bruce Award–nominated performer. EMERSON HURLEYEmerson is a Melbourne-based composer and pianist with a background in history and a passion for storytelling through music. He holds a diploma from the Melbourne Conservatorium and is trained as a historian, blending academic insight with musical creativity. Active in Melbourne’s jazz scene as both a soloist and ensemble performer, Emerson has also worked as a music director with JTM Productions, collaborating with Karla Hillam and Jonathan Guthrie-Jones on productions including Some Enchanted Evening and 007: Shaken Not Stirred. Deeply i

Emily McDougall is lighting up the stage as Elle Woods in Legally Blonde at the National Theatre, but her journey started far from the bright lights of Melbourne. Born and raised in Hobart, Emily’s love for musical theatre began at just 10 years old in a school production. That early spark turned into a fierce passion, eventually taking her to Federation University, where she trained, performed and even co-wrote a musical inspired by the emotional aftermath of the pandemic. Now, as Elle, she brings depth, warmth and strength to a character she has loved for years. Emily’s journey is one of resilience, creativity and heart. She speaks openly about the highs and challenges of working in the arts, and how staying connected to community, training and joy helps her navigate a demanding industry. Through Legally Blonde, she explores the power of breaking stereotypes, embracing complexity and telling stories that inspire audiences to see themselves on stage. Whether she is writing original work or bringing Elle Woods to life, Emily reminds us that theatre is not just about performance. It is about passion, growth and creating moments that last long after the final bow. 🎭 Legally Blonde📍National Theatre St Kilda🗓️ 12 to 27 July🎟️ booktickets.com.au Legally Blonde the Musical is lighting up Melbourne with high energy, big laughs and even bigger heart. Based on the hit film, this feel good stage sensation follows Elle Woods, a fashion loving sorority queen who swaps pink heels for legal briefs when she enrols at Harvard Law to win back her ex. But along the way, Elle discovers her true strength, smashing stereotypes and proving that being true to yourself never goes out of style. Packed with catchy songs, slick choreography and a whole lot of charm, Legally Blonde is more than just a pretty pink musical. It’s a joyful celebration of self confidence, resilience and friendship. From courtroom showdowns to Delta Nu dance breaks, every moment is bursting with colour, humour and heart. This Melbourne production brings a fresh and fabulous take on the Broadway hit, featuring a standout cast of rising stars and scene stealing child performers. Audiences of all ages are loving the infectious energy, dazzling design and empowering message that you don’t need to change who you are to make a difference. Whether you're a die hard fan or new to Elle's journey, Legally Blonde is the must see musical event of the season.   🤠For the latest theatre updates and behind-the-scenes insights, follow me on Instagram https://instagram.com/AndrewGShowtime EMILY MCDOUGALL is a dynamic musical theatre performer originally from Hobart, now based in Melbourne. She discovered her love for performing at just 10 years old in a school musical, a moment that sparked a lifelong passion for the stage. Emily trained at Federation University, where she honed her craft across acting, singing and dance, and also co-wrote an original musical exploring themes of grief and disconnection during the pandemic. Her approach to performance is grounded in authenticity, emotional depth and a deep respect for storytelling. Emily is currently starring as Elle Woods in Legally Blonde at the National Theatre, bringing warmth, strength and nuance to a character she has long admired. Offstage, she remains active in the arts community through ongoing training and creative collaboration. Emily is passionate about work that challenges expectations, celebrates complexity and inspires audiences to see themselves reflected on stage.

What do you get when you mix fairy tale pigs, big vocals and stand-up comedy timing? A children’s musical that’s as clever as it is hilarious. In this episode of the Showtime podcast, Andrew sits down with Zack, Isabelle and Ben, the trio behind The Three Little Pigs, to chat about turning a well-worn story into a high-energy stage hit. With fresh characters, catchy tunes and a whole lot of heart, this production proves that kids’ theatre can be just as bold, brilliant and entertaining as anything on the main stage. 🎭 Legally Blonde📍National Theatre St Kilda🗓️ 12 to 27 July🎟️ booktickets.com.au Stiles and Drewe’s The Three Little Pigs is a clever, high-energy twist on the classic tale, created by the award-winning team behind Mary Poppins and Honk!. Packed with catchy songs, colourful characters and playful humour, this short musical is designed to delight children and entertain the adults who bring them. In this version, the three pigs each have unique personalities—a fitness fanatic, an eco-warrior and a brainy designer—and their journey away from home becomes a fun, fast-paced lesson in resilience and teamwork. The Big Bad Wolf brings just enough mischief to keep things exciting without being scary. With a running time under an hour, the show is perfect for young audiences, offering big laughs, toe-tapping tunes and a heartwarming message about family and finding your strength. It is a joyful introduction to theatre that proves children’s musicals can be just as smart and satisfying as any grown-up show.   🤠For the latest theatre updates and behind-the-scenes insights, follow me on Instagram https://instagram.com/AndrewGShowtime ZAKARIA VASILIOU is a comedian and musical theatre performer with a Bachelor of Fine Arts (Music Theatre) from the Victorian College of the Arts (VCA). His debut stand-up show Twinky Twinky Little Star played to sold-out audiences at the Adelaide Fringe and Melbourne International Comedy Festival, earning rave reviews and an Adelaide Fringe Emerging Artist Award. On stage, Zak has performed in a range of productions including Mongrel (dir. Maude Davey), The Hello Girls (dir. Jason Langley), Sweet Charity (dir. Jayde Kirchert), Chicago (dir. Adrian Barnes), and Ivy and Bean (dir. Sarah Williams). He is thrilled to return as Q in Stiles and Drewe’s The 3 Little Pigs after originating the role in the 2024 Australian premiere directed by Tahra Cannon. Known for blending sharp comedic instincts with heartfelt storytelling, Zak brings energy, humour and originality to every role he plays. ISABELE DAVIS Davis is a Melbourne-born, Shanghai-raised singer, songwriter and performer. After completing a Bachelor of Arts in Music Theatre at WAAPA in 2019, she has dedicated her creative energy to writing, releasing and performing original music across Victoria. Her recent theatre credits include Romeo and Juliet and Outback Adventures (M.S.C), Share House: The Musical (Arts Centre Melbourne), and Ordinary Days (Be You). Isabelle is also the voice of Talia Wick on Find Me, the theme song for the award-winning audio drama The Realm Tree. She recently released the first two singles from her debut album An Inconvenient Youth, with the full album set to launch in August this year. Isabelle is excited to return to The 3 Little Pigs this July, sharing her love of storytelling, music and live performance with young audiences once again. BEN HAMILTON is delighted to return to the stage in this vibrant production of The Three Little Pigs. He is currently studying full-time at Showfit, where he continues to develop his skills in singing, acting and dance, and deepen his passion for musical theatre. Ben has a natural flair for entertaining young audiences and regularly works in children’s entertainment, bringing energy, fun and creativity to every performance. His warm presence and playful spirit make him a hit with kids and families alike. He is thrilled to be part of this joyful and imaginative show, and looks f