In this episode, we sit down with Stuart Maunder, Artistic Director of Victorian Opera, to explore the enduring magic of The Pirates of Penzance and the creative life that has grown alongside it. Stuart reflects on decades spent in rehearsal rooms and theatres, tracing how early encounters with pantomime and musical storytelling shaped his love of performance and his belief that theatre should be joyful, generous, and accessible to all. He shares what it’s like to return to Pirates time and again—as a director, a storyteller, and a lifelong fan—unpacking why this famously “silly” operetta continues to resonate across generations. From the terror and exhilaration of stepping into a rehearsal room, to the energy that emerges when seasoned performers and early-career artists collaborate, Stuart offers an inside look at building a production designed to give audiences a genuinely great night out. The conversation delves into why The Pirates of Penzance remains funny and moving more than a century after it was written. Stuart explores the balance between laughter and heartfelt emotion, the power of music to reach audiences beyond words, and the uniquely British humour that keeps the work fresh without losing its original spirit. He also challenges common misconceptions about opera, reframing it not as an elite art form, but as something driven by music, community, and shared human experience. At its heart, this episode is about joy—why laughter matters, why silliness can carry real emotional weight, and why theatre that welcomes people in continues to endure. Whether you’re an opera devotee or a first-timer who’s never thought it was “for you,” this conversation is an invitation to give it a go—and to walk out of the theatre thinking, my God, that was a great night.

In this episode, we sit down with Ashley Rogers-Bredin and Madidi McKenzie to explore the making of & Juliet in Warrnambool and the journeys that have shaped them as young theatre-makers within regional communities. Ashley reflects on growing up in local theatre, stepping into his first full-scale directing role at just 23, and what it means to lead a company he once performed alongside. Madidi shares her path as a performer and the challenge of inhabiting the role of Anne Hathaway—one that demands maturity, reflection, and a deep commitment to truth. They speak candidly about the rehearsal process behind a major musical, from casting and collaboration to the emotional impact of hearing the full band and cast come together for the first time. The conversation unpacks why & Juliet resonates so strongly with today’s audiences, blending pop music and humour with themes of female empowerment, identity, self-worth, and the importance of being heard. At its heart, this episode is about community, voice, and possibility. Ashley and Madidi reflect on the power of regional theatre to nurture talent, build confidence, and create meaningful stories that challenge expectations. Whether you’re a performer, director, educator, or theatre-lover, this episode is a reminder that powerful, relevant theatre can grow anywhere—and that chasing what makes you happy is always worth the risk.

In this episode, we sit down with Glenn Elston, Artistic Director of the Australian Shakespeare Company, to explore a life shaped by live performance and a lifelong relationship with Shakespeare. Glenn reflects on how returning to the plays again and again deepens his understanding of human nature, creativity, and why theatre remains a living art form. He speaks candidly about sustaining a large independent theatre company—from overlapping productions and touring to the physical and creative demands of back-to-back seasons. Glenn also shares the unique power of outdoor theatre, where shared space, weather, and audience connection break down barriers. He reflects on keeping Shakespeare accessible and funny through bold comedy, physical storytelling, and a strong sense of play for families and first-timers. At its heart, this conversation is about community and why theatre still matters. Glenn offers a thoughtful perspective on live performance as a tool for connection, wellbeing, and kindness in a digital world. Whether you’re a theatre-maker, educator, performer, or audience member, this episode is a reminder of theatre’s power to bring people together, night after night, under the open sky.

In this episode, we sit down with Ayril Borce, a rising performer in Melbourne’s musical theatre scene, to explore the deeply human journey behind his life in performance. Ayril opens up about where it all began, from street dancing and community celebrations to navigating family expectations, self-belief, and the winding path that led him onto the professional stage. He speaks candidly about the realities of choosing an artistic life, including changing careers later than most, stepping into formal training for the first time in his mid-twenties, and confronting the fear of not feeling “ready enough.” Ayril reflects on the discipline of dance, the vulnerability of learning to sing in front of others, and the resilience required to keep going through rejection, uncertainty, and constant growth. Along the way, he shares the moments that affirmed his choices, from getting into NIDA to making his professional debut and finding his place in large-scale musical theatre productions. At its heart, this conversation is about community, belonging, and the power of shared movement and storytelling. Ayril offers a heartfelt perspective on why disco, dance, and musical theatre still matter: they allow people to let go, feel seen, and connect with one another. Whether you are a performer, a creative considering a career shift, or someone searching for the courage to take a leap, this episode is an honest, encouraging reminder that there is no single path into the arts and that showing up, again and again, is where the real work begins.

In this episode, we sit down with Ella Caldwell, one of the driving creative forces at Red Stitch Actors’ Theatre, to explore the deeply human journey behind her life in the arts. Ella opens up about her beginnings, the moments that shaped her, and the unexpected turns that led her to become a core part of one of Australia’s most respected independent theatre companies. She talks candidly about the struggles that come with a life on stage, from self doubt to burnout to the emotional cost of throwing yourself fully into every role. Ella’s reflections are honest and vulnerable, sharing not just the highlights but the parts of the journey that often go unseen. She also tells the stories behind some of her biggest creative breakthroughs, those powerful moments in rehearsal or performance that reminded her why she chose this path in the first place. Ella offers a heartfelt look into what theatre really means to her the community, the connection, and the belief that stories have the power to shift people at their core. Whether you are an actor, director, theatre lover, or someone finding your way creatively, this conversation feels grounding, comforting, and deeply inspiring. It is a beautiful reminder of why the arts matter and why the people who make them matter just as much.

Chris Mitchell shares his journey from a film-obsessed kid who felt lost about his future to becoming the founder of a community theatre that now serves as a creative home for countless artists. He opens up about the uncertainty he carried early in life, the internal pull toward storytelling, and the unexpected experiences that eventually nudged him toward theatre leadership. What starts as a personal search for direction evolves into a commitment to building a space where people can create, connect and feel seen. Throughout the conversation, Chris reflects on the emotional, practical and creative realities of building a theatre from scratch. He talks about the moments that shaped him, the people who helped him grow and the lessons learned while turning a passion into something that has genuine impact. His honesty, humour and vulnerability make the episode especially relatable for anyone navigating the creative world. At its heart, this episode is about purpose, resilience and the belief that theatre still has the power to change lives. Whether you’re an actor, director, designer or storyteller working out what comes next, Chris’s journey offers reassurance that the messy parts of the creative path are often the most meaningful.

Talking with Belinda Jenkin on Showtime was a reminder of how much passion and imagination sit behind great musical theatre. Belinda is an actor, singer, writer and composer who has spent more than a decade creating, performing and teaching across Australia and New York. Her path began in primary school when she choreographed routines for her friends, and grew through community theatre, visual arts studies, contemporary music training and ultimately NIDA and CAP21 in New York.   Belinda spoke about the feeling of flow she experiences on stage, a sense of pure presence where everything else disappears. That connection anchors her work, especially in parody musicals. She has performed in Top Gun, Gilligan’s Island, Fifty Shades, Friends and Thrones, and explained how parody relies on balancing sincerity with playful exaggeration. Audience interaction is crucial, and each performance shifts based on the energy in the room.   In Love Actually the musical parody she plays nine characters, using specific physical and vocal markers to switch roles quickly and cleanly. She loves the humour of the show, which celebrates everything people adore and debate about the original film. Whether audiences love the movie or have never seen it, the parody offers nostalgia, surprise and plenty of laughs.   🎭 Love Actually? The Musical Parody🗓️ 5 Dec to 23 Dec📍 Athenaeum Theatre One🎟️ loveactuallymusicalparody.com/melbourne   Love Actually the musical parody is a fast paced, laugh out loud send up of the beloved Christmas movie. It reimagines nine chaotic stories of love, heartbreak and festive madness through clever comedy, original songs and cheeky twists on the film’s most iconic moments. The show follows the Prime Minister falling for his secretary, the best friend confessing his love with cue cards, the husband in trouble with Emma Thompson, and a collection of wonderfully odd characters who stumble through the holiday season with questionable judgment and even more questionable grand gestures.   The parody heightens everything people adore and roll their eyes at from the movie, leaning into nostalgia while adding new jokes, surprises and pop culture nods. It celebrates the messy, sentimental and ridiculous spirit of Christmas, offering a night of festive fun for those who love the film, love to hate it, or have never seen it at all.   BELINDA JENKIN is an accomplished actor, singer, writer and composer with a career that spans musical theatre, parody, cabaret and screen. A graduate of NIDA’s Diploma of Musical Theatre and CAP21 in New York, she has become a versatile and well loved performer known for her sharp comedic timing and expressive storytelling. Her stage credits include Friends the Musical Parody, Thrones, Top Gun the Musical, Gilligan’s Island the Musical, Fifty Shades the Musical Parody, Motor Mouth Loves Suck Face, Anyone Can Whistle, Chronic at La Mama and The Musical of Musicals. On screen she has appeared in Summer Heights High, the Space Jam Experience, Baz Luhrmann’s Elvis and educational sketches for NTC.   As a writer she has created original cabarets and co written musicals such as Until Tomorrow and The Gathering with William Hannagan. Belinda also teaches acting and musical theatre, sharing more than a decade of professional experience with emerging performers.

Get ready to rediscover what happiness really means,  this is not your typical theatre talk. In The Good Life Episode, British actor Nicolas Ancelin shares his journey from the streets of Nottingham to the stages of Melbourne, and how a play about contentment, community, and laughter has reshaped the way he sees the world. What began as a backpacking adventure soon became a story about art, purpose, and finding joy in the simplest things.   🎭 The Good Life 📍 Bayside Arts and Cultural Centre 🗓️  7 November to 22 November 🎟️ https://brightontheatre.com.au/project/season-4-the-good-life/    Their conversation explores what The Good Life truly means in a world that often equates success with busyness. Nicolas reflects on his time in Australia, the lessons learned from the theatre community, and the importance of slowing down to laugh, listen, and live. At its heart, The Good Life Play is about simplicity,  the courage to choose meaning over noise, joy over pressure, and storytelling over spectacle. Nicolas reminds us that comedy isn’t just about punchlines; it’s about empathy, timing, and truth. Warm, witty, and full of heart, this episode celebrates art, purpose, and the performers who remind us that happiness isn’t something you chase, it’s something you create. 🤠 For the latest theatre updates and behind-the-scenes insights, follow Andrew G on Instagram: @AndrewGShowtime  NICOLAS ANCELIN was born in Longjumeau, France and raised in Nottingham, England. He attended Nottingham’s Television Workshop from 2011-2014 before graduating from the Manchester School of Theatre in 2017. He arrived in Australia 3 years ago as a backpacker and unfortunately, will have to return home next year. The Good Life will be Nic’s theatrical debut in the southern hemisphere, this will also be the play's Australian premier. He was taught improvisation and clowning by the legendary Mick Barnfather and stage craft by the RSC's Andrew Jarvis. On his return to Europe, he hopes to attend the Philippe Gaulier School, a mecca for comic actors and clowns. His credits include Noise, Thomas Moran, Cloud Street adapted from Tim Winton, David Copperfield adapted from Charles Dickens, It Can’t Happen Here, Sinclair Lewis, and Dolly West’s Kitchen, Frank McGuinness. He has directed The Red Lion, Patrick Marber, Lemons Lemons Lemons Lemons Lemons, Sam Steiner and co-directed Things We Want, Jonathan Marc Sherman. His dream role would be Henry V. He’d love to direct anything written by Harold Pinter, Annie Baker, or David Mamet, particularly Glengarry Glen Ross.

Get ready to let the sunshine in because Hair the Musical is back and bolder than ever. At Melbourne’s Athenaeum Theatre, Alex Cooper and Maverick Newman lead a fearless new production of the groundbreaking rock musical that defined a generation. More than 50 years after it first shocked audiences, Hair continues to challenge, provoke, and inspire asking what freedom, identity, and rebellion really mean in 2025. 🎭 Hair the Musical📍 Athenaeum Theatre, Melbourne🗓️25 October to 22 November🎟️www.hairthemusical.com.au Directed with a fresh eye and a big heart, this revival doesn’t just revisit the counterculture movement — it reimagines it for a new era. Alex and Maverick bring electric energy and emotional depth to their roles, exploring themes of peace, protest, and personal awakening. From the iconic number “Let the Sunshine In” to the haunting “Where Do I Go”, every song becomes a mirror held up to today’s world where questions of war, race, gender, and freedom still burn bright. In conversation with host Andrew G on Showtime, the pair reflect on the show’s raw honesty and enduring relevance. They share how rehearsals sparked tough but necessary conversations about identity, inclusion, and truth proving that the real magic of Hair lies in its ability to unite people through empathy and understanding. 🤠 For the latest theatre updates and behind-the-scenes insights, follow Andrew G on Instagram: @AndrewGShowtime  ALEX COOPER is a core member of the Australian Shakespeare Company for the past five years, performing in a wide range of beloved productions. His stage credits include Otter, Cop, Judge, and Weasel in The Wind in the Willows; Bagheera in Jungle Book: The Next Chapter; and Major Minor Key in Captain Jack’s Pirate Party. Within the ASC’s Shakespeare repertoire, Alex has portrayed Claudio in Much Ado About Nothing and Benvolio in Romeo & Juliet, both featured in the 2023 summer season. Beyond his extensive stage work, Alex’s theatre appearances also include Leske’s Method (Cameron Sievers) and Second Coming (Andrew R. Kelly). On screen, Alex is best known for his role as Cody in Chris Lilley’s Ja’mie: Private School Girl, and has also appeared in Please Like Me (Josh Thomas, ABC Network) and The Newsreader (Emma Freeman, ABC Network). His portrayal of Claude in Hair the Musical marks a defining moment in his artistic journey — one that blends his passion for storytelling with his belief in the power of theatre to inspire empathy and self-discovery. MAVERICK NEWMAN is a graduate of the Western Australian Academy of Performing Arts (BA in Music Theatre), Maverick was most recently seen as Willard in Footloose The Musical and as Michael in The Boys in the Band (JTC). In 2023, Maverick was nominated for a Sydney Theatre Award for Best Actor in a Leading Role in a Musical for his dynamic performance playing twelve characters in the smash-hit Murder for Two (Hayes Theatre Co.), which enjoyed multiple return seasons, including critically acclaimed runs at Arts Centre Melbourne and Riverside Parramatta. Other notable stage credits include Emilia in The Comedy of Errors (Australian Shakespeare Company); Britt Craig in Parade (Soundworks Productions); Donny/Junee in A Model Murder (Sydney Festival/LPD); Chandler/Janice in Friends! The Musical Parody (SK Entertainment); and Mr. Toad in The Wind in the Willows (Australian Shakespeare Company). An award-winning writer, Maverick’s creative works include Tis The Season… (recipient of the Green Room Award for Best Original Songs), Finding Felix: A Memoir (nominated for four Green Room Awards), and Maverick Newman in Conversation with Maverick Newman (Hayes Theatre Co. & Athenaeum Theatre). Maverick is proudly represented by Sue Barnett & Associates.

Get ready to crank up the volume because School of Rock is more than just kids with guitars, it’s a celebration of passion, purpose, and the power of music to bring people together. Onstage, John Yanko and Anna Dinyés rock out as part of the electrifying cast, but behind the amps and anthems is a story of rediscovery, growth, and pure joy. Their shared love for performing fuels every riff and lyric, proving that music isn’t just what they do, it’s who they are. 🎸 School of Rock 📍 National Theatre St Kilda 🗓️ 1 to 15 November 🎟️ booktickets.com.au Based on the hit film, School of Rock follows Dewey Finn — a wannabe rock star who turns a class of straight-A students into a mind-blowing band that learns what it really means to find your voice. With powerhouse performances, infectious energy, and heart-thumping music, this production captures the spirit of rebellion and the magic of self-expression that only rock ’n’ roll can deliver. From explosive ensemble numbers to quiet moments of reflection, School of Rock strikes every chord, humour, hope, and heart. Audiences of all ages are cheering for its unstoppable mix of fun, emotion, and authenticity, reminding us all that it’s never too late to chase your dreams or pick up a guitar. 🎧 For the latest theatre stories, behind-the-scenes insights, and interviews with the stars of Australia’s musical scene, follow @AndrewGShowtime. JOHN YANKO is a Melbourne-based singer, songwriter, and performer whose artistry bridges storytelling and soul. He made his television debut on ABC’s The Piano, where he was handpicked by Harry Connick Jr. and Andrea Lam to perform at Sydney’s City Recital Hall. John’s musical theatre credits include leading roles in We Will Rock You, Seussical, Shrek the Musical, and now School of Rock. His passion for performance is rooted in connection — using music to inspire joy, courage, and authenticity both on and off stage. ANNA DINYÉS is a Hungary-born, Melbourne-based artist with a background in classical voice and piano. She is currently completing her Bachelor of Music (Musical Theatre) at the Australian Institute of Music and has appeared in productions such as Urinetown, The Mystery of Edwin Drood, and Pippin. Anna toured internationally as a lead vocalist in a professional ABBA tribute show and has lent her voice to the award-winning video game Elden Ring and Marvel’s Loki soundtrack. Blending discipline with playfulness, Anna continues to carve her path as a bold and versatile performer in the Australian theatre scene.

Get ready to crank up the volume because this is not your average school story. In School of Rock the Musical, Dylan Crawley and Imogen Alexander prove that following your dreams never goes out of tune. What starts as a conversation about returning to the stage quickly turns into a reflection on passion, purpose, and the power of music to bring people together. 🎭 School of Rock the Musical📍 National Theatre, St Kilda🗓️ 1 to 16 November🎟️ Tickets available at theatricals.com.au Based on the hit film, School of Rock is an electrifying stage adaptation that follows wannabe rockstar Dewey Finn as he turns a group of straight-A students into a mind-blowing rock band. Packed with high-energy performances, heart, and hilarious moments, this production hits all the right notes. In this episode, Dylan Crawley and Imogen Alexander open up about their creative journeys from childhood inspirations to navigating the leap from classroom to stage. Dylan shares how a love for performance never really fades, even after years in cyber security, while Imogen reflects on growing up across five countries and how that global upbringing shaped her artistry. Together, they explore what it means to chase your passion fearlessly, rediscover joy, and embrace the thrill of live theatre once more. For Dylan, School of Rock has always been a source of inspiration. Returning to the stage as Ned Schneebly feels like coming home,  a full-circle moment that reminds him why he fell in love with performing in the first place. School of Rock the Musical is a loud, feel-good celebration of friendship, second chances, and the unstoppable energy of doing what you love. Whether you’re a lifelong fan of the film or seeing it for the first time, this production will remind you why live theatre still rocks. 🎧 For the latest theatre stories, behind-the-scenes insights, and interviews with the stars of Australia’s musical scene, follow @AndrewGShowtime. DYLAN CRAWLEY is appearing on stage for the first time since high school. After being cast as Wilbur in the 2016 Hairspray production at Saint Ignatius College Geelong, Dylan knew musical theatre filled his soul. He later pursued a cyber security degree and worked in the field for several years before returning to his first love — performing. With past experiences at Walt Disney World and the Geelong Arts Centre, Dylan decided it was time to stop watching others live their dreams and start living his own. Now, as Ned Schneebly in School of Rock, he’s thrilled to bring his comedic energy and heart to the stage. IMOGEN ALEXANDER is an emerging musical theatre performer who grew up across five countries, fostering a deep love for the arts. A graduate of Showfit and Griffith University’s Queensland Academy of Excellence in Music Theatre, Imogen’s credits include Legally Blonde (Enid Hoopes) and I Love You, You’re Perfect, Now Change (Betty/Noah). She has also performed in Bluey’s World and as the featured Mandarin singer for Amway’s 30th Anniversary with Kermond Entertainment. When she’s not performing, Imogen enjoys F45 workouts, teaching swimming, and spending time with her cat — also named Dylan.

Get ready to see motherhood in a new light — this is not your average “mum influencer” story. In The Mum and Bubba Episode, content creator Althea Cayton opens up about raising her daughter in a digital world, balancing authenticity with privacy, and how the magic of theatre and storytelling is shaping their everyday life. What began as a creative outlet soon grew into a heartfelt community for parents who value connection, curiosity, and kindness. 🎧 The Mum and Bubba Episode 📍 In-Studio — Melbourne 🗓️ 21 October 2025 🎟️ instagram.com/mum.and.bubba Through candid reflections, Althea shares how @mum.and.bubba became a space for genuine storytelling not picture-perfect posts. She talks about finding joy in the simple things, choosing collaborations that feel real, and showing up online as both a creator and a mum. For her, authenticity isn’t a strategy,  it’s a way to stay grounded while navigating the noise of social media. Their conversation explores what it means to nurture creativity in a child and why the arts matter more than ever. From live theatre to storytime at home, Althea believes that imagination builds empathy and that every performance, every book, every melody helps children see the world with wonder.  She shares how Melbourne’s vibrant arts scene has become part of her family’s rhythm, turning weekends into moments of laughter, curiosity, and connection. At its heart, The Mum and Bubba Episode is about time, the time we give, the moments we make, and the love we model. Althea reflects on how her daughter taught her to slow down, have fun, and lead with kindness, lessons that have shaped both her parenting and her platform. Honest, tender, and full of warmth, this episode celebrates creativity, motherhood, and the stories that make us who we are. ALTHEA CAYTON is a Melbourne-based content creator and the voice behind @mum.and.bubba, a digital space celebrating family life, creativity, and the joy of shared experiences. A lifelong writer with a background in marketing, Althea started the page six years ago to connect with other parents and share useful finds, local events, and imaginative adventures.  Inspired by her daughter, she continues to use her platform to encourage families to explore the arts, discover live theatre, and embrace the beauty of everyday moments.

Vidya Makan is back on the Showtime podcast, this time in the Melbourne studio, to talk about the momentous success of her groundbreaking original Australian musical, The Lucky Country, following its ARIA nomination for Best Original Soundtrack or Musical Theater Album.   Vidya dives deep into the painstaking, nearly two-year-long process of creating the Original Cast Recording, detailing how she and her collaborators, producer Michael Tan and music director Heidi Maguire, translated the show's vision—an "Aussie radio dial" of sounds—for the listener's ear. She notes that a cast album is a separate, highly controlled art form, revealing the "luxury" of being able to craft the music like a "detailed painting."   She discusses the immense shock and honor of the ARIA nomination, sharing what this top-level recognition means for a show created by and featuring minority voices that is meant to serve as "a mirror as to who we are" as a nation. Vidya gets emotional about the powerful meaning behind the newly rewritten finale track, "Rise," which includes the Indigenous language Gugu Yalanji, and the feeling of gratitude to be part of such a sacred moment.   Finally, she expresses her excitement about bringing the show back to Melbourne, the city where she first discovered her artistry and wrote the musical. She is thrilled to share a contribution to the national dialogue that is meaningful, doesn't shy away from tricky conversations, but is also "a lot of fun."   Don't miss the show or the ARIA-nominated album!   🎭 The Lucky Country 🗓️ 13 October to 18 October 📍 Lawler Theatre 🎟️ http://mtc.com.au/   VIDYA MAKAN is one of Australia's most exciting multi-hyphenates, renowned as a composer and a leading lady. Her acting credits include Eliza in Hamilton, Catherine Parr in SIX, and Dot/Marie in Sunday In The Park With George, all of which earned her major industry nominations. Her critically acclaimed original musical, The Lucky Country, opened to rave reviews in 2023 and is currently touring. The Original Cast Album has been nominated for a 2025 ARIA Award for Best Original Soundtrack or Musical Theater Album. She is currently working with Queensland Theatre on a new musical exploring the lives of South Asian Australians.

Louisa Mignone joined the Showtime podcast to share her journey from growing up in a lively household of five siblings to becoming one of Australia’s most versatile actors in theatre, film, and television. With a career spanning acclaimed theatre productions and standout screen roles, Louisa spoke about what it takes to sustain a creative career, navigating the challenges of the industry, and staying true to storytelling that resonates.   Growing up inventing worlds with her siblings and a cupboard full of dress-up clothes, Louisa discovered her love for performance early. After exploring arts and cinematography at Flinders University, she stumbled into drama school — a decision that set her on a path of theatre company creation, bold stage roles, and screen performances that challenge her and expand her craft.   She reflected on the realities of being a performer in Australia today: financial instability, creative risk-taking, and the changing patterns of audiences post-COVID. Louisa shared her experiences balancing stage and screen, discussing how live theatre offers immediate feedback and evolving performances, while screen work requires precision, collaboration with directors, and trust in the editing process.   Currently, Louisa appears in Melbourne Theatre Company’s bold new adaptation of Rebecca, a limited season running until 5 November at Southbank Theatre’s The Sumner. She shared insights into the development process, working with a small cast in multiple roles, and exploring the complex moral and psychological themes of the story, which remain strikingly modern.   🎭 Rebecca 🗓️ 30 September to 5 November 📍 Southbank Theatre, The Sumner 🎟️ https://www.mtc.com.au/plays-and-tickets/whats-on/season-2025/rebecca/   Rebecca, a reimagined stage adaptation of the classic 1938 novel, follows a woman navigating obsession, secrecy, and identity in a morally complex world. With only four actors portraying multiple roles, audiences are taken on a thrilling journey through a story of desire, power, and choice — as relevant today as it was decades ago.   🤠 For the latest theatre updates and behind-the-scenes insights, follow me on Instagram https://instagram.com/AndrewGShowtime    LOUISA MIGNONE is a Melbourne Theatre Company debut alumna with credits including The Almighty Sometimes, Death of a Salesman (GWB Entertainment/Red Line Productions), The Fence (Darebin Arts/29 Scenes), Anna K (Malthouse Theatre), Mortido (Belvoir), The Club (State Theatre Company South Australia), Antigone (Sport For Jove), The Pork Stiletto (The Old Fitzroy), The Boys (Griffin Theatre Company), and Fugitive, Boom Bah! (Windmill Theatre). She is a founding member of Adelaide-based theatre company isthisyours?, whose original works have toured nationally and received numerous awards.   Her television and film credits include The Mongoose, Fake, The Twelve (S1), Scrublands, Australian Gangster, Ms Fisher’s Modern Murder Mysteries (S1–2), Wentworth (S8–9), Halifax Retribution, Secret City: Under the Eagle, Rake (S2–4), How to Stay Married (S2), Miss Fisher’s Murder Mysteries, Fat Tony & Co, My Place, East West 101, Infini, Two Fists One Heart, and Latte e Miele, which she also created.

Ruth McGurk and Katie Loxston joined the Showtime podcast to share the irresistible joy of bringing the iconic musical Mamma Mia! to Geelong. Playing the mother-daughter duo Donna and Sophie, they dive into what makes this show a timeless, global phenomenon.   The infectious music of ABBA is the heart of the production, with the cast highlighting how the familiar songs instantly create a ripple of excitement and nostalgia through the audience. They discuss how Mamma Mia! brilliantly weaves ABBA's back catalogue into the narrative, making it feel less like a "jukebox musical" and more like a story perfectly crafted for the music—a connection they feel is key to its lasting appeal.   As Geelong locals, Ruth and Katie talk about the excitement of performing an iconic show for their hometown audience, noting that Mamma Mia! is exactly the "party" the community needs. They reveal the "infectious" and "safe" energy of the rehearsal room, where cast and crew have developed deep, real-life friendships, especially within their on-stage trios (Donna/Tanya/Rosie and Sophie/Ali/Lisa).   They share their favourite emotional moments on stage, including the powerful connection in "Slipping Through My Fingers," and touch on the value of theatre training. Ruth reflects on how her background in cabaret and writing has given her the confidence to "keep the show moving" if things go wrong, while Katie praises her Queensland Conservatorium training for teaching her "everything in the kitchen sink." Don't miss the party! 🎭 Mamma Mia! 🗓️ 3 Oct to 19 Oct 📍 Geelong Arts Centre, The Story House 🎟️ geelonglyric.com   RUTH McGURK is a Geelong mum, teacher, and an accomplished multi-hyphenate. Playing Donna, this is her second time on stage in Geelong. She is an internationally published children’s author whose debut solo show won Best Cabaret at Melbourne Fringe. Her theatre credits include Crissy in HAIR and Cinderella in Into the Woods.   KATIE LOXSTON is a Queensland Conservatorium graduate, where she trained in Musical Theatre and took on roles like Peggy Sawyer in 42nd Street. Playing Sophie, she is a familiar face in Geelong theatre, recently appearing as Patty Simcox in Grease. Offstage, she teaches performing arts at Stage Arts Geelong and Infinite Dance Studios.

Vidya Makan joined the Showtime podcast to share her journey from soccer hopeful to one of Australia’s most exciting musical theatre voices. Growing up in Brisbane she dreamed of playing for the Matildas and even trained at Manchester United’s summer school. A trip to London changed everything when she saw Wicked on the West End and realised theatre could be a space where she belonged. Since then Vidya has played major roles including Eliza in Hamilton and Katherine Parr in Six. She spoke about keeping roles truthful, bringing her own perspective to iconic characters, and the thrill of performing with an audience that feels part of the show. Alongside performing she has always written music, inspired by artists like Lin-Manuel Miranda to tell stories that reflect minority voices. Her own musical The Lucky Country grew from that passion. Written over five years, it mixes humour, camp, and sharp commentary on what it means to be Australian from diverse perspectives. The score is a patchwork of sounds from Baker Boy to Cold Chisel to Kylie, shaped with collaborators Sonia Suarez and Heidi Maguire. Vidya also worked closely with First Nations artists like Shoa Demal to ensure cultural truth and respect. Audiences have responded with reflection and gratitude, and the recent original cast album further amplifies voices rarely heard in mainstream theatre. For Vidya, Australian theatre needs more authentic, daring stories that reflect our diversity. The Lucky Country, opening at Melbourne Theatre Company, is her answer to that call. 🎭The Lucky Country🗓️  13 to 18 October📍 Lawler, Southbank Theatre 🎟️ mtc.com.au The Lucky Country, a bold new musical about what it means to be Australian, today revealed its cast for the Melbourne and Brisbane seasons. Leading the ensemble are Garret Lyon as Boy, Naarah Barnes as Teacher, Vidya Makan as Cindy, Phoenix Jackson Mendoza as Sexy Australia, Jeffrey Liu as Waiter, and Karlis Zaid as Veteran. They are joined by Anusha Thomas and Tainga Toa in swing and understudy roles. The show premieres on Monday 13 October at Melbourne Fringe Festival as part of the Guarantee program, before heading to Brisbane Powerhouse for MELT Festival. With a score inspired by Australian icons from Baker Boy to Kylie, the 60-minute production blends humour, heart and music to explore identity and belonging. Created by Vidya Makan and Sonya Suares, The Lucky Country is a joyful, moving, and unapologetically Australian celebration of who we are and who we can become.   🤠For the latest theatre updates and behind-the-scenes insights, follow me on Instagram    VIDYA MAKAN is one of Australia’s most exciting multi-hyphenates in the entertainment industry. As a leading lady she has captivated audiences nationwide with her powerhouse performances, including Eliza in Hamilton, Catherine Parr in SIX, Ruby in Bloom and Dot/Marie in Sunday in the Park with George. These roles have earned her major industry award nominations and cemented her as a standout talent. Her television appearances include ABC and Michael Cassel Group’s A (Very) Musical Christmas in 2024 and a guest spot as quiz master on Channel 10’s Have You Been Paying Attention in 2023. As a composer and lyricist Vidya is making her mark with original musicals. Her debut work The Lucky Country premiered to rave reviews in Sydney in 2023 and will be presented this October at Melbourne Theatre Company’s Southbank Theatre before moving to Brisbane’s MELT Festival. The original cast album, released with Origin Music, drops on August 14. She is also developing a new musical with Queensland Theatre alongside collaborator Tasnim Hossain. Brisbane-born, Vidya first dreamt of being a Matilda before finding her passion in theatre. A skilled pianist and cellist, she graduated from Queensland Conservatorium’s Bachelor of Musical Theatre in 2015.

Ash Murdica’s rise in Australian musical theatre is the kind of story that grabs your attention from the very first note. From a small town in regional Victoria to performing in blockbuster shows like Rent, Six and Dear Evan Hansen, Ash has turned a teenage spark of curiosity into a professional career many dream of but few achieve. Their journey is a mix of raw talent, relentless dedication and the ability to adapt across styles from classical piano to contemporary guitar and now country in the upcoming Dolly Parton musical Here You Come Again. Ash’s love of music began in high school when a friend suggested starting a band after complimenting Ash on their hair. That light hearted moment set off a passion that grew through years of playing rock covers, learning piano chords by ear and eventually studying at the Melbourne Conservatorium of Music. The turning point came in 2021 with a role in the orchestra for Wicked, which showed Ash that musical theatre could be more than a pastime. Since then Ash has navigated the pressure and joy of professional productions, managing nerves with quirky rituals like pep talks, sentimental trinkets on their music stand and journaling before performances. Alongside mentors and supportive peers they have built a career marked by both resilience and achievement. Ash’s story is not just about individual success but about showing young musicians, especially those from regional backgrounds, that with commitment and courage it is possible to make it to the big stage.   🎭 Here You Come Again🗓️  23 October to 2 November📍 Comedy Theatre, Melbourne🎟️  hereyoucomeagain.com.au   Here You Come Again is a warm and funny new musical built around the songs and spirit of Dolly Parton. It tells the story of Kevin, a man in his forties who finds himself back in his childhood bedroom after a tough breakup and the isolation of the Covid lockdown. Surrounded by old posters of Dolly on the walls, Kevin feels stuck until Dolly herself magically appears, offering guidance, humour and plenty of songs to help him find a way forward. The show features many of Dolly’s most loved hits, including Jolene, 9 to 5, Islands in the Stream, I Will Always Love You and of course Here You Come Again. Each song moves the story along as Kevin learns to face heartbreak, self doubt and new beginnings with courage and hope. Dolly is both mentor and comic relief, encouraging Kevin to see his struggles in a new light and even inspiring him to chase dreams he had long buried. More than just a jukebox musical, Here You Come Again is about the way music can carry us through our darkest moments. It celebrates fandom, resilience and the magic of a voice that has inspired millions. Audiences can expect plenty of laughs, touching moments and a joyful reminder that even when life feels uncertain, a good song and a little Dolly wisdom can help you dust yourself off and keep going.   🤠For the latest theatre updates and behind-the-scenes insights, follow me on Instagram https://instagram.com/AndrewGShowtime ASH MERDICA began her journey in community theatre before quickly stepping into the professional arena with deputy guitar and keys roles in Mamma Mia! (Louise Withers and Associates, 2023), Rent (LPD Productions, 2024) and Six (Louise Withers and Associates, 2024). Most recently she held the Guitar 2 chair for the Melbourne season of Dear Evan Hansen (Michael Cassel Group, 2024–25). A graduate of the Melbourne Conservatorium of Music with a Bachelor of Music Performance in Contemporary Guitar, Ash also holds a Grade 8 Pianoforte certificate with distinction, reflecting her versatility across instruments and styles.

In the latest episode of Showtime, host Andrew G  chats with Justine Garnes and Danny Gibbons from Little Lamington Productions about their upcoming comedy series Amateurs. The mockumentary celebrates the unpredictable, heartfelt and hilarious world of community theatre, capturing the chaos, camaraderie and quirks that define this cultural space. The idea for the series grew out of Justine and Danny’s own experiences in amateur theatre, where they first met performing in Clue. Car rides to rehearsals sparked conversations about the eccentric characters and relatable moments that fill rehearsal rooms, and from these stories came the concept for Amateurs. The show uses a mockumentary format, inspired by series like The Office and Modern Family, to highlight authentic behind-the-scenes moments such as audition mishaps, forgotten lines and costume disasters. The tagline “all passion, no payday” reflects the dedication of community theatre participants who devote their time and energy purely for love of the craft. The characters in Amateurs are drawn from real-life archetypes, from the returning parent trying to balance family with performance, to the diva who treats local productions like Broadway. These portrayals balance comedy with empathy, showing the humanity behind the quirks. The episode also highlights the importance of community theatre as a social hub where friendships and acceptance flourish. To support production, Little Lamington Productions is hosting a trivia and karaoke fundraiser, reflecting the spirit of volunteerism and grassroots creativity that fuels amateur theatre. Amateurs promises to be both affectionate satire and a love letter to the theatre community.   🎟️  Support Amateurs on Kickstarter   Amateurs is a new mockumentary comedy series from Little Lamington Productions that shines a light on the unpredictable world of community theatre. Created by Justine Garnes and Danny Gibbons, it draws on their experiences performing in local productions and captures the quirks, chaos and camaraderie that make amateur theatre unique. The show embraces the tagline “all passion, no payday”, celebrating volunteers who pour time and energy into productions purely for love of the craft. With a mockumentary style inspired by favourites like The Office, Amateurs finds humour in behind-the-scenes moments such as audition mishaps, costume disasters and personality clashes. Both affectionate and satirical, Amateurs balances comedy with empathy, portraying relatable characters while highlighting the friendships and sense of belonging that community theatre fosters. It is a tribute to the resilience and joy of making theatre together.   🤠For the latest theatre updates and behind-the-scenes insights, follow me on Instagram https://instagram.com/AndrewGShowtime   DANNY GIBBINS is a writer, director, producer and performer with a strong background in community and independent theatre. He began his creative journey at Firbank Grammar School, where he performed leading roles in musicals, wrote original productions, and toured England with the Madrigal Choir. Over the years Danny has developed a diverse writing portfolio, creating works for festivals and theatres including Matilda’s Project at Midsumma, Bristleface, A Prince’s Quest, Beyond the Barriers, The Staffroom and The Sneeches. His achievements include recognition at the Malvern Theatre Writers competition and mentoring roles in the Malvern Theatre Emerging Leaders program. Danny has directed and produced a range of independent works such as A Prince’s Quest and The Staffroom, and continues to be active as a festival producer and mentor. As a performer, he has appeared in productions including Clue and Beyond the Barriers, and most recently as a host and entertainer, embracing his role as the “Ringmaster of Fun.” JUSTINE GARNES is a versatile performer with extensive experience in musical theatre, live entertainment and children’s performance. Originally from Esse

Darren Gilshenan has built one of the most versatile careers in Australian performance, moving between theatre and television with equal success. A graduate of NIDA in 1988, he credits his training with giving him the discipline and adaptability to take on a wide range of roles. He spent a decade with Bell Shakespeare, describing Shakespeare as the ultimate training ground where stamina, clarity and emotional truth were constantly tested. Comedy became another defining part of his career. His award-winning role as Truffalino in The Servant of Two Masters demanded physical energy, improvisation and a fearless connection with audiences. That same versatility carried into television, where he became widely recognised on the sketch program Full Frontal. The quick turnover of characters and material required him to draw on his stage training to deliver performances with speed and conviction. Not all roles were light. His portrayal of Davies in Harold Pinter’s The Caretaker coincided with personal grief, leaving him physically affected by the demands of the character. It revealed both the risks and the value of acting, showing how performance can help process pain but also weigh heavily on the performer. Gilshenan’s current project, Job at Red Stitch, explores the mental toll on internet content moderators. The two-hander is intense and confronting, but he sees it as one of the most important plays of his career. He relates its themes to the generational shift between his own outdoor childhood and his son’s online world. What he values most in Job is its ambiguity, which forces audiences to reflect rather than accept easy answers. For Gilshenan, theatre’s power lies in sparking dialogue and exposing hidden truths, and his career continues to demonstrate that commitment to challenging and meaningful work. 🎭 Job🗓️  17 September to 12 October📍 Red Stitch Actors’ Theatre 🎟️  redstitch.net Job is a taut psychological drama that pits patient against practitioner in a battle of power, truth and survival. Jane, reeling after a viral workplace incident, is desperate to return to her Big Tech job and regain her sense of control. The decision lies with her therapist, Loyd, whose responsibility is to judge whether returning will heal her or drive her deeper into harm. As their sessions unfold, the balance of power shifts unpredictably, exposing hidden motives, blurred ethics and the fragile line between care and control. What begins as a routine evaluation spirals into a gripping contest of wits and wills, probing the toll of digital culture and the human cost behind corporate ambition. Following its acclaimed Broadway season, Job makes its Australian premiere at Red Stitch, starring Jessica Clarke and Darren Gilshenan in a two-hander that promises intensity, provocation and theatrical electricity.   🤠For the latest theatre updates and behind-the-scenes insights, follow me on Instagram https://instagram.com/AndrewGShowtime   DARREN GILSHENAN graduated from NIDA in 1988 before spending a decade performing with the Bell Shakespeare Company, followed by three years on the sketch comedy Full Frontal. His television credits include Sunny Nights, Ten Pound Poms (Series 2), Bay of Fires (Series 2), Thou Shalt Not Steal, Colin from Accounts (Series 1 and 2), Population 11, Nautilus, Upright, Harrow and Stateless, for which he won the 2020 AACTA Award for Best Supporting Actor in a Television Drama Series. On film he has appeared in Pickpockets, Audrey, Take My Hand, The Appleton Ladies’ Potato Race and A Savage Christmas. He also starred in the web series Plausible Deniability produced by Random Pictures, earning Best Actor at the IndieX Film Festival, where the series also received the award for Outstanding Achievement: Best Web Series / TV Pilot. His stage work includes acclaimed performances in The Caretaker, The Hypochondriac and Who’s Afraid of Virginia Woolf?, the latter earning him a Best Actor nomination at the Sydney Theatre Awards

What do you get when a marine biology student accidentally walks into a musical theatre audition? In Leighton Garwin’s case, you get nearly fifty shows, a voice that can jump from pop to opera, and now a starring role in the powerhouse musical Chess. On the latest episode of Showtime, Leighton reveals how a twist of fate turned into a lifelong passion for performing. He opens up about struggling to communicate as a kid and how music became his way of saying what words could not. From the dark intensity of Jacqueline Hyde to the golden glow of 42nd Street, every role has pushed him further, shaping the versatile performer he is today. Now, as he takes on the complex character of Anatoli, Leighton faces one of his toughest challenges yet. Chess is not only a demanding score but also a story of Cold War politics, love, and loyalty that still feels razor-sharp in today’s world. This is a conversation about chance, passion, and the power of theatre to hold up a mirror to our lives. If you think musicals are just about catchy tunes, Leighton Garwin is here to prove you wrong. 🎭 Chess🗓️  12 September to 21 September📍 The Round, Nunawadding 🎟️  theround.com.au  Few musicals hit as hard as Chess. With a score that soars from rock anthems to heart-wrenching ballads, this Cold War drama throws love, politics, and ambition onto the same board and lets them collide. Set during an international chess championship at the height of East–West tensions, the show follows the explosive rivalry between an American chess superstar and a Soviet grandmaster. What begins as a battle of intellect quickly spirals into a struggle for power, fame, and control, with governments pulling the strings behind the scenes. But amid the political manoeuvring lies a love triangle that raises the stakes even higher. When Florence, caught between loyalty and desire, is forced to choose sides, every move on the board comes loaded with personal and political consequence. With music by ABBA legends Benny Andersson and Björn Ulvaeus, and lyrics by Tim Rice, Chess delivers some of musical theatre’s most iconic numbers, blending passion with razor-sharp storytelling. It is a tale of power plays and human vulnerability, of games that reach far beyond the chessboard. Chess is not just a musical. It is a high-stakes thriller set to unforgettable music, daring audiences to question where loyalty ends and love begins.   🤠For the latest theatre updates and behind-the-scenes insights, follow me on Instagram @AndrewGShowtime Leighton is no stranger to the stage, with close to 50 productions to his name. Favourite roles include Danny in Grease, Warner in Legally Blonde, Jesus in Godspell, and Roger in RENT. Outside of performing, Leighton works in medical administration and as a freelance writer. He holds a degree in Contemporary Music from JMC Academy and a diploma in Professional Writing and Editing from NMIT, combining his love of music, theatre, and storytelling.