Bringing you conversations with filmmakers, actors, and artists, the storytellers behind the stories.
We cover the worlds of film, TV and music.
Watching some great films as we dig into our coverage of the 36th Annual Stockholm International Film Festival.
"That's a good question."
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Bringing you conversations with filmmakers, actors, and artists, the storytellers behind the stories.
We cover the worlds of film, TV and music.
Watching some great films as we dig into our coverage of the 36th Annual Stockholm International Film Festival.
"That's a good question."
Hosted on Acast. See acast.com/privacy for more information.
In this episode of Stream Close Up, Brian sits down with comedians and creators Sissela Benn and Jonatan Unge to talk about Popular Problems, their sharply observed new comedy series for SVT.
Based on their own former relationship and breakup, the show turns co-parenting, therapy, social services, and modern Swedish anxieties into painfully honest and often hilarious television. Benn and Unge discuss how the project grew out of an earlier Swedish Radio audio series, why they chose to mine their shared history for comedy, and how humor became a way to process a difficult separation. The conversation touches on collaboration after a breakup, drawing comedy from real life experiences, and the fine line between discomfort and truth that gives Popular Problems its bite.
Recorded on site ahead of a Stockholm Film Festival screening, the episode also captures the unpredictable realities of making podcasts outside the studio.
Popular Problems is set to debut on SVT in January.
It's funny.
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At the Stockholm Film Festival, Brian sits down with Dutch writer director Sven Bresser to talk about his debut feature Reedland, the stunning and meditative drama that has become the Netherlands’ official Oscar submission. Sven reflects on the film’s unusual blend of murder mystery and disappearing rural tradition, the influence of the reed landscape he grew up with, and the central performance by real life reed cutter Gerrit Knobbe. They discuss casting non actors, shaping cinematic language around nature, and how audiences around the world are responding to the film’s quiet exploration of fear, community and change.
Check out the Reedland Trailer
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Hélène Cattet and Bruno Forzani on "Reflection in a Dead Diamond"
On this episode of Stream Close Up, Brian sits down at the Stockholm Film Festival with filmmaking duo Hélène Cattet and Bruno Forzani to talk about their psychedelic spy film "Reflection in a Dead Diamond" The couple discuss twenty five years of working and living together, creating a twisted love letter to James Bond and sixties Italian cinema set on the sun soaked Mediterranean coast.
They break down the film’s surreal visual language, meticulous location scouting on the Cote d Azur, and their highly crafted sound design that draws on classic Italian genre films to create a hypnotic big screen experience. Bond fans and anyone into stylish surreal thrillers will want to seek this one out.
"Reflection in a Dead Diamond" features Fabio Testi, a cornerstone of Italian cinema. We'll hear about how he both inspired the film and ended up in the starring role.
Reflection In A Dead Diamond: Trailer
Reflections In A Dead Diamond will be available to stream on Shudder from December 5th.
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Five years ago Julia Decournau won the Palme d’Or at the Cannes Film Festival for her film “Titane”. We caught up with her on her recent visit to the Stockholm International Film Festival where she presented her latest work “Alpha”. It’s a multi-layered story of love and fear where a mother must navigate the possible exposure of her daughter to a virus that once killed her brother. As Julia will tell us, a synopsis can’t describe this or most other films.
Julia shares insight into some of her filmmaking choices, including the use of Nick Cave’s song “The Mercy Seat” to set the tone for pivotal scene.
Alpha: Trailer
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Coming to you from the Stockholm International Film Festival.
In this episode Brian is joined by legendary documentary filmmaker Ross McElwee. Known for his deeply personal and quietly funny explorations of family, memory, and the passage of time, Ross has shaped the language of first person documentary for more than four decades. His films include classics like "Sherman’s March", "Time Indefinite", "Bright Leaves" and "Six O Clock News". Each one blends intimate storytelling with cultural reflection in a way that has inspired generations of nonfiction filmmakers.
They discuss his latest work “Remake” which was just awarded the Bronze Horse as best documentary at this year's Stockholm Film Festival. It starts out as a journey to document a Hollywood producer’s attempt to remake “Sherman’s March” as a drama but quickly turns to the passing of his son Adrian who dies of drug overdose involving fentanyl. Adrian was a filmmaker in his own right and was documenting his lifestyle. That material in combination with a lifetime of shooting his family, provides Ross with rich source material for his loving tribute.
Congratulations to Ross on a well deserved award.
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Award winning filmmaker and journalist Auberi Edler joins us as we dive into our coverage of the Stockholm Film Festival.
We discuss Auberi's latest film "An American Pastoral" which covers a school board election in Elizabethtown Pennsylvania. What unfolds will surprise and possibly scare you.
It’s an even handed portrayal of a battle that pits right wing MAGA republicans, including a married couple that proudly helped organize and storm the capitol on January 6th, against a coalition of center republicans and democrats in a race that focuses on book bans and a traditional Christian vs secular approach to managing public education.
Everybody involved is honest and passionate which sets up some very dramatic confrontations.
Auberi is able to win trust and take us into the lives of the candidates and broader community and what she reveals helps explain the growing divide splitting Americans.
The result is sometimes disturbing.
Join us as we meet Auberi Edler.
Trailer: An American Pastoral
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Writer and director Mattias J Skoglund has been traveling the world presenting his latest project the horror film "Hemmet" (The Home) and joins us today to celebrate the Swedish theatrical release.
Based on Mats Strandberg's novel, "Hemmet" tells the story of a young man who returns to his childhood home in order to move his mother into an assisted living facility. Once there, her condition takes a turn for the worse and drama unfolds. Is it a question of deepening dementia or is something more sinister afoot?
With tremendous performance by Anki Lidén and Philip Oros among other notables, "Hemmet" will keep you on the edge of your seat throughout.
Mattias will tell us about his experience writing with Mats, how he went about casting a mix of seasoned pros and unknowns and the eight year journey to bring "Hemmet" to the screen.
You can get a look at "Hemmet" here: Trailer
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We are digging into our coverage of the 36th Annual Stockholm Film Festival.
Ella Rae Rappaport joins us to talk about "Egghead Republic" which will have its European debut on November 8th as part of the festival. "Egghead Republic" is a surreal peek behind the curtain at the machinations of a modern media empire and the madness of power. But as you will learn, this doesn't even begin to describe this wonderful film.
Ella Rae is nominated for the Rising Star Award at this year's festival for her performance as Sonja, a Swedish club kid with big dreams who joins a road trip through a post-apocalyptic landscape that may or may not include mutant centaurs.
It was a pleasure to meet Ella Rae, but I have to say I did feel a little old when she didn't get any of my cultural references ;-)
You can get a little taste of Egghead Republic here: Trailer
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Beatrice Karlsson is the Program Director of the Stockholm International Film Festival. Beatrice and her team are the architects of the schedule and are responsible for sorting through the over 3000 titles submitted for consideration this year.
Last week they finalized and presented the impressive lineup of over 130 films from 60 countries for this year's festival where Isabella Rossellini will be the guest of honor
In the midst of this frenzy of activity Beatrice was kind enough to join us to talk about what goes into organizing a festival, what criteria they apply when curating the final list of films and what we can expect in the coming weeks.
We catch her three weeks ahead of the start of festivities and just 48 hours after announcing this year's lineup.
For more information: Stockholm Film Festival
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Norwegian-based Swedish director Fanny Ovesen joins us to talk about her debut* feature Live A Little / Leva Lite. The film is a thoughtfully written coming of age story about friends Laura and Alex who are taking a long planned girls’ trip. Along the way there is a night of partying and blackout sex. The story follows them as they couch surf across Europe and try to unravel what happened. Was it simply a drunken fling, or something darker?
In this episode we take the opportunity to walk through Live A Little in detail with Fanny. We also take a few minutes to get into her wonderful short film She-Pack (link below).
Fanny is just one more example of the amazing young filmmaking talent emerging in Scandinavia. It was a pleasure to meet her and have the chance to explore her work.
Live A Little was just released in North America. Look for it wherever you find quality films.
* That is if we discount her childhood work with her brother ;-)
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Hampus Linder, known for his documentary film "Gudrun Konsten Att Vara Människa" (The Feminist) joins us to talk about his latest work "Confessions of a Swedish Man" which takes viewers on a journey through parts of the manosphere that you normally only see when you are doom scrolling. The film provides a very interesting counterpoint to “Gudrun” both in subject as well as style.
“Confessions of a Swedish Man” takes a surprising twist when Hampus must agree to participate in the ceremonies of the European Men’s Gathering. As a result the camera is now taken out of his hands and ultimately turned on him adding a surprisingly personal layer to the story. The twist also gives viewers a glimpse into the challenges of documentary filmmaking as Hampus and his subject Paul maintain a tenuous relationship.
It was a pleasure to meet Hampus and discuss “Confessions of a Swedish Man”
You can find a trailer and more about the film here: https://confessionsofaswedishman.com/
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After nine in-depth conversations with filmmakers from around the world, we’re closing the curtain on the 59th Karlovy Vary International Film Festival. This wrap-up episode connects the threads that ran through this year’s Crystal Globe competition — from Lisbon to Kabul, from the Carpathians to New York.
Across fiction, documentary, and hybrid storytelling, certain themes emerged again and again:
We also reflect on the miracle (and struggle) of filmmaking itself — from funding battles to filming under Taliban rule, from children on set to directors juggling multiple roles.
🎬 Highlights:
This episode isn’t just about cinema as art. It’s about cinema as dialogue, care, and courage.
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Catalan filmmaker Pere Vilà Barceló joins us as we continue our coverage of the Crystal Globe Competition at the 59th Karlovy Vary International Film Festival. We talk about his latest film “When The River Becomes A Sea” starring Claud Hernández.
The curators at Karlovy Vary describe it as “ An uncompromising, introspective probe into the soul of a girl who is sexually abused. The heroine of his sixth film is Gaia, a young archaeology student, whose relationship with herself, and with those around her, is forever marked by a traumatic event. Initially, Gaia cannot find the words to describe her situation, let alone the courage to speak about it. Eventually, however – like an archaeological excavation – she begins to uncover fragments of the past in order to piece her life together. The Catalan filmmaker was able to provide a realistic depiction of her situation by choosing to emphasize the actual process of coping with the trauma, a process which can't be rushed.”
Pere is willing to take some interesting risks as a director including a six plus minute scene shot entirely in darkness. The result is stunning.
Pere is walking a fine line using cinema to illicit a discussion on sexual assault. He navigates the challenge with grace and delivers a beautiful and thoughtful film.
You can check out the trailer here: When A River Becomes The Sea
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Magic is the word I keep coming back to when I try to describe “Better Go Mad In The Wild”, the latest film from director Miro Remo. Apparently I am not the only one who feels this way. He was just awarded the Crystal Globe for Best Film at the 59th Karlovy Vary International Film Festival where the jury called it, “a funny valentine to the fading art of being true to yourself".
Miro joins us to talk about the genesis of his film and a little about what it was like to develop a relationship and work with his primary characters,
real-life twins Franta and Ondřej. It is a pure examination of their lives and struggles including original art, poetry and blues music. And if that’s not enough, there’s a talking bull.
Miro uses a mix of filmmaking techniques that result in a truly unique story that will make you fall in love with the brothers.
He didn’t want to do it, but I’m so glad he joined us.
Trailer: Better Go Mad In The Wild
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Wunderkind, screenwriter, director Nathan Ambrosioni joins us to talk about his latest film Out of Love (Les enfants vont bien) which recently earned him a Crystal Globe award for Best Director at the Karlovy Vary International Film Festival.
Nathan is one of cinema's most promising young voices. In addition to exploring Out of Love we will touch on his remarkable journey in filmmaking. At just 25 years old, Ambrosioni has already established himself as a director with a distinctive eye for complex family dynamics and emotionally nuanced storytelling.
Nathan's latest feature is a gripping French family drama starring Camille Cottin, Juliette Armanet, and Monia Chokri. The film follows Jeanne, whose life is suddenly turned upside down when her sister Suzanne arrives unexpectedly with her two children only to disappear again, leaving Jeanne to care for kids she barely knows.
This was a fun discussion with a serious filmmaker.
Out of Love (Les enfants vont bien) will be in French theaters December 3rd.
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Filmmaker Gözde Kural joins us to discuss her latest work "Cinema Jazireh". It is her second feature set and shot in Afghanistan. It depicts the journey and struggles of a young mother attempting to track down her missing son. Moving solo as a woman in a world controlled by the Taliban is not an option so she dresses as a man. At the same time we are introduced to a young man who was groomed as a boy to act as a woman. The contrasting and intersecting stories raise hard questions about culture. The film explores longing, hope and the roles we are forced to take on as a result of social pressure. We will examine the amazingly well formed characters depicted and get into the themes of her work as well as touch on some of the challenges of filming in Afghanistan.
In our chat, Gözde reveals the same passion that comes through in her films and we learn some interesting news about a case currently making its way through the Turkish justice system where a colleague of hers is facing politically motivated charges. She arrived for our interview after having spent the day in court supporting her friend, and we appreciate that she was able to switch gears and talk about her film and plans for the Karlovy Vary International Film Festival.
Here's a link to the trailer for: "Cinema Jazireh"
If you are enjoying the podcast, please leave us a rating or review, or better yet share the link with your friends.
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Director João Rosas joins us to talk about his work with a focus on his feature debut “The Luminous Life”. It's a beautiful exploration of youth that evolved in a very particular way from three of his earlier shorts. We’ll dive into those connections, examine the role of Lisbon in his movies and explore the current climate for filmmaking in Portugal.
We will also take a few moments to discuss his documentary “Death Of A City”. It is a very personal film that chronicles the demolition of a building and the men doing the work. It is a layered analysis of the exploitation of individuals and a city.
Perhaps most interestingly, we will get into the particular role that film festivals play as gatekeepers at the same time as we discuss João’s work as a festival jury member and the challenges that come with that responsibility.
During our chat João mentioned the American reviews of “The Luminous Life” you can find them here: Variety Hollywood Reporter
If you enjoy Stream Close Up…like, share, rate, jada jada jada….
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Winner of the Crystal Globe for Best Director at the 59th Karlovy Vary International Film Festival, Lithuanian filmmaker Vytautas Katkus joins us to talk about his feature debut “The Visitor” (Svečias).
Here’s what the Jury had to say about his film.
“In his feature debut, Vytautas Katkus truly exploits the creative freedom that a director perhaps only ever properly enjoys with their first film, displaying an uncompromised, idiosyncratic vision that is both dazzlingly precise in its detail and dreamily peculiar as whole.”
“The Visitor” evolved from his earlier short films ”Community Gardens” and “Cherries” which touched on some similar themes. We will talk about that evolution and his experience on the film festival circuit among other topics.
"The Visitor" follows Danielius, a 30-year-old new father who returns from Norway to Lithuania to sell his father's apartment, exploring themes of homecoming, displacement, and the complex emotions that arise when familiar places feel foreign. This Lithuanian production serves as a cinematic meditation on solitude, marking a significant milestone in Katkus's career transition from cinematographer to director.
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Czech director Ondřej Provazník stops by for his Stream Close Up. His film Broken Voices recently premiered at the Karlovy Vary International Film Festival where it was nominated for a Crystal Globe award.
Loosely based on a true events, Broken Voices is a nuanced story about an elite girls’ choir and how a young woman must navigate the competitive nature of her peers and manage the advances of a controlling and less than honorable choirmaster. Featuring amazing debut performances, the film provides a fresh take on an all too familiar subject.
Ondřej joins us as part of our continued coverage of the 59th Karlovy Vary International Film Festival. We'll discuss his somewhat unique approach to tackling this sensitive subject and hear about his source of inspiration for making the film.
Also worth noting, since we recorded this, Kateřina Falbrová who has the lead role in the film received a special mention from the festival jury for her debut performance.
Here's the link to the song that we discussed: Sbirka Zvadlejch Ruzi https://open.spotify.com/track/63RXRPKS1HnF63iPe5eeq5?si=6fe125edf7e045a6
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Director Nina Knag joins us to talk about her feature debut Don’t Call Me Mama which is about to have its world premier at the Karlovy Vary International Film Festival.
We’ll talk about how Nina has explored some similar themes in earlier works and have an interesting discussion about deliberate choices regarding what was left out of the film. We’ll also get into the impact and importance of having Norway's first certified intimacy coordinator on the project.
A drama about forbidden love, Don’t Call Me Mama confronts its protagonists with a moral test while provocatively exploring how hypocrisy can masquerade as generosity.
Note: Since we recorded this, Pia Tjelta, who has the lead role in the film, was awarded the Crystal Globe as best actress for her portrayal of Eva.
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