Today, I touch on Wednesday's photowalk on a dreary, damp, dark morning in Downtown Phoenix, Arizona (which included a handful of street portraits). I also spend a couple of minutes talking about my process for creating “straight out of camera” RAW files (getting the SOOC JPEG look as a base for my RAW file edits), as well as just how important the human connection is to me in my work.
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Today, I touch on Wednesday's photowalk on a dreary, damp, dark morning in Downtown Phoenix, Arizona (which included a handful of street portraits). I also spend a couple of minutes talking about my process for creating “straight out of camera” RAW files (getting the SOOC JPEG look as a base for my RAW file edits), as well as just how important the human connection is to me in my work.
Today, I touch on Wednesday's photowalk on a dreary, damp, dark morning in Downtown Phoenix, Arizona (which included a handful of street portraits). I also spend a couple of minutes talking about my process for creating “straight out of camera” RAW files (getting the SOOC JPEG look as a base for my RAW file edits), as well as just how important the human connection is to me in my work.
Welcome to the Street Photography Field Notes podcast – an extension of my Substack which aims to share my process behind making photographs on the street. My intention is to build this out further as we go: intro music and segments; polish it up. However, today, I just wanted to get started. So here we are! In Episode 001, I walk through the why behind the podcast, reflection on my photowalk from the day, and then finish with a brief discussion about photographing h...
Today, I touch on Wednesday's photowalk on a dreary, damp, dark morning in Downtown Phoenix, Arizona (which included a handful of street portraits). I also spend a couple of minutes talking about my process for creating “straight out of camera” RAW files (getting the SOOC JPEG look as a base for my RAW file edits), as well as just how important the human connection is to me in my work.
