Discover the interconnectedness of peddling and factory work, the surprising origins of the Aloha shirt, and the key role Syrian workers played in major labor actions like the 1912 Bread and Roses strike in Lawrence, Massachusetts. Associate Professor of History at the University of California and author of "Unmentionables: Textiles, Garment Work, and the Syrian American Working Class" Dr. Stacy D. Fahrenthold discusses her work which offers a class-conscious history of the Syrian-American diaspora, a community of about half a million people in the 1910s, 1920s and 1930s. While the "peddler" is often the central figure and icon of this diaspora's economic history for over a century, Fahrenthold shifts the focus to the new immigrants who came to the U.S. and found work in the textile industries. The conversation explores the hidden role of Syrian-American garment workers, particularly young women, who produced goods like "kimonos", undergarments, stockings, and household textiles.

The discussion covers the evolving role of debt as an instrument of empire, the emergence of sovereign wealth funds, and the ways financial instruments and flows of money subtly shape political realities and people's lives in the region. Professor Elyachar discusses her latest book "On the Semicivilized: Coloniality, Finance, and Embodied Sovereignty in Cairo" and how she challenges the notion that global finance originated solely in the West. The conversation delves into the history of Non-Governmental Organizations (NGOs) and their role in economic development, particularly in "pushing debt as a form of development". A Professor of Anthropology at Princeton University whose work examines the intersection of finance, political economy, and the Arab world, Elyachar also shares her family's history as sarrafs (bankers/brokers) in Ottoman Palestine, and how this tradition sparked her interest in finance and economics. She also explains the historical legal category of the "semicivilized," a term used in international law to describe the Ottoman Empire and other non-European powers who were recognized as legitimate sovereigns.

The discussion delves into the complex historical eras of Iraq, challenging binary understandings of its past and present. A professor at Haverford College and author of "Political Undesirables: Citizen Denaturalization and Reclamation in Iraq and Return to Ruin: Iraqi Narratives of Exile and Nostalgia", Zainab Saleh discusses how the Iraq she grew up in—during the Ba'ath Party reign and under Saddam Hussein—was a time of fear and repression, despite the earlier period of high hopes and political aspirations in the 1940s and 1950s. She explores the concept of nostalgia for the Saddam era, which exists even among those who suffered under the regime, because of the basic services that were provided. The conversation offers a nuanced timeline of modern Iraqi history, from World War I's role in creating Middle Eastern nation-states through the Ottoman and British rules, the monarchy, and the Ba'ath Party. A key focus is placed on the 1990s as a major turning point, with the 1991 bombardment and subsequent sanctions leading to the rapid deterioration of infrastructure, increased social problems like begging and corruption, and environmental collapse. We consider the argument that the Iran-Iraq War, the Gulf War, and the US invasion should be viewed as one long, continuous war. Saleh critiques the simplistic narrative that Americans brought to Iraq after 2003, arguing that it institutionalized a sectarian political system. She emphasizes that the American discourse—classifying Sunnis as loyalists and Shia or Kurds as oppressed—ignored the reality of mixed communities and complex political loyalties. Saleh explores the historical use of denaturalization in Iraq, a topic central to her latest book. She details how the British and subsequent Iraqi regimes used the pretext of "political undesirables" to strip citizens of their rights, citing examples such as Iraqi Jews in the 1950s and Iraqis of Iranian origin in the 1980s.

We visit Basel Dalloul at the Dalloul Artist Collective to discuss the genesis of the Dalloul Art Foundation and the mission of the new artist collective. A technologist and lawyer by training, Basel shares his family’s journey into collecting art and the vision his father had for a Pan-Arab art collection in Beirut. They discuss how Arabism failed politically, but that culturally, the art from the region shows a great deal of sync and kinship, with artists empathizing with their Arab brethren. Central to the discussion is the role of art as an archive of history. Basel highlights the importance of Arab art as a reference site and how connecting artists from Morocco to Iraq reveals common themes that some may find inconvenient to tell. The conversation then shifts to the need to decolonize the art world, critiquing the tendency to celebrate Western art and seek validation from Western curators. Basel challenges the routine belief that Arab artists or art professionals are "not competent or good enough". He also addresses the broken global gallery system, which often dictates terms to artists and unfairly takes up to 50% of an artist's take. The mission of the Dalloul Artist Collective is to shift focus from the art to the artist, acting as an artist management agency to empower and educate the artist community.

Curator of "Niyū Yūrk: Middle Eastern and North African Lives in the City", Hiba Abid, joins us to talk about the exhibition, housed at the New York Public Library's iconic 42nd Street building, which challenges dominant narratives by presenting New York as a city deeply intertwined with Middle Eastern and North African history and culture. Abid delves into the diverse stories of immigration, the often-overlooked North African presence, and the revolution in Arabic publishing in New York. Through fascinating primary documents and personal stories, the discussion explores everything from the surprising origins of the Statue of Liberty to early 20th-century American citizenship guides published in Arabic, revealing the long, complex, and vibrant history of Arab and Middle Eastern communities in New York. The exhibition remains until March 8, 2026. On December 5, is a Middle Eastern/North African take over of the flagship building of the NYPL that's not to be missed 👉https://www.nypl.org/events/exhibitions/niyu-yurk

We visited renowned architect Bernard Khoury in his studio in Karantina, who offered a critical, unvarnished look at the reality of practicing architecture in Lebanon, contrasting it with the sugarcoated story of the "Phoenix coming out of its ashes". He discusses his career beginnings, the 2020 Beirut port explosion, and how his first project—the infamous B018 nightclub—was a radically specific and necessary response to the city’s complex, macabre history and unstable political and economic context. Khoury shares his philosophical approach to architecture, which rejects stylistic gestures in favor of an obsession with specificity and a direct confrontation with Beirut's explosive nature, arguing for a practice that produces honest, if sometimes "sour" meaning in the present rather than succumbing to toxic simplifications.

We delve into the evolving landscape of filmmaking in the region, the importance of authentic, locally rooted narratives, and the critical role of institutions like the Doha Film Institute in fostering emerging talent. Award-winning filmmaker and associate professor at Northwestern Qatar, Rana Kazkaz, offers a glimpse into her current project "The Hakawati's Daughter," and provides recommendations for essential Arab cinema. She shares her experiences teaching film in the Arab world, highlighting the unique challenges and immense joys of mentoring a new generation of storytellers. This episode is in collaboration with Qatar Foundation.

"The Future Is Not a Grave" is a three-day workshop happening next week at NYUAD which explores futurisms and futurescapes across the MENA, Gulf, and Indian Ocean regions. In this collaborative episode with NYU Abu Dhabi Institute, conveners Tishani Doshi and Masha Kirasirova delve into challenging despair, fostering collective imagination, and integrating diverse perspectives from artists, scholars, and performers. Discover how this initiative seeks to redefine conversations about the future, moving beyond conventional narratives and embracing a more open-ended, tolerant, and inclusive approach.

Award-winning sculptor and artist Najla El Zein is most recently known for her work on a public commission by Qatar Museums for Doha's cultural district — a work titled "Us, her, him". She joins us to talk about her creative process, the evolution of her work, and the profound impact of personal experiences on her art. Based between Beirut and Amsterdam, Najla's work explores the relationship between space, object, and the human body, often challenging conventional perceptions of sculpture. She delves into the emotional depth behind her most significant projects, including her iconic spoons sculpture, the "Distortion" series, as well as her monumental public commission in Qatar, reflecting on themes of motherhood, female identity, and collective creation amidst challenging times.

We delve into the UAE National Pavilion at the 2025 Venice Biennale, titled "Pressure Cooker" with curator Azza Aboualam. An assistant professor at the College of Arts and Creative Enterprises at Zayed University Dubai and co-founder of Holesum Studio, Aboualam explains how architecture can be a cornerstone for achieving food security, particularly in challenging climates like UAE's and the broader Gulf region. Inspired by a simple question from her mother about the origin of blueberries in the UAE, Aboualam's work explored the intersection of architectural design and food production, focusing on innovative greenhouse typologies. The "Pressure Cooker" exhibition showcases how traditional and high-tech architectural elements can be reconfigured to prolong growing seasons and expand food production within the UAE. We unpack the complexities of food security as a national priority, the economic and environmental costs of imported food, and the surprising prevalence of individual-led greenhouse projects in the UAE. We also touch upon the fascinating historical context of food in the UAE, the impact of population growth on food systems, and a unique architectural cookbook attached to the project, which frames the conversation around food and built environments.

We visit Maktabi's flagship store in Beirut to unravel the rich history and intricate artistry of carpets. A third-generation carpet dealer from the renowned family behind Iwan Maktabi, Mohamed Maktabi delves into everything from the first carpet every discovered, the ancient origins of carpet weaving and the unique characteristics of tribal versus city carpets, to the esteemed legacy of Persian rugs and the evolving nature of the carpet dealing business. Maktabi shares personal family anecdotes, discusses the cultural significance embedded in some woven masterpieces, and offers insights into caring for these cherished objects. Whether you're a long-time admirer or new to the world of carpets, this conversation offers a deep appreciation for an art form that has captivated humanity for millennia. Maktabi also gives us his carpet wishlist from around the world.

Amir Moosavi discusses the profound impact of the Iran-Iraq War – the longest two-state war of the 20th century – on the literature of both nations. Through his book "Dust That Never Settles: Literary Afterlives of the Iran-Iraq War," he explores in this conversation the official state-sanctioned narratives that emerged during and after the war, comparing them with the more nuanced, critical, and often experimental literary responses from writers in Iraq and Iran, including those in the diaspora. The conversation also highlights how these diverse literary works grapple with the war's legacy, from its human and environmental costs to its enduring presence in collective memory.

We challenge contemporary perceptions of Yemen as a "backwater" by revealing the pivotal role of its port city, Mocha, in the making of our modern world. Historian Nancy Um delves into the fascinating history of coffee, from its origins in 15th-century Yemen to its global spread and the economic transformations it spurred. She explores the rich maritime trade routes of the Indian Ocean, highlighting Yemen's centrality as a crossroads for goods, ideas, and people long before European influence. Um discusses the Ottoman Empire's cultivation of coffee in Yemen, the rise and decline of Mocha as a trade hub, and the unique cultural adaptations of coffee consumption within Yemen itself, such as the popular Qishr drink. We also touch upon the broader impact of hot beverages and porcelain on global social and consumption patterns, revealing how these everyday items were once revolutionary technologies. Um shares insights into the ongoing efforts to revive Yemen's coffee industry and offers recommendations for further reading on Yemen's vibrant history.

Author of "Edward Said: The Politics of an Oppositional Intellectual," professor Nubar Hovsepian joins us to delve into the nuanced legacy of Edward Said, exploring common misunderstandings of his work, the reception of "Orientalism" within academia, and Said's vision of the "oppositional intellectual." The discussion also covers the evolving discourse around Zionism and Palestine, the challenges faced by the Palestinian liberation movement, and the critical need for new forms of struggle and organization. This conversation offers a candid look at the intellectual journey of Edward Said and its enduring relevance in contemporary Arab and global contexts.

The author of "Sustainable Qatar: Social, Political and Environmental Perspectives" delves into the multifaceted meaning of sustainability, especially within the context of the Arabian Peninsula. Our guest unpacks the region's unique environmental challenges, including sea level rise, extreme weather events, and biodiversity loss, and explores the innovative strategies being implemented to build a more resilient future. An Associate Professor at the College of Public Policy at Hamad bin Khalifa University, Logan Cochrane, also critically examines the concept of "greenwashing," the complexities of global sustainability metrics, and the challenges of policy making.

A captivating episode with Yemeni-Egyptian artist Yumna Al-Arashi who discusses her upbringing in Washington D.C., the impact of the 2017 executive order (often referred to as the "Muslim ban") on her family, and how her art explores themes of identity, feminism, sexuality, healing, and human rights, frequently challenging the misrepresentation of Muslim women in Western media. Al-Arashi delves into her projects, including her first solo exhibition in Switzerland "Tears For The Future," her film "99 Names of God," and her powerful book "Aisha," which examines facial tattooing traditions from South Arabia to North Africa and the Sahara. She also shares her thoughts on self-portraits, the discomfort her work can evoke, and the importance of authorship and challenging orientalist desires in art.

We challenge the conventional perceptions of home and identity in a diasporic context and delve into South Asian art. An art collector, entrepreneur, and the founder and chairperson of the Ishara Art Foundation, Smita Prabhakar shares personal anecdotes, including her move to Dubai 45 years ago and the evolution of her understanding of community and belonging. The discussion highlights the importance of contributing to the place one calls home, regardless of origin or citizenship, and breaks down geographical and cultural silos in the art world. Smita touches upon the challenges and future aspirations for Ishara, emphasizing its role in fostering cultural understanding and appreciation through art in the Arab Gulf region and beyond.

We delve into the need to fill the literary and intellectual gap in Moroccan scholarship, the impacts of notable contemporary Moroccan philosophers and thinkers, and how their ideas engage with local, regional, and global issues like modernity, democracy, and human rights. Dr Mohammed Hashas is an assistant professor at the University of Rome Tor Vergata and discusses his new book on contemporary Moroccan thought, which focuses on philosophy, theology, society, and culture. He shares his academic journey and personal experiences that led to the creation of this comprehensive work.

We explore the Arab community's evolution in Montreal, the intent behind Maktaba Bookshop as a space for Arab representation and cultural exchange, and the concept of decolonizing care. The founder of Maktaba in Montreal, Iraqi artist and author Sundus Abdul Hadi shares her immigration story, creative endeavors, and the significance of her community-focused bookstore. Sundus also delves into her books, "Take Care of Your Self: The Art and Cultures of Care and Liberation" and "Shams," and shares her personal experience as a mother in her artistic journey. The episode highlights the role of art and culture in nurturing and preserving Arab identity in the diaspora.

We welcome back Prof Nasser Rabbat to discuss his latest book "Writing Egypt: Al-Maqrizi and His Historical Project," which focuses on the 14th-century historian labeled as Egypt's greatest historian. The director of the Aga Khan Program for Islamic Architecture at MIT outlines the journey and reasons behind his lengthy process of writing the book, the life and works of Al-Maqrizi, his significance in chronicling Egypt's history, and his unique subjective approach to historiography. We also delve into Al-Maqrizi's relationship with the famous sociologist Ibn Khaldun and the socio-political context of Egypt during the Mamluk period. The episode explores themes of patriotism, scholarly dedication, and the historical narrative of the Arab world.