Join host Dr David Bellingham, Programme Director of the MA in Art Business at Sotheby’s Institute of Art London, and guest Dr. Natasha Degen, incoming Director of Sotheby’s Institute of Art New York (January 2026), Chair of Art Market Studies at FIT, and author of The Market and Merchants of Style, for a wide-ranging conversation about the evolving art market and the future of art education. Natasha outlines her academic and professional journey from Princeton to China, the UK and New York, explaining what drew her to study the market side of art and how interdisciplinary training shaped her approach. She reflects on leading the MA in Art Market Studies at FIT, the challenges of curriculum design and the balance between academic rigour and practical vocational training for students seeking careers across galleries, auction houses, museums, fashion and luxury. The episode surveys major market shifts of the last decade: the impact of the 2008 financial crisis, China’s rise and contraction, and the pandemic’s role as an accelerator for digital sales, NFTs and online auctions. Natasha and David discuss globalization’s new phase, the rising cost of doing art business, and how auction houses have diversified into luxury, increasingly relying on luxury sales to offset fine art volatility. They explore the deepening convergence of art and fashion, from Warhol and Paul Poiret to contemporary brand collaborations, and consider how luxury houses and cultural institutions are reshaping value and taste. The conversation also tackles digital platforms, NFTs, and social media as new routes to recognition that have fractured traditional dealer-critic pathways. Natasha shares her vision for Sotheby’s Institute New York: strengthening academic programming, launching new offerings (including an MA in Luxury Business), leveraging ties with the auction house, and cultivating a close-knit, interdisciplinary student community. Ethics, law, sustainability, diversity and repatriation debates are highlighted as central topics that should be re-integrated into art-business curricula. Practical advice for students and early-career professionals focuses on identifying what excites you, playing to your strengths, being open to entrepreneurial paths, and recognizing the breadth of careers available, from studio management and logistics to artist representation and brand partnerships. Natasha concludes with a reading recommendation (Mary Davis’s Paul Poiret: Inventing Modern Luxury) and reflections on the continuing importance of fieldwork and international exposure despite environmental and ethical trade-offs. Expect an informed, candid and interdisciplinary conversation that bridges history, theory and market practice: essential listening for students, curators, collectors and anyone tracking the intersections of art, fashion, luxury and digital innovation.   music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama)  by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)  

Welcome to the Art Business Podcast with David Bellingham. In this episode David speaks with Charlotte Stewart, Managing Director of MyArtBroker, about her non‑traditional route into the art world, her decade at Christie’s, and the digital pivot that led her to help build a leading online prints and editions brokerage. Charlotte describes how editorial storytelling and business management skills learned in traditional auction-house roles have shaped her approach to marketing, valuation and running a profitable tech-enabled business. She explains why MyArtBroker focuses on prints and editions, how the platform combines a machine‑learning valuation engine (drawing on data from some 400 auction houses) with specialist human expertise, and why authenticity, condition reports and conservator checks remain central to every sale. The conversation covers MyArtBroker’s business model — private sales, referrals and trade business — and practical differences from galleries and auction houses, including zero percent seller fees and taking a buyer-side margin. Charlotte reflects on how the pandemic accelerated online buying, why Banksy prints were particularly well-suited to digital brokerage, and how the company balanced rapid growth with maintaining trust and authority in the market. Key themes include the interplay of technology and human judgement (Charlotte’s “sandwich” analogy for AI as an assistant, not a replacement), the importance of focused specialism rather than chasing shiny new products, and the role of curated content and data in building credibility. She also discusses collector demographics, the looming wealth transfer from boomers to younger buyers, and predictions for how brokerage, authentication and digital tools may evolve over the next five years. Listeners can expect practical insights for anyone interested in art careers, digital transformation in the art market, and the operational realities of running an online brokerage — from valuation methodology and trust-building to when to use technology and when human specialists must lead the process. Guest: Charlotte Stewart, Managing Director at My Art Broker. Host: David Bellingham, Programme Director, MA Art Business, Sotheby's Institute of Art London. Topics: career paths in the art market; prints and editions brokerage; valuation algorithms and machine learning; pandemic acceleration of online sales; authentication and condition reporting; AI as an assistant; collector behaviour and the future of art brokerage.   Links:  https://www.myartbroker.com/ https://www.linkedin.com/in/charlotte-stewart-775a35a1/?originalSubdomain=uk   music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama)  by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)  

In this episode David interviews Zein Khalifa, alumna of the MA in Photography at Sotheby's Institute of Art London and co-founder of Tintera, the only private gallery in Egypt dedicated to fine art photography, about her journey from photographer to gallerist and the gallery’s mission to showcase and preserve contemporary Egyptian photography. They discuss analog vs digital practices, curatorial choices, working with Egyptian and regional artists, building audiences locally and internationally, and Tintera’s participation in the forthcoming 1:54 (London) and Paris Photo art fairs.   Links: https://www.tintera.art/ https://www.linkedin.com/in/zein-khalifa-90767425/?originalSubdomain=uk   music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama)  by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)

David interviews painter Georgia Dymock about her artistic journey since leaving Slade: solo shows, selection for New Contemporaries, representation by Gillian Jason, and winning the ACS x Gurr John Studio Prize. They discuss how the prize and gallery exposure are shaping her career. Georgia explains her studio routine in Camden and her process of moving from digital sculpture (ZBrush, rendering) to oil on herringbone linen, exploring themes of connectedness, ambiguity, hybrid mythic figures and the balance between surface and psychological distance. She also reflects on influences, practical art‑business skills, and plans to expand her work.   Links: https://www.georgiadymock.com/ https://www.gillianjason.com/artists/97-georgia-dymock/ https://www.gurrjohns.com/ https://artistscollectingsociety.org/news/2025-acs-studio-prize-x-gurr-johns-exhibition/     music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama)  by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)

This lecture explores Sandro Botticelli's Venus and Mars, examining its Neoplatonist layers of meaning, ambiguous identities, and possible identifications with historical figures like Giuliano de' Medici and Simonetta Vespucci. The talk discusses iconography, seasonal symbolism, botanical clues (including the thorn apple/Datura), Christian readings (Adam and Eve, Mary Magdalene), and the painting's likely function in a marriage chamber, offering a multi-semantic interpretation that blends myth, history, and moral commentary. music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama)  by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)

In this second episode of a two-part lecture series, Dr David Bellingham continues his exploration of the art market, tracing its development from the Renaissance to the contemporary global scene. Drawing on historical, economic, and ethical perspectives, the lecture examines how art evolved from elite patronage into a commodified asset shaped by imperialism, celebrity culture, and financial speculation. Topics include: The rise of branded artists and the value of materials The emergence of auction houses and commercial galleries Colonial plunder and the ethics of restitution The impact of globalisation and digital transparency The role of collectors, dealers, and art fairs in shaping today’s market This episode completes the journey begun in Part I, offering a critical overview of the forces that continue to shape the art world today. Keywords: Art Market History, Renaissance Patronage, Auction Houses, Colonial Acquisitions, Contemporary Art Fairs, MAAB, David Bellingham   music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama)  by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)  

In this first episode of a two-part lecture series, Dr David Bellingham traces the evolution of the art market from its prehistoric origins to the medieval period. Drawing on archaeological, literary, and technical evidence, the lecture explores how art objects transitioned from ritual and utilitarian functions into exchangeable commodities. Topics include: Long-distance trade and stylistic diffusion in ancient cultures The emergence of artist signatures and competition in Classical Greece Roman collecting, auctions, and the replication of originals The role of advisors and secondary markets The shift to church patronage and the proto-Renaissance This episode sets the stage for Part II, which will examine the rise of the modern art market from the Renaissance to the present day. Keywords: Art Market History, Ancient Trade, Artist Branding, Roman Collecting, Medieval Patronage, MAAB, David Bellingham

Welcome to the Art Business Podcast! In this episode, David Bellingham, Programme Director of the MA Art Business, Sotheby's Institute of Art London, investigates the dynamic landscape of Ukrainian art during wartime. Alongside curator and art historian Bohdan Mysiuha and interpreter Olena Grubb, the discussion explores the shifting priorities among Ukrainian art collectors, emphasizing the cultural significance and quality of national art. The conversation highlights the resurgence of early Ukrainian modernism, revealing how historical events influence contemporary art. Bohdan shares his journey in documenting lesser-known Ukrainian artists, reflecting on the importance of understanding Ukraine's art history in the global context. Listeners gain insight into the innovative models supporting Ukrainian art, including the privately funded Mercury Center for Intellectual Art. The dialogue underscores the vital role of art in visualizing the world and fostering a vibrant cultural identity, even amid the challenges posed by the ongoing conflict.   Links: https://ciamercury.com/en/about-us/?srsltid=AfmBOorgTdTn0p3sTAhdCRqeliWmnrIreZtAAWzuZFy6U-rlhObnvrTC   https://www.artsy.net/partner/center-of-intellectual-art-mercury   https://lvivgallery.org.ua/museums/muzey-modernizmu     music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama)  by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)  

In this engaging episode of The Art Business Podcast, host David Bellingham sits down with Anastasia Lander, Associate Director at Pelham Communications in London and a notable alumna of Sotheby’s Institute of Art. Anastasia shares her fascinating journey from shaping the world's biggest beauty brands like Dior and MAC to navigating the dynamic landscapes of international art communications. Anastasia discusses her initial exposure to art through family influences and her academic journey at Sotheby’s Institute, as well as her experiences at global events such as the Venice Biennale. The conversation explores her career transition from PR for luxury cosmetics to the art world, revealing how the meticulous skills from the beauty industry informed her current role in art communications. Listeners will gain insights into Anastasia’s strategic expertise, especially in managing international projects in regions such as Saudi Arabia and Uzbekistan, and her ability to adapt and craft stories that resonate across different cultural landscapes. Join this adventure into the intersection of art, business, and cultural storytelling, reflecting on their vibrant fusion in today's global art scene.   Links: https://pelhamcommunications.com/ https://landerlander.com/   music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama)  by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)

Welcome back to the Art Business Podcast with David Bellingham, Programme Director at MA Art Business at Sotheby's Institute of Art in London. In this episode, David engages in an enlightening conversation with Anna Kuznetsova, Managing Director of Conscious Tech BV and Board Chair of Art Zuiderzee. Anna's rich experience across law, business, and the arts offers listeners a masterclass in blending strategic thinking with creative ambition. Join them as they revisit their recent study trip to the Netherlands, exploring TEFAF art fair, artists' studios and exhibitions, and engaging in discussions on the impact of global market dynamics on the art scene. Anna shares insights from her guest lectures and her unique journey from a young artist to a leader in global business initiatives. The episode also touches on the fascinating world of cross-cultural influences, particularly the rise of Chinese art in the West, and the recently rediscovered legacy of Ukrainian artist Alexander Bogomazov (1880-1930). Anna also sheds light on the innovative Art Zuiderzee initiative and its significance in connecting history with contemporary art. Tune in for a journey through the intricate world of art and business, enriched by Anna Kuznetsova's unique art business perspective.   Biography: Anna Kuznetsova is a dynamic global leader with over 20 years of experience spanning investment management, government contracting, art advocacy, and international relations. As Managing Director of a Conscious tech B.V., she strategically guides a Dutch investment fund focused on the US government contracting industry. Her portfolio includes serving as Board Chair at Art Zuiderzee, a cultural heritage foundation that spans its activities across the historic Zuiderzee region, and as Board Member at Alagant Tech LLC, supporting public sector IT services. With an educational background including a Master's in Art Business from Sotheby's Institute of Art (with Distinction), a BA in Law, and training at London Business School, Anna brings a rare combination of business acumen, artistic passion, and cross-cultural expertise to her endeavors. Fluent in multiple languages and experienced across Asia, Europe, and North America, she excels at building strategic partnerships that bridge diverse sectors and cultures, creating meaningful impact through innovation and social responsibility.   Links:  www.linkedin.com/in/anna-kuznetsova-1858571 https://www.artzuiderzee.com/art-zuiderzee-about-us-en.html   music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama)  by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)

Welcome to another captivating edition of the Art Business Podcast, where we are absorbed into the fascinating world of art and business with some of the academic faculty from Sotheby's Institute of Art. Join us as Dr David Bellingham, Programme Director of the MA in Art Business, leads a compelling discussion with his esteemed colleagues. Meet Dr. Melanie Fasche, Deputy Programme Director and Senior Lecturer, who shares her intriguing journey from economic geography to becoming a thought leader in the creative industries. Dr. Oliver Petersen Gilbert, Head of Learning Innovation, provides insights into the evolving relationship between art, the market and their place in wider culture.  Dr. Marina Maximova offers a unique perspective on Russian and Eastern European art, exploring the dynamic intersections of finance and art collecting as well as her passionate drive towards sustainability in the art world. Together, they investigate some current trends in the art market, the impact of technology, and the importance of sustainability. This episode takes you beyond the classroom, discussing the latest research, innovative teaching methods, and the future of art and cultural policy. Tune in for an enriching conversation that bridges theory and practice in the ever-evolving art business landscape. Link: https://www.sothebysinstitute.com/london/masters-programs/ma-art-business     music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama)  by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)

Join us in this captivating episode of the Art   Podcast as we discuss the intriguing journey of Anna Stolyarova, founder and director of the Street Art Museum Amsterdam. Anna shares her fascinating experiences, from her early exposure to art in a Soviet-era Ukraine to becoming a pivotal figure in the street art scene in Amsterdam. Discover how the Street Art Museum Amsterdam is not just a collection of murals but a vibrant community and cultural hub that challenges the traditional notions of what a museum can be. Anna discusses the unique approach of integrating public participation, heritage, and digital innovation in street art, offering valuable insights into the intersection of art, business, and social impact. Whether you're an art enthusiast or curious about new cultural models, this episode provides thought-provoking perspectives on how street art can transform neighborhoods and connect diverse communities. Listen in to explore the creativity, challenges, and future plans for this groundbreaking museum as Amsterdam approaches its 750th anniversary celebrations.   Links: https://www.streetartmuseumamsterdam.com/  https://www.madeinbed.co.uk/interviews/anindya-sen-in-conversation-with-street-art-museum-founder-anna-stolyarova  https://www.linkedin.com/in/annastolyarova/?originalSubdomain=nl   music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama)  by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)

Join us in this insightful episode of the Art Business Podcast with Dr. Katie Hill, an authority in Chinese modern and contemporary art. As a Senior Lecturer & Academic Lead at Sotheby's Institute of Art London, Dr. Hill shares her fascinating journey from her early encounters with art to becoming a leading expert in her field. Dr. Hill delves into her formative experiences, including a pivotal trip to Italy and an immersive exhibition that ignited her passion for contemporary art. Discover how her deep interest in languages led her to explore Chinese art, influenced by her family history intertwined with Asia. Explore the genesis of her academic career, her ventures in curating exhibitions of Chinese art, and her role in founding the Office for Chinese Contemporary Art. Dr. Hill also sheds light on her ambitious exhibitions and her ongoing efforts to promote Chinese art globally amidst a complex socio-political landscape.   Dr Katie Hill is an established curator and educator in the field of contemporary art from China and the Chinese diaspora. She gained an MA Hons in Chinese at the University of Edinburgh in 1989 and a DPhil in Art History at the University of Sussex in 2002. She runs her own consultancy, the Office of Contemporary Chinese Art (OCCA), focusing on curatorial, arts consultancy and education. She is currently Academic Lead, Asia and Senior Lecturer at Sotheby's Institute of Art, London, where she founded and directed the MA in Modern and Contemporary Asian Art. She is a co-author of the Chinese Art Book (Phaidon, 2013) and has written extensively on contemporary art from China, contributing to journals such as China Quarterly, the Journal of Contemporary Chinese Art (JCCA), Third Text, Apollo, The Burlington Magazine and numerous artists' catalogues. Her exhibition 'Strange Wonders: Jizi and Pioneers of Ink is currently at SOAS Gallery from 9th October-14th December, 2024. Strange Wonders exhibition: https://www.soas.ac.uk/about/event/strange-wonders-jizi-and-pioneers-contemporary-ink-china Office of Contemporary Chinese Art: www.occaspace.com Review by Lucia Alonso-Lasheras in Made in Bed https://www.madeinbed.co.uk/reviews/strange-wonders-jizi-and-pioneers-of-contemporary-ink-from-china   music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama)  by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)

Welcome to a new episode of the Art Business Podcast, hosted by David Bellingham, Programme Director at Sotheby's Institute of Art in London. Join us in a fascinating conversation with UK-based artist Clare Strand, who challenges the traditional boundaries of the photographic medium. Clare is joined by two of David's MA students who collaborated with her on an exciting project, A Butterfly & a Horse, showcasing at the V&A Museum.  Inspired by the early image transfer experiments in 1880 by Shelford Bidwell, a pioneer of modern digital technology, this monument explores how the creation, profusion, and circulation of images has a significant impact on our experience of time, memory, and identity. Discover Clare's unique approach to art, stemming from a non-traditional upbringing where art was not a household norm. She shares her journey from childhood curiosity about images to becoming an artist who engages in a dynamic interplay between analogue and digital forms. Listen to how Clare and the students transformed the idea of a monument by exploring themes of technology and memory through an interactive and thought-provoking participatory weekend at the V&A. The episode provides insights into the inspiration behind Claire's artworks and the students' collaborative efforts in curating a meaningful artistic experience.   Links: https://www.clarestrand.co.uk/  https://www.vam.ac.uk/event/RQzAwwb70l/sia-sept-2024?srsltid=AfmBOooCbvUTVJJwJhtKvKRN-nysssU2wuVltVJf9romvZTuFWtNSl2I  https://www.sothebysinstitute.com/news-and-events/events/a-butterfly-and-a-horse-by-clare-strand https://www.scienceandmediamuseum.org.uk/objects-and-stories/first-digital-photos      music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama)  by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)    

Welcome to the Art Business Podcast, where we delve into the intricate world of art and commerce. I'm David Bellingham, the Programme Director of the Master's Degree in Art Business at Sotheby's Institute of Art in London. In this episode, we are joined by Marek Claaßen, co-founder of ArtFacts.net, a Berlin-based platform providing comprehensive data and analysis on the relative 'fame' of artists and galleries, including world rankings. Join us as Marek shares his journey from growing up in a middle-class family with a passion for German expressionism, to becoming a musician in Berlin, and eventually entering the art business world. He discusses the founding of ArtFacts in 2001, the challenges faced during the dot-com crash, and the platform's unique approach to factuality and cultural significance in the art world. Marek also sheds light on the evolving digital art landscape, the role of NFTs, and the importance of networking and finding a niche for those entering the art industry. Tune in for an insightful conversation on art, technology, and the future of the art market.   Links: https://artfacts.net/    music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama)  by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)  

In this episode of the Art Business Podcast, host David Bellingham, Programme Director of the Master's Degree in Art Business at Sotheby's Institute of Art in London, interviews Selasie Gomado, the co-founder and creative director of Artemartis. Broadcasting from Ghana, Selasie shares his journey from a science-focused education to a passion-driven career in the arts, highlighting the influence of his entrepreneurial family background. Selasie discusses the formation and growth of Artemartis, an art agency based in Accra, Ghana, which supports emerging artists locally and internationally. He delves into the challenges and successes of establishing a collective and agency model without traditional gallery representation, sharing insights on the art scene in Ghana and the broader African art market. The conversation explores the dynamics of the African art world, the importance of networking, and the balance between commercial success and cultural recognition. Selasie offers valuable advice for aspiring artists and art entrepreneurs, emphasizing patience, humility, and the significance of financial literacy. Join us for an engaging discussion on the evolving landscape of art and business in Africa. SELASIE GOMADO: PROFILE   Selasie (Ghanaian), is involved in managing the rapidly growing art collective and agency, Artemartis, and overseeing operations and the development of artists in both Ghana and the rest of the world. He has fully executed numerous projects in multiple countries, both in the art and engineering fields.   Selasie started his career in 2017 as a Mechanical Engineer with Orsam Limited (Ghana/France), where he worked as a Project Coordinator and Engineer in the Project Management and Quality Control departments until 2021.   In 2018, he founded Artemartis and has performed multiple pivotal roles including artist management, exhibition curation and planning, together with his engineering role until he decided to resign from his work in engineering to focus on his art career in the year 2021. He has since been featured in multiple articles, including The New York Times, National Geographic, Artnet, and The Art Newspaper, and has worked with prestigious institutions including Phillips Auction House, 1-54 Art Fair, Gallery 1957, among others.   Selasie has a bachelor’s degree in Mechanical Engineering from the Kwame Nkrumah University of Science and Technology, Ghana (2017).   Since its launch in 2018, Artemartis has evolved into a well-known and respected brand. This is evident through their collaborations with artists and art galleries, museums and institutions around the world, including the recently ended 1-54 Contemporary African Art Fair (London), where Artemartis participated as one of the first collectives from the continent to ever show at the art fair, Pearl Lam Galleries (Hong Kong), Phillips Auction House (London), Mitchell-Innes & Nash (New York), Lehmann Maupin (London), Gallery 1957(Accra), Septieme Gallery (Paris) and Loft Art Gallery (Marrakech), as well as some museums including Kunsthalle Krems (Vienna) and Museo Ettore Fico (Turin). Notable collaborations include a collaboration with Phillips Auction House in London in 2022 with the exhibition “Birds Of A Feather” featuring 18 works celebrating contemporary artistic production in Ghana, “Worldmaking” at Mitchell-Innes & Nash in 2023 presenting a group show of ten emerging artists living and working in Ghana and “Material Muses,” a solo show of works by Emmanuel Kwaku Yaro, represented by Artemartis, at Loft Art Gallery in Marrakech, Morocco in 2024 and a viewing at Pearl Lam Galleries in Hong Kong, also this year.     Links: www.theartemartis.com www.instagram.com/_artemartis www.x.com/artemartis  www.theartemartis.com/subscribe     music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama)  by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)

Welcome to another edition of the Art Business Podcast, hosted by David Bellingham, Programme Director of the Master's Degree in Art Business at Sotheby's Institute of Art in London. This episode features a conversation with Alex Estorick, editor-in-chief at Right Click Save, a leading digital art magazine. Together, they delve into the evolving landscape of digital art and the intersection of art and technology. Alex shares insights on the rise of digital art, the impact of blockchain and NFTs, and the emerging hybrid art world where digital and traditional practices converge. He discusses the challenges and opportunities within this space, emphasizing the importance of inclusivity and ethical considerations in the digital art community. The episode also explores Alex's collaboration with contemporary artist Ana Maria Caballero and his philanthropic efforts supporting artists with degenerative diseases. Join the conversation as Alex and David navigate the complexities of the modern art ecosystem and envision a more inclusive future for artists and collectors alike.   Links: https://www.rightclicksave.com/ https://marketplace.emprops.ai/projects/artifacts?page=1&size=51&sort=editionNumber,asc https://regencurates.org/   music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama)  by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)

Will Ramsay is founder/owner of many important art fairs including Affordable Art Fair, Volta and the British Art Fair. We discuss how Will became interested in art fairs, and his mission to grow the lower end of the art market by supporting emerging artists. Links: https://affordableartfair.com/exhibitor-hub/the-fair-advantage-report-2024/     music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama)  by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)

In this episode of our art business podcast, we dive into the world of art journalism with the editorial team of Made in Bed magazine, the student-run publication from the Sotheby's Institute of Art. Join us as we chat with Nabila Bulbul, Sandra Nikusev, Virgil Montianu, Grace Jamieson, and Celeste Melgar, who share their unique journeys into the art world, their roles in the magazine, and the challenges they've faced and overcome.We explore the diverse range of articles featured in Made in Bed, from art market trends to exhibition reviews, and delve into the fascinating stories behind their current research and dissertations. Listen in to discover the vibrant, dynamic world of contemporary art through the eyes of the next generation of art business professionals.

Welcome to another engaging episode of the Art Business Podcast. This week, our host David interviews Julia Wendl, a distinguished alumna of the MA Art Business Programme at Sotheby's Institute of Art and the CEO and auctioneer at Kunst-Auktionhaus Wendl in Germany. Julia shares her fascinating journey from her early interest in art auctions to her current role, emphasizing the importance of provenance research and ethical considerations in the art market. Julia dives into the history of auctions, revealing intriguing facts about their origins and evolution. She also discusses her personal connection to provenance issues, particularly regarding the confiscation of art during the GDR era by the Stasi. Her insights highlight the complexities and moral responsibilities of working in the art world today. Listeners will gain a deeper understanding of the art market's various levels, the importance of transparency, and the joy of discovering and collecting art. Julia's passion and expertise make this episode a must-listen for anyone interested in the art business.   Links: https://www.auktionshauswendl.de/tcms/en/  https://www.kulturstiftung.de/ https://www.degruyter.com/document/isbn/9783110744507/html    music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama)  by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)