To mark the end of the year, I asked past guests of The Creative Kind to share one artwork that stayed with them in 2025. Something that made them pause, something that lingered. What came back were personal reflections on paintings, sculptures, installations, exhibitions, and moments of seeing art that surprised, unsettled, comforted, or quietly shifted something. Some guests spoke about a single work they couldn’t stop thinking about. Others reflected on whole exhibitions, artists they keep returning to, or practices that have reshaped how they work in their own studios.

Across the episode, guests talk about scale and intimacy, about seeing work in person versus online, and about how materials, process, and repetition can carry meaning. Several guests speak about light and shadow, hope and heaviness, and the way an artwork can articulate something you didn’t yet have words for. There are also stories about risk, artists trying something unfamiliar, pushing their own boundaries, or committing to daily practice. A number of guests reflect on how these encounters with art have filtered back into their own practices, changing how they paint, build, repeat, simplify, or let go. Being moved by art doesn’t follow a single pattern, and sometimes the works that stay with us do so because they meet us differently each time we return to them.

This episode lands in a heavy moment following the events in Bondi. My sincerest sympathies to the victims, their families, and community.

• All of the artists mentioned in this episode, along with recommendations from our guests, are linked in the Substack here.

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In this episode, we explore the theme of experimenting and how it shows up across different art practices and life stages. Featuring returning guests Laura Brinin, Robyn Rich, Jenni Stringleman, Kate Owen, Ashley Longshore, and Salma Price-Nell, we look at the many ways artists approach play, curiosity, and taking creative risks.

Across these conversations, we discuss what experimentation looks like in practical terms, from changing mediums and revisiting older works, to navigating the tension between intuition, commercial pressures, and personal capacity. The artists share how factors such as parenting, time limitations, and energy levels affect their willingness to take risks, and how small acts of play can keep a long or complex project moving.

We also cover the importance of staying connected to a sense of discovery, even in established practices. Whether it’s exploring film, returning to ceramics, testing new colour palettes, or seeking moments of flow, each guest offers insight into how experimentation supports growth, confidence, and momentum.

Find Laura Brinin at Side Gallery, website here and their instagram here:

Find Robyn Rich's website here and on instagram here

Find Jenni Stringleman's website here and her newsletter here 

Find Kate Owen's website here and on instagram here

Find Ashley Lonshore's website here and on instagram here

Find Salma Price-Nell's website here and on instagram here

You can find the podcast on instagram here

Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show

If you've got a question you'd like me to explore- you can ask it here

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In today’s episode, I’m talking with Hilde Lynn Helphenstein, the mind behind Jerry Gogosian, about the current state of the art market and the realities artists are facing right now. We discuss the recent market correction, how quickly prices can rise and fall, and what that means for artists whose work becomes tied to hype cycles. Hilde talks openly about dramatic price fluctuations, pricing as an emerging artist and why artists should build lives that support their practice, not the other way around.

We also cover Hilde's thoughts on the unexpected careers people can discover when they step outside the art world, and the false pressure to measure success solely through big-name galleries or institutions. Hilde shares what she would do if she were an emerging artist starting out in 2026, from keeping living costs low to prioritising making the work itself.

Resources & Links

You can find Hilde’s substack here, website here and on instagram as Jerry Gogosian here

You can find the podcast instagram here

Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show

Mentioned in the show:

Magnus Resch

David Sedaris

If you've got a question you'd like me to explore- you can ask it here

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In this episode of the Creative Kind, I’m joined by New York-based mixed media artist Ashley Longshore. Known for her larger-than-life personality and equally bold pop-infused paintings, Ashley’s work collides Hollywood glamour, consumerism, and cultural icons.

Ashley discusses her defiance of the traditional art world by building her own company to avoid the standard 50% gallery cut, stating that this move was driven by her business-minded approach rather than confidence. The conversation delves into her journey of marketing and selling her art independently, using creative strategies that bypass conventional gallery systems. Ashley emphasizes the importance of grit, resilience, and a strong inner monologue, sharing her experiences of starting out with minimal resources and networking creatively to sell her work. She highlights the role of self-love, authenticity, and the necessity of learning to discuss money openly as an artist. Additionally, Longshore touches upon her charitable efforts, such as the Ashley Longshore Charitable Trust, which supports young artists.

Find Ashley here on her website or  here on instagram

You can find the podcast here

Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show

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In this episode I’m talking to Melbourne based miniatures artist Robyn Rich, whose work captures intimate, tiny worlds in reused and recycled objects. We talk about what it’s like to create art while living with chronic illness, and how limitations have shaped both her practice and her perspective.

Robyn shares how art became a way to find her voice, to connect with others, and to make sense of her own experiences. We discuss the emotional power of small objects, the beauty of creating in a contained space, and the ways she’s built community through projects, Instagram, and her own miniature gallery.

We also explore resilience, the lessons that come from rejection and illness, and how she navigates the tension between pushing herself creatively and taking care of her health. Robyn talks candidly about the challenges of sharing her work, asking for help, and finding ways to stay connected while honouring her own limits.

You can Robyn’s website here and on instagram here

You can find the podcast here

Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show

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In this episode, I sit down with Jenni Stringleman and Frank Gordon to talk about painting, illness, and the practical realities that shape an artist’s work. Jenni shares how her ovarian cancer was discovered, and how it’s changed the pace and priorities of her studio life.

Jenni chatted about how that experience changed her priorities: she moved quickly to paint what she wanted to paint, reduced studio output at times because of physical limitations, and now chooses projects with more personal meaning.

We discussed some of the coping strategies, everyday rituals and practical support that helped Jenni through this time and the complicated path of finding her new normal.

You can find Jenni here and her newsletter here and her earlier interview episode here:

You can find Frank Gordon here, and my previous episode with him here:

You can find the podcast here

Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show

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In this episode I speak with Kate Owen about the process of finding your market as an artist. Kate shares how trial and error has shaped her approach, from choosing the right galleries to refining the way she communicates with collectors. She talks about the importance of asking questions, and recognising when a particular avenue isn’t the right fit.

We also look at the practical tools that support this process, including cataloguing artwork, building a mailing list that rewards collectors with early access to new work. Kate reflects on experimenting with newsletters, giveaways, and social media, and how paring things back over time has helped her focus on what really works. We chat about how her experience has required some experimenting and trying different strategies, seeing what sticks, and honing in on the things that align with her practice and life.

Find Kate Owen website here and on instagram here

You can find the podcast here

Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show

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In this episode of The Creative Kind I speak with Laura Brinin from Side Gallery in Brisbane, who also works at the University of the Sunshine Coast. Laura shares insights into what it really means to approach a gallery, from making contact in a thoughtful and personal way to understanding what galleries actually do for artists. She talks about the importance of fit, the role of community and the value of supporting your gallery as much as they support you.

We also dive into the realities of confidence and perfectionism and why action builds momentum. We dip into the logistics too- Laura and I chat about contracts and deadlines. What stood out for me is her reminder that there’s no single formula for building a career, and that the work itself should always remain at the centre

Find the Side Gallery website here and their instagram here:

You can find the podcast here

Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show

Mentioned in the show:

• Laura Brinin & Side Gallery
• Design Front 
• Last episode with Laura Brinin & Andrew Sleeman:
• Jessica Nothdurft, Kitty horton & Carolyn V Watson
• 'The Gap' quote from Ira Glass

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In this episode I chat to Salma Price- Nell, also known as the Salsa Creative. Salma is a UK-based Cape Malay, South African artist and parent. We delve into the challenges and intersections of motherhood and maintaining an art practice. Salma discusses her primary medium of ink on paper and how her artwork, which often features organic forms like trees, has evolved since becoming a mother. We talk about the difficulties of finding time for art amidst parenting, the shift in priorities, and the therapeutic nature of creating art. Salma shares how she managed her creative practice while caring for her newborn, the importance of self-care, and the need to stay focused and present. We also touch on the impact of social media oand the lessons learned from navigating identity and productivity as a parent. 

Resources & Links

You can find Salma’s website here and on instagram here

• Letting Go by DavidHawkins
• Art of Accomplishment by Jo Hudson

You can find the podcast here

Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show

If you've got a question you'd like me to explore- you can ask it here

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In this episode I talk with artist Cindy Rizza about the realities of having a creative career while parenting. We cover how becoming a mother shifted her perspective on time, discipline, and the need to treat her practice as a career. Cindy speaks about the pressures that come with both roles and how comparison and stereotypes can be hard to shed and often get in the way when every artist’s circumstances are so different.

We also talk about asking for help and why that can feel so difficult, the role of community and support, and how boundaries can protect space for making. Cindy shares her thoughts on managing expectations, both internal and external, and the importance of small, consistent steps.

We talk about the guilt, uncertainty, and Cindy reflects on the parts of her practice are grounding and why art-making is “that one space that is mine.”

Resources & Links

You can find Cindy’s website here and on instagram here

You can find Cindy’s episode with the Artist/Mother podcast here

You can find the podcast here

Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show

If you've got a question you'd like me to explore- you can ask it here:

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In this episode I chat to Danielle Krysa from The Jealous Curator and artist Alexis Mixter about the shifting landscape of how artists share their work and connect with audiences.  Danielle has built a big and engaged community on Instagram and Substack and Alexis is spending less time on Instagram and in its place, finding time for a blog and more in person experiences.  We talk about the role social media plays for us in building community and an audience, what’s working, what’s not and what’s next. 

We talk about:

• Seeing art in person vs online: why some work doesn’t translate digitally
• Rediscovering permission to create: embracing your own style without rules
• Balancing making and sharing
• The joys of Substack and in person meet ups for deeper engagement
• Building community through small, supportive groups 
• Planning and researching a strategy based on how your work is best seen
• Creative alternatives to the gallery wall, from art hotels to one-on-one collector connections
• The vulnerability that comes with promoting your practice

We all chatted about the realities of sharing on social media and explored how we are each carving out different ecosystems around our practice.

My first chat with Danielle on Imposter Syndrome can be found here on apple and here on spotify 

You can Find Danielle & Alexis here:

• The Jealous Curator website and blog, Art Delivery 
• The Jealous Curator Instagram and Danielle Krysa’s art page and website
• Alexis Mixter’s website, her substack “If Not Art” (and her instagram, just for funsies)

I wrote a reflection on Substack to go with this episode, you can find it here!

You can find the podcast here

Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show

If you've got a question you'd like me to explore- you can ask it here:

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What does it really mean to take your painting practice outside? In this episode I’m joined again by Australian artists Johnny K and Carly Le Cerf to talk about the realities of working en plein air - from capturing a horizon line to the challenge of painting in wind, snow, or heat.

We talk about:

• How working outdoors shapes their recent projects
• The difference between gathering research in the field and resolving a work back in the studio
• The role of memory, scent, and even sound in building a connection to place
• The physical demands of painting outside
• The value of working alongside another artist and how those conversations push their practice
• How being in new environments diversifies their work

This is a wide-ranging chat about the ways we carry the outside world into our work.

You can find Caly Le Cerf’s work here through Michael Reid Gallery and on instagram here

You can find my previous chat with Carly here

You can find Johnny K’s website here and his instagram here

You can find my previous episode with Johnny here and here

Mentioned in the podcast:

• Read more about One Thousand Kilometers of Hope here
• See Johnny K’s works with Day Gallery Blackheath here
• Julz Beresford at Michael Reid
• Amanda Penrose Heart at King Street Gallery
• Archibald, Wynne and Sulman Prizes 2025
• John R Walker at Utopia Gallery at Sydney Contemporary
• Jason Cordero at Lennox St Gallery 

You can find the podcast here

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In this episode we dive into the topic of taking breaks, exploring the 'whens,' 'whys,' and 'hows' of stepping away from work. Joined by returning guests Anna Gibbs, Michael Fox, and Brandy Salmon, we discuss various perspectives on breaks, including the importance of planning downtime, financial and tax considerations, and personal strategies for recognising when it's time to pause. From mental and physical self-care to the impact of breaks on creativity and productivity, this episode highlights how artists balance their professional commitments with the need to recharge. We also explore practical advice on transitioning back to work post-break and the evolving landscape of the art world.

Find Anna’s website here and on instagram here

You can find Michael Fox's Accountant and Art Valuation website here and the Fox Galleries here

Find Brandi here on her website or here on instagram Find her wedding painting instagram page here

You can find the podcast here

Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show

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This podcast episode discusses taking breaks. This season's guests Laura Brandon, Sally Bulling, and Maria Stoljar share their different perspectives & experiences, including the differences between planned and unplanned breaks, and their impacts on professional and personal well-being. The conversation delves into the necessity of taking intentional breaks to avoid burnout, the benefits of physical and mental rest, and practical strategies for reengaging with work after a hiatus. The guests share personal anecdotes and how they manage their time and breaks. We talk about the importance of recalibration, and how breaks can lead to renewed creativity and productivity. 

Find Laura Brandon’s website here and on instagram here

Find Sally here and on instagram here

If you want to find out more about Maria Stoljar & Talking with Painters, go and check out:

her instagram or website  Podcast on apple, spotify (plus all the others) And her You Tube channel

You can find the podcast here

Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show

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Hey art lovers, I'm putting together a special end of year episode of the Creative Kind, and I would love your input!

For this one, I'm thinking about hosting a Q&A. So if you've got a question for a gallerist or artist, now is the time to ask. It could be about making work, navigating the art world, or anything you have been curious about.

You can tell me if it's for a specific guest who's been on the pod, and I'll do my best to get them on to answer it, or it could be a more general question for anyone. If you can send me your question, preferably as a voice note or even just as a quick message.

I've left the details in the show notes. The regular end of season episode will be back in your feed next week. Thanks so much for listening and for being part of the creative kind.

I can't wait to hear from you. Chat soon!

Submit your questions here through the google form

You can email me through your voice note or question as a message here: Thecreativekindpodcast@gmail.com

Or you can just send me a voice note through a Creative Kind Instagram message

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In this episode, I chat with Brandi Salmon, a Wiradjuri and Tongan artist based in Lutruwita Tasmania about commissions. We talk about the ups and downs of working on commissions, from pricing and client expectations to protecting your creative energy and building long-term confidence.

Brandi shares how she approaches work including landscapes, murals, portraiture to live wedding painting, and how the mix of commission and personal work has helped her grow artistically. She also opens up about the emotional and logistical sides of working with clients, why written boundaries are essential, and how she uses forms and automation to stay sane. We also dig into the impact of mentorship and the importance of finding peer support, especially as a young or emerging artist.

Mentioned in this episode

• Arts Law- Artists in the Black
• Ngarrimili 

Find Brandi here on her website or here on instagram

Find her wedding painting instagram page here

You can find the podcast here

Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show

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In this episode I’m talking about commissions with NZ artist Sally Bulling, who specialises in mirror paintings incorporating a variety of materials like paint, resin, and stickers. We discuss the delicate balance between commissioned work and personal pieces,and the ways commissions can push an artist’s practice in unexpected and rewarding directions. We talk about the financial upside of a commission and how they can allow experimentation with new materials and ideas. We also chat about the importance of maintaining relationships with galleries alongside commissions and Sally shares insights on managing client expectations, communicating clearly, and the benefits of taking time with commissioned pieces.

Find Sally here and on instagram here

You can find the podcast here

Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show

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In this episode of The Creative Kind, I talk with Michael Fox, an experienced Australian arts accountant and director of Fox Galleries, about tax and accounting issues specifically for artists. We discuss the importance of treating an artistic practice as a business for tax purposes. Michael clarifies the tax reporting requirements for artists in different circumstances, including when activities transition from hobbyist to business status. The conversation also touches on common mistakes artists make in tax reporting, the significance of claiming expenses correctly, and the practical steps for managing receipts and bookkeeping. Michael emphasizes the critical role of good record-keeping and timely submission of tax returns to avoid penalties. We also explore topics like superannuation for self-employed artists and the nuances of GST for artists. We talk about the importance of clear communication between artists and galleries about financial transactions and practical advice on navigating the complexities of tax systems tailored to the arts sector.

You can find Michael Fox's Accountant and Art Valuation website here and the Fox Galleries here

You can find the podcast here

Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show

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In this episode of The Creative Kind, I speak with Sydney-based art consultant and educator Laura Brandon about artist opportunities beyond the gallery wall. With over 20 years of experience across public art, education, archiving, and exhibition development, Laura brings deep insight into how artists can meaningfully connect with new platforms, spaces and collaborators.

We talk about everything from public art projects and artist statements to grants, residencies and building your own art ecosystem. Laura offers practical tips for tailoring applications, finding your own voice in written materials, and identifying the opportunities that are actually a good fit for you and your work.We also talk about what makes a strong application, and how to make the most of mentors, peers, and support systems around you.

Find Laura Brandon’s website here and on instagram here

Resources & Links

Here are a few useful organisations and platforms mentioned in this episode:

ArtsHub

Museums & Galleries of NSW

Creative Australia

National Association for the Visual Arts

ArtSupport Australia

Art Prizes (@artprizes) • Instagram 

Art Prizes Planner

Council websites such as:

Opportunities for artists - Inner West Council

Arts opportunities | Bondi Pavilion

Arts & culture - Waverley Council

You can find the podcast here

Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show

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This week I’m joined by British-born, New Zealand-based artist Anna Gibbs, whose detailed oil paintings of native birds draw attention not just for their beauty but for what they represent — a deep love for the natural world and a quiet invitation to care more deeply for it.

We talk about how emotional connection can lead to change, and why Anna chooses to focus on hope, wonder, and care rather than guilt or shock when addressing environmental issues through her work. Anna shares how her parents sparked her fascination with New Zealand’s birds, the stories behind some of her most impactful pieces and why she’s committed to using real, ethically sourced gold in her art — not just for its visual warmth, but for what it symbolises.

Find Anna’s website here and on instagram here

Learn more about Banks Peninsula Conservation Trust

You can find the podcast here

Thanks so much for listening! Feel free to rate, review & share if you enjoyed it, this helps other people find the show

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