The only thing Gilbert Cruz loves more than celebrating Halloween is watching scary movies. And between the classic horror franchises that span decades and the prestige original films of the current moment, he has seen hundreds of them. On today’s episode, Gilbert puts his knowledge to use in conversation with his fellow horror aficionados Jason Zinoman and Erik Piepenburg. They comb through a century of spooks, frights and screams to crown the Top 10 franchises in cinema history. Horror franchises discussed on this episode: “A Nightmare on Elm Street” “A Quiet Place” “Alien” “The Amityville Horror” “Candyman” “Child’s Play” “The Conjuring” “The Exorcist” “The Evil Dead” “Final Destination” “Friday the 13th” “Halloween” The Hannibal Lecter films “Hellraiser” “The Hills Have Eyes” “Insidious” “Jaws” “Night of the Living Dead” “The Omen” “Paranormal Activity” “Phantasm” “Poltergeist” “Psycho” “The Purge” “The Ring” “Saw” “Scream” “Terrifier” “The Texas Chainsaw Massacre” The Universal monster films “V/H/S”

The legendary actor, 87, is looking back with tears in his eyes.

The Trump administration completed its demolition of the East Wing of the White House on Thursday to make way for a new presidential ballroom. Luke Broadwater, who covers the White House, explains who is paying for President Trump’s latest construction project and why the demolition is striking a nerve.

For months, President Trump has been ratcheting up the pressure on Venezuela with increasingly aggressive military actions that the administration claims are about targeting drug traffickers. But behind the scenes, some U.S. officials are pushing toward a regime change. Anatoly Kurmanaev, who has been covering the story, discusses the battle in the White House over whether to topple the government of President Nicolás Maduro.

In just under 10 minutes on Sunday, thieves stole precious jewelry from the Louvre Museum in Paris after using a truck-mounted ladder to break into a second-floor window. Catherine Porter, a New York Times international correspondent in the French capital, explains how the robbery unfolded.

On Friday, “Springsteen: Deliver Me From Nowhere” will be released in theaters. Rather than chronicling Bruce’s entire life, the film focuses on the making of his stripped-down 1982 album “Nebraska” and on his concurrent mental health struggles. This movie is the latest in a long history of musician biopics featuring stars like Bob Dylan, Loretta Lynn, Eminem and Elvis Presley. Hollywood clearly loves telling the stories of influential artists. In this episode, Gilbert Cruz chats with Lindsay Zoladz, a pop music critic for The Times, and Joe Coscarelli, a Times culture reporter, about the tropes of the genre and their favorite films that break the mold.

Broadway represents some of the best and most exciting of what American theater has to offer. But for many people, it’s inaccessible. Whether because of geography, cost or other considerations, most people will never sit in a Broadway theater and experience a play or a musical in person. For years, cast recordings have offered a way to experience Broadway shows at a remove. And now, in the streaming era, some Broadway shows are making themselves available to be watched remotely, in movie theaters and on television. Distance and expense aren’t the impediments they once were to culture lovers looking to experience world-class theater. In this episode, Gilbert Cruz talks with Jesse Green and Elisabeth Vincentelli, two of The New York Times’s culture writers, about new ways to experience some of the joys of theater from the comfort of your own home.

Amusement parks are enduring vacation destinations for American families. The rides, the long lines for rides, the concessions, the long lines for concessions — these are practically familial rites of passage. Theme parks are also enormous moneymakers, with industry leaders such as Disney and Universal earning billions of dollars each year from their parks. In this episode, Gilbert Cruz chats with Brooks Barnes, who writes about show business (including theme parks), and Mekado Murphy, a film editor and thrill-seeker who reports on roller coasters. They talk about the state of the contemporary amusement park and the ups and downs of roller coasters around the world.

This month kicked off the big four fashion weeks: New York, London, Milan and Paris. Each year, designers, brands, influencers and celebrities flock to these events to see and be seen. On today’s episode, Gilbert sits down with Stella Bugbee and Jacob Gallagher, two of The Times’s foremost style experts and veterans of the fashion week circuit, to discuss clothes. They talk about what fashion week means in the frenetic fashion ecosystem of 2025, and they answer some listener questions about how to cultivate a personal style.

This month, The Times released a list of the 50 best restaurants in America. The Food desk’s reporters, critics and editors crisscrossed the country from Portland, Ore., to Deer Isle, Maine, to scout places formal and casual, big and small, experimental and classic. Their survey is an evocation of what it’s like to dine out, right now, in America. On today’s episode, Gilbert sits down with the Food reporters Priya Krishna and Brett Anderson, two contributors to the list, for a veritable feast of dining wisdom. They discuss what makes a restaurant worthy of the 50 best list, how they go about finding those restaurants, and the dining trends they’re loving and hating in 2025.

The 77th Primetime Emmy Awards ceremony is tonight, honoring the best television shows released between June 2024 and May 2025. But before the festivities begin, Gilbert Cruz, the editor of The New York Times Book Review, would like to have a TV celebration of his own. On today’s episode, he gathers Jason Zinoman, a critic at large for The Times, and Alexis Soloski, a culture reporter for The Times, to “channel surf” through some of their favorite shows of the past year.

As kids across America head back to school, Gilbert Cruz, the editor of The New York Times Book Review, is thinking about the books he read when he was in school. On today’s Sunday Special, Gilbert talks with the Book Review editor Sadie Stein and the author Louis Sachar (“Wayside School” series, “Holes”) about the books they read when they were students, and ways to encourage young readers today to keep reading.

Welcome to the Sunday Special, running now through the end of the year. Every Sunday, Gilbert Cruz, the editor of The New York Times Book Review, will talk with a rotating cast of Times critics and culture and lifestyle reporters about “the fun stuff”— pop culture, movies, TV, music, fashion and more.On today’s inaugural episode, Gilbert sits down with Jon Caramanica, a pop music critic at The Times, and Madison Malone Kircher, an internet reporter at The Times, to recap their cultural highs and lows of this summer.

Rachel Abrams and Natalie Kitroeff officially join Michael Barbaro as co-hosts of the show. Welcome to the next chapter.

When Taffy Brodesser-Akner became a writer, Mr. Lindenblatt, the father of one of her oldest friends, began asking to tell his story of survival during the Holocaust in one of the magazines or newspapers she wrote for. He took pride in telling his story, in making sure he fulfilled what he felt was the obligation of all Holocaust survivors, which was to remind the world what had happened to the Jews. His daughter Ilana knew it was a long shot but felt obligated to pass on the request — it was her father, after all. Taffy declined because after a life hearing about the Holocaust, she said, she was “all Holocausted out.” But, years later, when she learned of Mr. Lindenblatt’s imminent passing, Taffy asked herself what would become of stories like his if the generation of hers that was supposed to inherit them had taken the privilege that came with another generation’s survival and decided not to listen? So here it is, an old Jewish story about the Holocaust and a man who somehow survived the pernicious, organized and intentional genocide of the Jews. But right behind it, just two generations later, is another story, one about the children and grandchildren who have been so malformed by the stories that are their lineage that some of them made just as eager work of running from it, only to find themselves, same as anything you run from, having to deal with it anyway.

Sometime in the 1850s or ’60s, at a terrible moment in U.S. history, a strange man seemed to sprout, out of nowhere, into the rocky landscape between New York City and Hartford, Conn. The word “strange” hardly captures his strangeness. He was rough and hairy, and he wandered around on back roads, sleeping in caves. Above all, he refused to explain himself. As one newspaper put it: “He is a mystery, and a very greasy and ill-odored one.” Other papers referred to him as “the animal” or (just throwing up their hands) “this uncouth and unkempt ‘What is it?’” But the strangest thing about the stranger was his suit.

Today, millions of Americans will have the opportunity to see a rare total solar eclipse. Fred Espenak, a retired astrophysicist known as Mr. Eclipse, was so blown away by an eclipse he saw as a teenager that he dedicated his life to traveling the world and seeing as many as he could. Mr. Espenak discusses the eclipses that have punctuated and defined the most important moments in his life, and explains why these celestial phenomena are such a wonder to experience. Guest: Fred Espenak, a.k.a. “Mr. Eclipse,” a former NASA astrophysicist and lifelong eclipse chaser.

Jeanna Smialek, who covers the U.S. economy for The Times, will be 33 in a few weeks; she is part of a cohort born in 1990 and 1991 that makes up the peak of America’s population. At every life stage, that microgeneration has stretched a system that was often too small to accommodate it, leaving its members — so-called peak millennials — with outsize economic power but also a fight to get ahead. Guest: Jeanna Smialek, a U.S. economy correspondent for The New York Times.

Fifty years ago, eight Americans set off for South America to climb Aconcagua, one of the world’s mightiest mountains. Things quickly went wrong. Two climbers died. Their bodies were left behind. Here is what was certain: A woman from Denver, maybe the most accomplished climber in the group, had last been seen alive on the glacier. A man from Texas, part of the recent Apollo missions to the moon, lay frozen nearby. There were contradictory statements from survivors and a hasty departure. There was a judge who demanded an investigation into possible foul play. There were three years of summit-scratching searches to find and retrieve the bodies. Now, decades later, a camera belonging to one of the deceased climbers has emerged from a receding glacier near the summit and one of mountaineering’s most enduring mysteries has been given air and light.

It was meant to mark the start of their lives out of college, but the adventure quickly turned into a nightmare. Beginning with what seemed to be a lucky whale sighting, three friends set out on a sea-kayaking trip through Glacier Bay National Park in Alaska, watching out for bears, and having a good time, when tragedy struck. In recounting the days preceding and following the accident, which seriously injured one of his friends, the Times journalist Jon Mooallem explains how he was forced to reckon with his fears. Detailing the incident’s surprising repercussions, he muses on the importance of overcoming one’s fears, and finding poetry in life’s darkest moments.