Send us a text A spider-filled garage sets the tone, but the chill arrives when we revisit a body-cam moment from the Chris Watts case that feels impossibly exact. As a neighbor tries to pull up security footage, the app crashes into a National Geographic ad: a fetus in the womb, an eruption, a skull in oil. We walk through that nine-second cascade with clear eyes—no hype, no ghoulish delight—asking how coincidence, conscience, and pattern-seeking collide when a killer is cornered in his own ...
Show more...