Send Steve a Text Message Want a soloing shortcut that actually sounds bigger, bolder, and more musical? We break down a simple three-string shape in A—5-7-8 across the third, second, and first strings—and turn it into patterns that inject rock grit into blues vocabulary. You’ll hear how one added color tone and the classic “blue note” open the door to fresh phrasing without leaving home base on the fifth fret. We start by mapping the shape and then move past straight up-and-down runs into i...
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Send Steve a Text Message Want a soloing shortcut that actually sounds bigger, bolder, and more musical? We break down a simple three-string shape in A—5-7-8 across the third, second, and first strings—and turn it into patterns that inject rock grit into blues vocabulary. You’ll hear how one added color tone and the classic “blue note” open the door to fresh phrasing without leaving home base on the fifth fret. We start by mapping the shape and then move past straight up-and-down runs into i...
Send Steve a Text Message Want a soloing shortcut that actually sounds bigger, bolder, and more musical? We break down a simple three-string shape in A—5-7-8 across the third, second, and first strings—and turn it into patterns that inject rock grit into blues vocabulary. You’ll hear how one added color tone and the classic “blue note” open the door to fresh phrasing without leaving home base on the fifth fret. We start by mapping the shape and then move past straight up-and-down runs into i...
