Language and the law is a field growing in size and importance. While some forensic linguistics applications -- e.g. authorship attribution -- have a wider tradition, this growth is particularly acute in the domain of legal interpretation, which is increasingly using corpus data and methods. Stefan Gries, Professor of Linguistics at UC Santa Barbara, discusses two recent applications. One is from recent work as an expert witness for a law firm; it is a more quantitative application and concerned with authorship attribution in an internet trolling case. The other is concerned with more quantitative and qualitative research for an amicus brief to the Supreme Court. Series: "GRIT Talks" [Public Affairs] [Show ID: 41041]

Artist and filmmaker Tom Kalin joins moderator Bhaskar Sarkar (Film and Media Studies, UCSB) for a discussion of his 1992 film Swoon. Kalin discusses the historical background of the film (the famous 1924 Leopold and Loeb murder case), how he reimagined the case through the lens of queer desire, and how he conducted archival research into the central figures of the murder. Kalin also discusses how his background and training as a visual artist fed into his work in feature-length film making. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40927]

Film producer Liz Yale Marsh and mustang wrangler West Taylor join moderator and co-producer Wendy Eley Jackson to discuss their work on the documentary Facing the Falls, which follows disability rights advocate Cara Elizabeth Yar Khan and her twelve-day expedition through the Grand Canyon. They explore how Yar Khan’s muscle disease provided a unique challenge to navigating the Grand Canyon, as well as how Marsh and Jackson came onto the film in post-production and helped to finish the project. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40926]

Filmmakers Natasha Merkulova and Alexey Chupov join moderator Sasha Razor (Film and Media Studies, UCSB) to discuss their film Captain Volkonogov Escaped. Merkulova and Chupov share how they work as a film making team, how they researched the period of Stalinist purges in the 1930s, and how they sought to make the period of the film feel contemporary. They go on to discuss their experience working with lead actor Yura Borisov, who gained wider recognition for the 2024 film Anora. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40925]

Eric Faden (Bucknell University) discusses his work on the Japanese Paper Film Project, a project that has been preserving paper films made in Japan in the 1930s. Koto player Yoko Reikano Kimura and cellist Hikaru Tamaki (Duo Yumeno) joins Faden and moderator Alex Lilburn (Film and Media Studies, UCSB) to talk about how the preservation work was carried out and their experiences presenting the digitized films with live musical accompaniment. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40924]

Mona Damluji (Film and Media Studies, UCSB) and Elisabeth Weber (German and Slavic Studies, UCSB) join moderator Bishnupriya Ghosh (English and Global Studies, UCSB) to discuss the film project From Ground Zero, an anthology of films made by Palestinian filmmakers since the beginning of the war in Gaza. They discuss how the films present a unique vision of Gaza, showing a vibrant society dealing with the outbreak of war, and how the films urge the audience to become informed viewers. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40923]

Film historian Rebecca Prime joins moderator Ross Melnick (Film and Media Studies, UCSB) for a discussion of the classic Hollywood film The Sound of Fury. Prime outlines the film’s production history and how its political and social commentary was shaped by its director, Cy Endfield, who would go on to be blacklisted due to his association with the Communist Party. They further discuss Endfield’s subsequent work in London and how he struggled with the blacklist for the rest of his career. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40919]

Documentary subject and Chicano activist Jerry Ramirez joins moderator Clint Terrell (English, UCSB) for a discussion of the documentary film American Homeboy. They discuss Ramirez’s involvement with the film, his relationship to his Chicano identity, and how his experience being incarcerated fueled his activism, particularly in relation to Chicano issues. Ramirez and Terrrell reflect on how the film portrays Chicano history, including how Chicana and Chicano identity has been shaped over time. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40921]

How should federal governments attempt to right, or at least remedy, past wrongs? Is it appropriate for victims of group-based harms or their descendants to press current generations to atone for the sins of their predecessors? Grace Kao, Professor of Ethics and the inaugural Sano Chair in Pacific and Asian American Theology at Claremont School of Theology, explores these questions by drawing upon the emerging human rights standard for reparations, theological resources from her Presbyterian faith tradition, and four case-studies of acknowledged wrongdoing against AAPI communities. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Public Affairs] [Humanities] [Show ID: 40876]

Over 20 years since its release, Hedwig and the Angry Inch remains as relevant as ever to the politics of the day. A child of division, Hedwig refuses to be caught between categories, instead evading gender description and embracing herself as lovingly as one can. Writer/director/actor John Cameron Mitchell joins moderator Patrice Petro, Dick Wolf Director of the Carsey-Wolf Center, to discuss a post-screening of Hedwig and the Angry Inch. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40922]

Film curators Michelle Baroody and Maggie Hennefeld join moderator Patrice Petro for a discussion of their program “Archives of Anonymous Labor: From Farce to Liberation.” The program juxtaposes five films that about anonymity and labor, from silent films that show the invisible labor of housemaids and film editors to films that highlight the erased labor of decolonial struggle. This program is part of the Carsey-Wolf Center annual conference Anonymous Labor in Film and Media. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40920]

Carol Stabile (Clark Honors College, University of Oregon) joins moderator Patrice Petro for a discussion of “CBS and the 1950s Blacklist,” a program that included an episode of the television sitcom The Goldbergs and William N. Robson’s radio broadcast titled “Open Letter on Race Hatred.” They discuss the history of anti-communist activism in the U.S. and how CBS capitulated to the FBI and its blacklisting campaign. Stabile also outlines how the FBI targeted public intellectuals and artists. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40918]

Is sacred space protective space? This question lies at the heart of the Sanctuary Movement. From the 1980s to the present, this practice has protected undocumented immigrants at risk of deportation by offering them refuge in churches, where federal immigration agents to this day still fear to tread. In this lecture, Lloyd Barba, Assistant Professor of Religion and Core Faculty in Latinx and Latin American Studies at Amherst College, asks how these houses of worship in the 1980s protected migrants from immigration enforcement authorities. What histories and testimonies rendered such spaces sacred and lent houses of worship qualities of safe refuge? And what is the applicability of these practices today? Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Public Affairs] [Humanities] [Show ID: 40877]

In their 2020 documentary series Move, French filmmakers Thierry Demaizière and Alban Teurlai take viewers on a tour of the world of dance, shining a spotlight on the artists that shape the art of movement. In this program, UCSB's Stephanie Batiste talks with Jon Boogz and Lil Buck, who have shown throughout their careers that street dance is a form of high art - with artistry and originality. Series: "Carsey-Wolf Center" [Arts and Music] [Show ID: 40738]

What are the future horizons for indigenous repatriation work? What are best practices in repatriation settings, and how might they inform repair work in other contexts, such as education or land returns? This panel discussion looks at the work of Chumash leaders and broader Indigenous repair work nationally and globally. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Humanities] [Show ID: 40662]

Filmmaker RaMell Ross discusses "Nickel Boys", his 2024 feature film adaptation of Colson Whitehead’s Pulitzer Prize–winning novel. Directed and co-written by Ross, the film follows two Black teenagers—Elwood (Ethan Herisse) and Turner (Brandon Wilson)—at a brutal reform school in Jim Crow–era Florida, modeled on the real-life Arthur G. Dozier School. Shot entirely in first-person perspective, the film alternates between the boys’ viewpoints to create an immersive, visceral experience. Drawing on his documentary background ("Hale County This Morning, This Evening") and large-format visual style, Ross shares insights into adapting the novel’s moral complexity, crafting the film’s distinctive visual language, and using point-of-view cinematography to deepen viewer empathy and emotional connection. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40545]

Filmmaker Adamu Chan joins UC Santa Barbara’s Althea Wasow for a powerful conversation about "What These Walls Won’t Hold", a documentary he created while incarcerated at San Quentin during the COVID-19 pandemic. The film, which aired nationally on PBS’s "America ReFramed", captures the resilience and activism of incarcerated people and their communities in the face of crisis. Chan shares how filmmaking became a tool for resistance and healing, offering an inside look at life behind bars. This discussion explores the film’s creative process, its social justice impact, and the importance of centering incarcerated voices. It’s an inspiring program about storytelling, humanity, and the power of community—even in the most challenging circumstances. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40540]

The Carsey-Wolf Center welcomes Jeff Bridges and Amy Brenneman, the award-winning stars of The Old Man, for a conversation with director/writer/producer Brad Silberling. Bridges and Brenneman share their creative perspectives on the series’ treatment of aging and discuss other aspects of their unique collaboration. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40544]

The Moon and Back marks the feature‑length directorial debut of UCSB Film & Media Studies alumnus Leah Bleich. The film follows high‑school senior Lydia Gilbert (Isabel May) as she grapples with her father’s death and mounting family challenges. When she discovers a space‑opera screenplay her dad left behind, Lydia assembles a low‑budget crew—armed only with a VHS camera—to bring his story to life. Shot in just nine days on a $50,000 budget through the Six Feet Apart Experiment, the project won “Best Women’s Film” at the 2022 San Diego International Film Festival and screened at numerous festivals. Bleich returns to UCSB for a conversation with moderator Ross Melnick, sharing insights into the making and inspiration behind her heartfelt coming‑of‑age drama. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40543]

In collaboration with the Transnational Italian Studies Program, the Carsey-Wolf Center presents a discussion examining the long history of Black African life in Italy with filmmakers Daphne Di Cinto and Medhin Paolos and UCSB moderator Stephanie Malia Hom. They discuss the short films Il Moro and Asmarina. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40541]