In Urdu poetry, dua is never just prayer but it is a reflection of how a poet relates to hope, faith, and control.For Ghalib, dua is too uncertain. He chooses action over waiting, offering his entire self instead of trusting outcomes.For Munawwar Rana, dua is absolute assurance, a mother's prayer that walks beside him like protection, unquestioned and complete.And for Kaifi Azmi, dua becomes the final gift that a father offers when strength, means, and time have run out, leaving only blessing and trust in the child’s choice.Three poets. One word.And three very different ways of believing in what prayer can do. Learn more about your ad choices. Visit megaphone.fm/adchoices

Reading Ghalib's 'Koi Umeed Bar Nahin Aati': Ego and Self Awareness Without ApologyDescription: Mirza Asadullah Beg Khan, known to the world as Mirza Ghalib, remains a towering figure in Urdu poetry for his rare ability to capture complex emotions with striking simplicity. In this episode, we step into Ghalib’s world through one of his most well-known ghazals, 'Koi Umeed Bar Nahin Aati.' The reading reveals a poet who is deeply human and full of flaws and contradictions, and yet remarkably alert to his own shortcomings. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is Falsafa? It’s the philosophy that pushes us to explore ideas with wisdom, and with a humility in which every certainty melts away.  We explore this week's theme, 'falsafa' through Iqbal’s 'Falsafa-e-Gham'. He shows that grief isn’t just pain but it’s the light inside the heart, the silent music and the rouge for the soul that beautifies it.  He goes on that loss and sorrow awaken us, polish the spirit, and reveal life’s deeper truths, depth and beauty we might otherwise miss. tune in. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week in UIrdunama, we explore poems that live inside our zehn, meaning our mind. But this internal world of the zehn keeps colliding with the one that belongs to the heart and its jazbātiyat (emotion driven clarity) that won’t be silenced. From Barelvi’s guiding light in confusion, to Jazib’s heart triumphing over intellect, to Javed  Akhtar’s inner world in flames where only one surviving corner remains, these ashaar show how thoughts and feelings collide, break, and endure in every human experience. Tune in.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In this week's Urdunama, we speak about 'Soch', meaning a personal lens through which we look at everything.With the intensity of Mohsin Naqvi, the softness of Bashir Badr, the sharp pain of heartbreak from rejectioon in Parveen Shakir's ghazal, and the mature understanding of boundaries in intimacy in Ahmad Faraz's nazm 'bhali si ek shakl thi', Fabeha Syed unpacks how thoughts shape love, loss, and the stories we tell ourselves.Because real life isn’t just about what happens to us, it’s about hum kis soch mein mubtala hain? (what kind of thinking are we caught up in?) tune in.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In this week’s Urdunama, we remember Dharmendra not only as Bollywood's "Greek-God" hero but essentially as a man defined by two qualities - Pur-kashish (full of charm) and Shaista-mizaaj (gentle in nature). From humble beginnings in Punjab to a stunning, record 300 plus film-career, he was a man in love with Urdu zabaan. Join us for a brief tribute to a star whose charm and grace remain unforgettable. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tasalli is a feeling of comfort, reassurance, and emotional support. It is what helps the heart feel calm when someone listens without judgment, shares your pain or simply lets you be with your emotions. Urdu poets like Aarzoo Lakhnavi write about tasalli as the space to process grief, letting tears flow and giving the heart time to settle. or, rather the lack of it when the poet is also expecting more than just words to pacify him. Jan Nisar Akhtar shows how tasalli can come from presence and intimacy, like a hand on the heart or words that make someone feel truly seen. Hasrat Mohani writes about its fragile and cyclical nature, how peace can come and go and memories can trigger those familiar unsettling old feelings. And in the episode you will also find yourself in the embrace of Faiz’s reminder that you are your own biggest and most effective healer in his iconic nazm, Mere Humdum Mere Dost. So tune in. It’s time to heal.   Learn more about your ad choices. Visit megaphone.fm/adchoices

In poetry, “Sannata” isn’t just silence but the stillness where everything stops. It is the absence of sound, of presence, of movement, yet it carries a strange weight. Poets like Gulzar, Ameer Qazalbash, Abbas Tabish and Manmohan Shukla ‘Talkh’ have turned this silence into a living emotion. For Gulzar, sannata comes sneakily, filled with the fear of losing someone. Ameer Qazalbash writes of a silence that feels like the aftermath of a tragedy. Abbas Tabish’s interpretation of sannata shows emotional distance between two people, And in Talkh’s verse, sannata becomes deeply personal, its the kind that takes away the sense of self.Tune in to explore how sannata speaks louder than words. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Urdu, chain means comfort, meaning when the heart finally feels at ease. Bechaini is the opposite. It is the restlessness that keeps you awake, searching for something more, something else.Poets like Faiz Ahmad Faiz, Shaikh Ibrahim Zauq, and Josh Malihabadi wrote from this space between calm and chaos. Maybe that’s what it is. Not choosing between comfort and restlessness, but learning to live with both and to let chain and bechaini speak to each other inside of us. Tune in as Fabeha Syed reads works of these masters among others.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Roshni, meaning 'light', in Urdu poetry is never alone. It gains meaning only when contrasted with darkness, whether that’s doubt, loneliness, or the moments that challenge our hearts. Poets show us that hope isn’t about perfection; it’s about courage, resilience, and the quiet moments when even a small glimmer can guide us.From Shakeel Badayuni’s faith tested by doubt, to Bashir Badr’s morning breeze reminding us of small joys, and Waseem Barelvi’s light that moves and spreads wherever it can — roshni is alive and shared. In Urdu poetry, roshni is more than illumination. It is hope, presence, and the courage to shine even through the shadows of lurking tareeki meaning darkness. This Diwali, may we all try to stop looking for light outside, and become roshni ourselves. Tune in.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we explore Urdu word Ranj, sorrow, grief, and the small heartbreaks that shape our lives. From Sahir to Dagh, Shakeel, and Irfan, each poet has experienced, expressed, and understood Ranj in their own way. Sometimes it becomes empathy, sometimes resilience, and sometimes a quiet irony.We unpack these layers through poetry and reflection, showing how Ranj is not just about pain but also about how we feel, endure, and even find meaning in it. Tune in. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we explore the word Hazir — a simple word that means “present,” but in Urdu poetry it holds much deeper weight. With verses from Parveen Shakir and Ahmad Faraz, we look at how hazir shifts in its context and scope. the couplets curated in this episode reminds us that being hazir is never just about attendance. It’s about presence with all its complexity — love, loss, surrender, resistance — and it asks us what it really means to show up fully in front of another person, or in front of the truth.  Tune in. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we dive into the idea of ghaib — that mysterious, hidden side of life that we can’t fully see or grasp. We move from the mystical inspiration in Ghalib’s poetry, to the revolutionary energy in Chakbast’s ghazal, and the creative intinacy that echoes in Ahmad Salman’s verses, discovering how poets have drawn from the unseen to fuel creativity, emotion, and reflection.But ghaib isn’t just a poetic idea. In real life, it’s a gentle reminder that we don’t have control over everything. We can’t always know what others are thinking, what the right outcome of our choices will be, or why certain things happen. And that’s okay. Understanding this allows us to focus on what we can control, while letting go of what we can’t.Through poetry, reflection, and real-life lessons, this episode shows how embracing the hidden can bring clarity, patience, and a deeper sense of peace. Learn more about your ad choices. Visit megaphone.fm/adchoices

What does it mean to 'dance' in Urdu poetry? In this episode of Urdunama, Fabeha Syed explores Raqs, the movements, the madness, and the magic behind it. It's the kind that moves your heart, your soul, even the world around you. We look at the ashaar of Majrooh Sultanpuri, Saghar Khayyami, and Abbas Tabish, and see how they turn dance into metaphor: the joy of little steps, the madness that takes over, the wild energy that can’t be contained. From playful, innocent moments to powerful, overwhelming ones, raqs shows us how poetry captures life in motion. Tune in, and feel the rhythm of 'Raqs' through Urdu poetry. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Urdunama, Fabeha Syed explores the word Fursat, those rare moments of time when you can pause, breathe, and just be. What does it mean in Urdu poetry? We look at the ashaar of Ghalib, Faiz, and Sahir, tracing how each poet reflects on these small luxuries: the freedom to imagine, the quiet spaces that let life breathe, and the way even fleeting moments can feel enormous. From daydreaming about the beloved to feeling the weight of solitude and the world’s relentless pace, fursat becomes more than just leisure, it’s a window into the soul.  Tune in.  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Urdunama, we talk about manzar, a word that means a view, a scene, a spectacle. In Urdu poetry, though, it’s more than just scenery; it’s like a theatre of the mind where words create pictures and feelings at the same time. With the verses of Gulzar, Nida Fazli, and Bashir Badr, we look at how one simple manzar can open up entire worlds of silence, dreams, and reflection. Learn more about your ad choices. Visit megaphone.fm/adchoices

For centuries, Urdu has been part of a shared cultural space, shaped by people from diverse communities and traditions. Yet this fact is often forgotten or pushed aside. That’s why the new anthology Whose Urdu Is It Anyway? feels so important. Edited and translated into English by writer, literary historian, and translator Dr. Rakhshanda Jalil, the book brings together 16 Urdu short stories written by non-Muslim writers. The collection features powerful voices such as Krishan Chander, Rajinder Singh Bedi, Kanhaiya Lal Kapoor, and Gulzar, among others. Together, their stories challenge the stereotype that Urdu belongs to a single identity, reminding us instead that it has always been a language of many, reflecting universal themes of love, loss, displacement, and belonging. Learn more about your ad choices. Visit megaphone.fm/adchoices

Shiddat means intensity, the force of feeling when emotion refuses to stay small. It is love that burns without pause, grief that floods without mercy, joy that shakes the soul to its core. Shiddat is the storm within us, the fire in every longing, the ache in every absence. It does not whisper; it roars. In Urdu poetry, shiddat is the heartbeat of passion and pain alike, where words become flames, and silence carries weight. In this episode of Urdunama, we step into the world of shiddat through the verses of poets who captured the fiercest shades of the human heart. Learn more about your ad choices. Visit megaphone.fm/adchoices

Khaak means dust, humble, weightless, and ever-returning to the earth. It is where all journeys end and where every beginning quietly stirs. Khaak carries the memory of everything it has touched, walls once standing, feet once wandering, lives once lived. In Urdu poetry, khaak becomes a reminder of impermanence, of the fragility of glory, and of the beauty in humility. It speaks of both finality and renewal, of endings that feed beginnings. In this episode of Urdunama, we walk with khaak through the verses of poets who have found in it life’s deepest truths. Learn more about your ad choices. Visit megaphone.fm/adchoices

Zakhm means wound, but in poetry, it is more than just pain. It is memory stitched into skin, heartbreak carried in silence, and love that once cut deep. A zakhm can be raw or hidden, healing or haunting. In Urdu verse, it becomes a canvas, where sorrow turns into metaphor, and suffering into something almost beautiful. Zakhm isn’t just what breaks us; it’s what shapes us. In this episode of Urdunama, we explore the many meanings of zakhm through the verses of poets who transformed pain into poetry. Join us as we reflect on how wounds, seen and unseen, leave marks that often speak louder than words. Learn more about your ad choices. Visit megaphone.fm/adchoices