Edgar Wright takes on Stephen King's (sadly) still relevant The Running Man. The Horsemen return in Now You See Me: Now You Don't but do we wish the franchise was a disappearing act instead?
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We're here to bask in Guillermo del Toro's take on Frankenstein and dissect the rules of the world of Pluribus.
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An auteur themed week with four distinct visionaries left to their own devices, but is that always a good thing? We're watching Dan Trachtenberg shape several franchises with Predator: Badlands. Guillermo del Toro's 30 year in the making Frankenstein comes to life. Vince Gilligan is back in action with Pluribus. Lynne Ramsay teams up with Jennifer Lawrence and Robert Pattinson for Die My Love.
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Bugonia is one of those rare adaptations we think improves upon the source material.
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Buckle up for the bonkers and brilliant ride that is Bugonia. Nia DaCosta and Tessa Thompson try to update Hedda - but does their big swing pay off?
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Can Jeremy Allen White step into the shoes of the Boss in Springsteen: Deliver Me from Nowhere? Even with additional modernizing layers, Hedda feels stuck on the boards. Nobody Wants This season 2 is fun but it feels like the show is starting to run its course.
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Jeremy Allen White tries to step into the shoes of The Boss in Springsteen: Deliver Me from Nowhere. Rose Byrne gives a brilliant and stress inducing performance in If I Had Legs I'd Kick You.
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We figure out how to elevate Good Fortune to great with some casting tweaks, and praise the specificity of If I Had Legs I'd Kick You but also have some warnings about emotional bandwidth.
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Keanu Reeves gives a divine performance in the new comedy Good Fortune, but is the film as a whole a slam dunk?
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The theme of the week is apparently: stars in their 50s who look great but were probably miscast. We're talking Jared Leto in TRON: Ares and Jennifer Lopez in the latest adaptation of Kiss of the Spider Woman.
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TRON: Ares is gobbledygook that fails to add anything meaningful to the franchise (except maybe a great soundtrack). Roofman is a criminally fun tie at the movies (but more fluff than anything else). Kiss of the Spider Woman gets bogged down in its own attempted grandeur. Boots is a brilliant balance of themes and tones.
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This week brings three projects based on true stories that all slightly miss the mark in various ways they go about telling them. We're breaking down:The Smashing Machine, The Lost Bus, and Monster: The Ed Gein Story .
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The Smashing Machine is a slightly disjointed but overall serviceable sports biopic. The Lost Bus succeeds at the macro storytelling but goes astray in the purported main conceit.
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One Battle After Another might be Paul Thomas Anderson's most accessible work yet. Alien: Earth was a crash landing of a finale. All of You didn't quite get all of us.
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An action packed special episode 600 with director Kenji Tanigaki for his relentless and entertaining thriller, The Furious.
More about The Furious
In a small Southeast Asian country, skilled martial artist Wang Wei’s daughter Rainy is abducted by a child trafficking ring. Wang Wei sets out on a rampage, confronting both the corrupt police and the criminals, determined to rescue his kidnapped daughter. In the process, he encounters Navin, a journalist tirelessly trying to solve his wife’s disappearance. Together, the two unleash their formidable combat skills, fighting their way through dangerous obstacles and manage to unravel crucial clues and successfully rescue Rainy and a group of innocent children, dismantling the notorious human trafficking syndicate and bringing justice to the exploited and vulnerable.
More about Kenji Tanigaki
Kenji Tanigaki is a Japanese director, action director, and fight choreographer. From a young age, he was captivated by action cinema and was particularly influenced by Hong Kong films. After training at the Kurata Action Club in Japan, he moved to Hong Kong to pursue his career.
He became the only Japanese member of the Hong Kong Stuntman Association and gained early experience working on the martial arts drama series "Fist of Fury" (produced by ATV), where he met Donnie Yen. This led to numerous collaborations on Donnie’s projects, further honing his craft.
Tanigaki’s long-standing expertise in action choreography has been widely recognized. He won the Taiwan Golden Horse Award for HIDDEN MAN in 2018, and the Hong Kong Film Award for both RAGING FIRE in 2021 and TWILIGHT OF THE WARRIORS: WALLED IN in 2024. His notable credits include the RUROUNI KENSHIN series (2012–2021), SNAKE EYES: G.I. JOE ORIGINS (2021), and his directorial debut feature ENTER THE FAT DRAGON (2020).
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Paul Thomas Anderson is in fighting form with One Battle After Another. Brett Goldstein brings the romance to All of You. Eleanor the Great is anything but impressive.
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We're not mad, we're just disappointed about HIM's inability to commit to a theme. And even our favorite weirdo, Dan Stevens, can't save Swiped from its banality.
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Unfortunately HIM has a great premise but spirals out in the end. Gen V does not suffer from a sophomore slump. We're swiping left on the Bumble / Tinder cofounder biopic Swiped. Rebel Royals: An Unlikely Love Story is borderline propaganda for the subjects but a fascinating watch.
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Stephen King's The Long Walk proves as timely a film adaptation as there could be. Also two films made as (perhaps unnecessary) fan service with Downton Abbey: The Grand Finale and Spinal Tap 2: The End Continues
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We're seeing double with Twinless and triple with The Threesome. Can The Paper cement itself as more than just a spinoff of The Office?
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