Send us a text Turkey month is filled with surrealism isn't it? Today were talking about: What price would you pay for eternal beauty? In Death Becomes Her (1992), vanity has a half-life, necks can spin like windmills, and immortality is anything but graceful. Streep and Hawn duel in high camp couture, their bodies breaking as their egos bend, while Bruce Willis looks like he’s one martini away from total collapse. It’s glamorous, grotesque, and a morality tale wrapped in glitter, bullets, an...
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Send us a text Turkey month is filled with surrealism isn't it? Today were talking about: What price would you pay for eternal beauty? In Death Becomes Her (1992), vanity has a half-life, necks can spin like windmills, and immortality is anything but graceful. Streep and Hawn duel in high camp couture, their bodies breaking as their egos bend, while Bruce Willis looks like he’s one martini away from total collapse. It’s glamorous, grotesque, and a morality tale wrapped in glitter, bullets, an...
Send us a text Turkey month is filled with surrealism isn't it? Today were talking about: What price would you pay for eternal beauty? In Death Becomes Her (1992), vanity has a half-life, necks can spin like windmills, and immortality is anything but graceful. Streep and Hawn duel in high camp couture, their bodies breaking as their egos bend, while Bruce Willis looks like he’s one martini away from total collapse. It’s glamorous, grotesque, and a morality tale wrapped in glitter, bullets, an...
Send us a text Turkey month is filled with surrealism isn't it? Today were talking about: Pastel suburbs. Forced smiles. Babies swapped like party favors. Greener Grass (2019) is the surreal comedy that asks: what if your HOA ran your entire life? In this pastel nightmare, every lawn is perfect, every smile is orthodontic, and everyone’s slowly losing their minds beneath the pressure of keeping up appearances. It’s Stepford Wives with braces, Pleasantville on a sugar crash, and a fever dream ...
Send us a text Turkey month is filled with surrealism isn't it? Today were talking about: What do you get when you mix Paul Dano, Daniel Radcliffe, and one very gassy corpse? That’s right—Swiss Army Man (2016), the fart-fueled survival story that’s equal parts heartwarming and stomach-turning. This week, we dive headfirst into the indie fever dream where flatulence becomes a flotation device, corpses give life advice, and loneliness gets very, very weird. We’ll unpack the movie’s deeper messa...
Send us a text It's 2025 SPOOK-TOBER Today were talking about: The dead don’t rest — especially when they’ve got middle school drama to deal with. In ParaNorman (2012), a misunderstood boy who talks to ghosts must save his town from an ancient curse, proving that sometimes the real monsters are PTA members and small-town gossip. Through clay and courage, Laika Studios builds a hauntingly tender world where every grave hides a story and every outsider has a voice. It’s eerie, heartfelt, and we...
Send us a text It's 2025 SPOOK-TOBER Today were talking about: Autumn. Small-town vengeance. The carnival lights flicker beneath the harvest moon. Candy Corn (2019) tells the story of a bullied sideshow performer who returns from the grave to exact revenge — one kill at a time. It’s a film soaked in nostalgia, drenched in fake blood, and glazed with the artificial sweetness of a dollar-store Halloween bag. Between its moody fog and clunky dialogue, Candy Corn tries to taste like vintage horro...
Send us a text It's 2025 SPOOK-TOBER Today were talking about: The internet remembers everything — and in Halloween Party (2019), that’s the problem. When a cursed meme starts killing college students one click at a time, a pair of unlucky undergrads dive into the dark web of digital superstition. Between campus corridors and computer screens, the line between reality and viral horror blurs until there’s no logging off. It’s sleek, eerie, and just self-aware enough to make you nervous about c...
Send us a text It's 2025 SPOOK-TOBER Today were talking about: Night. Neon signs flicker. The shift is dragging. In Takeout (2025), three coworkers at a remote late-night diner begin to suspect their oddest customer may not be ordering fries — he might be ordering death. From cloak-and-diner suspense to frantic midnight tension, Takeout blends atmosphere and paranoia in a confined space where every pickup window might portend danger. It’s a tight thriller with the trimmings of isolation and d...
Send us a text It's 2025 SPOOK-TOBER Today were talking about: Grab your pumpkin spice latte and your sharpest fake machete—it’s Haunt Season (2024), the movie that proves Halloween is less about candy and more about questionable acting choices. In this seasonal spook-fest, Horny adults work at the season Haunted house only to find out that some of the bodies are REAL. We break down the “scares,” question the characters’ survival instincts, and ask the real question: if fall is “cozy se...
Send us a text into the public domain-verse Today were talking about: What happens when Cinderella doesn’t just lose a glass slipper at midnight—but also loses her mind? Welcome to Cinderella’s Curse (2024), the horror movie that puts the “grimm” back in Grimm’s Fairy Tales. In this gore-sprinkled fairy tale remix, Cinderella isn’t waiting for Prince Charming—she’s swinging sharp objects, breaking glass, and turning a pumpkin into something far more horrifying than pie. The film promises bloo...
Send us a text into the public domain-verse Today were talking about: This week we’re tackling Cult of Humpty Dumpty (2022), the horror film that dares to ask: What if your favorite egg-shaped nursery rhyme character wasn’t just clumsy, but also demonic and murder-y? Expect: 🥚 A creepy egg-doll thing that looks like it was baked in a Spirit Halloween clearance bin. 🥚 A plot so scrambled you’ll think you missed half the movie. 🥚 Cult members with the acting range of a boiled ...
Send us a text into the public domain-verse Today were talking about: Grab your popcorn (and maybe childhood innocence), because this week we're diving into The Mouse Trap (2024)—where Mickey goes full-horror icon at a late-night arcade party on someone’s 21st birthday. Why? Because Steamboat Willie entered the public domain, and now it's time for mayhem. Expect shoddy teleporting, strobe-light-based defense strategies, phone jacks pulled, maze-like laser tag zones, and teenage victims who ma...
Send us a text into the public domain-verse Today were talking about: This week, we’re diving into Winnie-the-Pooh: Blood and Honey (2023) — the horror reimagining that nobody asked for, but somehow exists anyway. In this honey-coated massacre, Pooh and Piglet go full slasher mode after being abandoned by Christopher Robin. There’s: 🐝 Slasher kills in the Hundred Acre Wood 🐷 Piglet with an axe and zero chill 🍯 A shocking lack of pants (as usual) 💀 And the destruction o...
Send us a text Dog Movie month and they aren't sad movie bait Today were talking about: This week, we take a spooky trip to Howling Village (2019) — the Japanese horror movie that asks: “What if your family secrets were haunted, wolf-themed, and hiding in a cursed tunnel you should definitely not go into?” There’s: 🔦 A haunted town that was deleted from Google Maps 🐺 Ghost wolves? Maybe? Still unclear. 😱 Screaming in multiple directions 🚽 An actual haunted toilet (we wish we were jo...
Send us a text Dog Movie month and they aren't sad movie bait Today were talking about: This week, we crack open The Lobster (2015) — a dark comedy where single people are shipped off to a hotel, given 45 days to fall in love, and if they fail... they get turned into an animal. Colin Farrell plays a man who is, uh, not thriving in the romance department. There's: 🐕 People pretending to be emotionally available 🦞 Threats of lobster transformation 💘 Forced mingling that makes speed dating lo...
Send us a text Dog Movie month and they aren't sad movie bait Today were talking about: This week we put on The Mask (1994) — and things get weird fast. Jim Carrey plays Stanley Ipkiss, a painfully nice guy who finds an ancient mask and transforms into a green-faced cartoon demon with the confidence of a Vegas magician and the morals of a raccoon on Red Bull. Expect: 🎩 Big teeth 🕺 Horny dancing 💣 Unexplainable violence 🐺 And the most chaotic use of jazz hands in cinema...
Send us a text Dog Movie month and they aren't sad movie bait Today were talking about: This week, we sharpen our colored pencils and review Becky (2020) — the film where a teenager with a grudge turns a lakeside cabin into a DIY booby-trapped war zone. When neo-Nazis invade her family’s home, Becky responds the only way a traumatized tween knows how: with creative violence, zero mercy, and the kind of rage usually reserved for losing Wi-Fi. We talk: 🪓 Home invasion logic (or lack there...
Send us a text It took too long to do a Jeffery Combs Month Today were talking about: This week, we inject pure chaos into our podcast with Re-Animator (1985) — the cult horror classic where science goes rogue, cats come back wrong, and decapitated heads develop deeply disturbing hobbies. Dr. Herbert West has one goal: conquer death. Unfortunately, that involves glowing green goo, lots of screaming, and at least one zombie trying to get freaky. We talk B-movie brilliance, bad life choices, an...
Send us a text It took too long to do a Jeffery Combs Month Today were talking about: This week, we take a bite out of Sharkman (2001) — the movie where a mad scientist turns his dying son into a shark-human hybrid because, you know, logic. There’s: 🧪 Science with zero ethics 🦈 A sharkman who looks like he lost a fight with a pool noodle 💉 Experiments, explosions, and acting that deserves its own category at the Razzies 🐟 And one question: Did anyone proofread the scri...
Send us a text It took too long to do a Jeffery Combs Month Today were talking about: This week we try (and fail) to untangle The Attic Expeditions (2001) — the horror film where cults, brain surgery, demonic books, and fake doctors all live together in the world’s most cursed house. It’s got: 🧠 A guy in a straitjacket 📚 A book that may or may not summon evil 🧙♂️ Jeffrey Combs being 110% done 💥 And a plot so twisty M. Night Shyamalan would call it “too much” We break ...
Send us a text It took too long to do a Jeffery Combs Month Today were talking about: This week we descend into Cellar Dweller (1988) — the horror movie where drawing monsters brings them to life, basements are portals to hell, and every character has the survival instincts of a confused goldfish. There’s a demon, an art school, a cursed comic strip, and one extremely haunted storage room full of bad decisions. Think: Goosebumps if it was rated R and had a fog machine on overtime. We talk mon...
Send us a text Turkey month is filled with surrealism isn't it? Today were talking about: What price would you pay for eternal beauty? In Death Becomes Her (1992), vanity has a half-life, necks can spin like windmills, and immortality is anything but graceful. Streep and Hawn duel in high camp couture, their bodies breaking as their egos bend, while Bruce Willis looks like he’s one martini away from total collapse. It’s glamorous, grotesque, and a morality tale wrapped in glitter, bullets, an...
