No Time To Die: The Official James Bond Podcast is a new and exclusive podcast hosted by James King. The six-part series features exclusive interviews with Daniel Craig, Rami Malek, Léa Seydoux, Lashana Lynch, Jeffrey Wright, Naomie Harris, director Cary Joji Fukunaga, producers Michael G. Wilson and Barbara Broccoli, Billie Eilish and Finneas O’Connell and a host of key behind the scenes crew including the franchise’s longstanding casting director Debbie McWilliams and special effects supervisor Chris Corbould.
Each episode focuses on a different aspect of the James Bond universe, from characters to locations and music to action. Daniel Craig also discusses landing the iconic role, and the release of his final outing as the world’s favourite secret agent.
Podcast listeners will get an exclusive first listen to some of the No Time To Die score from Hans Zimmer by Decca Records.
No Time To Die: The Official James Bond Podcast is produced by Somethin’ Else in association with Metro Goldwyn Mayer Studios, Universal Pictures International, United Artists Releasing and EON Productions.
Hosted on Acast. See acast.com/privacy for more information.
Why did it take so long to make a Simpsons movie? Did Ed Harris really almost drown on The Abyss? How many times have they attempted to reboot Batman? And who thought Ugly Sonic was a good idea?
Well, making stuff is hard. Especially in the entertainment world where big egos, bigger budgets, and just plain bad luck can make things go horribly wrong. In each episode of It Was a Sh*t Show, hosts Ian, Rae, and Clint dive into the unbelievable behind-the-scenes stories of disastrous, never-ending, and often dangerous productions.
Hosted on Acast. See acast.com/privacy for more information.
SciFrights – a movie podcast from the Interzone where horror meets science fiction.
In each episode hosts Liam Dunn and Dr Lindsay Hallam will explore a theme through two films, one horror and one science fiction. They will discuss the place of the film within the history of the genre, the ways the film employs genre tropes and style, and analyse the film’s historical context and social commentary.
